R. RETI & J. FRITZ
MASTERPIECES OF CHESS COMPOSITION
MEISTERWERKE DER SCHACHKOMPOSITION
IHEAEBPbl IHAXMATHOÜ KOMIIO3
Hllil!
JOYAS DE LA COMPOSICION AJEDRECISTICA
YAK 794.1
BBK 75.581
Yakov Vladimirov
RICHARD RETI, JINDRICH FRITZ
Design Veronika Kasatkina
Publisher «RUSSIAN CHESS HOUSE»
(director Murad Amannazarov), 2002
Tel/fax: (095) 963-80-17, 964-13-54, 964-13-32
e-mail: chesshouse@softhome.net
ISBN 5-94693-012-5
© «RUSSIAN CHESS HOUSE», 2002
OopwaT 60x90/32. Hen. jihct. 5
R. RETI & J. FRITZ
Yakov Vladimirov
Grandmaster in Chess Composition
MASTERPIECES OF CHESS COMPOSITION - 6
MEISTERWERKE DER SCHACHKOMPOSITION-6
IIIEAEBPbl IIIAXMATHOH KOMHO3HHHH - 6
JOYAS DE LA COMOSICION AJEDRECISTICA - 6
MOSCOW 2002
EVERY book of this series contains 100 masterpieces from the
golden treasury of chess lore, that are distinguished by bright,
elegant, but not too complicated solution. Therefore almost all
these studies are, besides all, fine leaming examples. They can be
solved directly from the diagrams, without chess board and pieces.
JEDES Buch dieser Reine enthielt 100 Meisterwerke der
Studiekomposition, dessen Merkmal ist schöne, glanzende, aber
nicht außerordentlich komplizierte Lösung. Deshalb fast alle diese
Werke sind, neben allem, auch sehr gute Beispiele für
Schachstudium; man kann lösen sie direkt aus dem Buch, ohne
Schachfiguren und Brett.
KA^KflBIH cöopHHK 3toh cepHH co^ep^KHT 100 IUe^eBpOB
MHpOBoii maxMaTHOH KOMno3Himn, oTjiHHHTejibHa« nepja
KOToptix - KpacHBoe, npKoe, ho ne OHeHB cjio>KHoe penieHHe.
fIo3TOMy noHTH Bee 3th npoH3Be^eHHH, homhmo nponero,
npeKpacHbie yneÖHbie npiwephi. Hx peKOMeH^yercn peinaTb
npsiMO c jjnarpaMM, He paccTaBJuw (|)nryp Ha ßocKe.
CADA libro de esta serie contiene 100 obras maestras de la
compositioii ajedrecistica mundial, el rasgo caracteristico de las
cuales son sus soluciones beilas y elocuentes, pero sin ser
demasiado complicadas. Y es por eso que casi todas estas obras
pueden tambien verse como unos estupendos ejemplos de
aprendizaje. Se recomienda solucionarias directa-mente en diagrama,
sin colocar las piezas en el tabiero.
2
Jindrich Fritz
Richard Reti
3
MASTERPIECES OF BOHEMIAN CRYSTAL
Richard Reti (bom Bratislava 1889, died Prague 1929) was a
famous grandmaster and an outstanding theoretician and chess
player. He composed about 100 studies, one of which (No.l) is the
most populär of all among chess players.
His work is distinguished by a love for positions with mutual
zugzwang and paradoxical entry moves, supported by thematic
false trails. Many of his studies are based on the fascinating battle
of pieces against several passed pawns.
A collection of Reti’s studies, prepared by the author, was
published after his sudden death, in 1929, and for this the chess
world is indebted to Arthur Mandler.
Jindfich Fritz (bom Prague 1912, died Prague 1984) was a
grandmaster of chess composition (1975) and an international arbiter
(1956). He was a lawyer by profession.
From 1930 he composed more than 500 studies and prob-lems,
collected in his book «Vybrane Sachove Problemy» (1979). He was
a follower of the Bohemian chess school; his studies invariably end
in pretty and correct checkmates or stalemates. He paid much
attention to echo motifs and classical domination. Fritz was in his
element in lively piece play. With his fine composing technique, he
was ab le to embody the most complicated ideas in miniature form.
The elegant studies of Reti and Fritz are involuntarily associated
with the gleam of the famous Bohemian crystal.
4
DIEKUNSTWERKEDESSCHACHKRISTALLES
Richard Rety (1889, Bratislava - 1929, Prag) - der berühmte
Großmeister, herforragende Theoretiker und Praktiker des
Schachspieles. Er war der Autor der ung. 100 Studien, eine aus
denen (Nel) ist die populärste unter den Schachspielern.
Für sein Schaffen ist die Neigung zu den Stellungen mit
beiderseitigem Zugzwang und paradoxem Einzug, den bei den
thematischen Falschspuren bestärkt wird, kennzeichnend. Wich-
tege Rolle in seinem Schaffen spielen die Studien, die auf span-
nendem Kampf der Figuren gegen einigen durchziehenden Bauern
baziert wird.
Retys Studiesammlung, die der Autor selbst vorbereitet hatte,
erschien schon nach seinem unerwarteten Tod im Jahre 1929 -
dafür ist die Schachwelt dem A. Mandler dankbar.
Indfich Fritz (1912, Prag -1984, Prag) - der Kompositions-groß-
meister (1975), der internationale Kampfrichter. Der Jurist.
Seit Jahre 1930 verfasste er mehr als 500 Studien und Aufga-
ben, die das Buch «Vybrane sachove problemy» (1979) zusam-
mengesetzt haben. Er war ein Anhänger der Tschechischer Schule.
Seine Studien vollenden mit schönem, korrektem Matt oder Patt. Er
schenkte viel Aufmerksamkeit dem Echo-Spiel und der klassischen
Domination. Sein Element war ein regsames Figurspiel.
Mit seiner hohen Kompositionstechnik, konnte er die kompli-
ziersten Ideen im zierlichen Form verwirklichen.
Retys und Fritzs zierliche Studien rufen unwillkürlich das Bild
des Bohemischen Kristalls hervor.
5
IUE^EBPM IHAXMATHOrO XPYCTAJIM
Pnxap^ PETH (1889, EpaincjiaBa - 1929, Ilpara) - 3HaMe-
hhtbih rpoccMencrep, Bbi^aioniHHCH Teopermc h npaKTHK inax-
MaT. ÄBTOp OKOJIO 100 3TKVIOB, O^HH H3 KOTOpblX (N? 1) - CaMblH
nonyjiHpHbin cpejjn niaxMaTHCTOB.
JXji» ero TBopnecTBa xapaKTepna jhoGobb k ho3huhhm co
B3aHMHbiM ijyrijBaHroM h napa^OKcajibHbiM BCTynneHHeM,
noßKpenneHHbiM TeMaiuHecKHM jio^khbim cjießOM. Bojibinoe Mecro
b ero Hacjie/niH ßainwaiOT anojxbi, ocnoBaHHbie na yBJieKaTejibHon
6opb6e (})nryp npoTHB HecKOJibKnx npoxo^Hbix nenieK.
Peru noATOTOBHJi c6opHHK cbohx otiojjob, ho ne ycneji ero
H34aTb... KHHra yBH,qejia CBer b 1929 ro^y 6jiaro^apn ycnjiHMM
A.Maimjiepa.
Kh^p^khx OPKT3 (1912, Ilpara - 1984, Ilpara) - rpocc-
MeHCTep no KOMHO3HUHH (1975) h Me^yHapo^HbiH apönrp
(1956). lOpHCT.
C 1930 r. cocTaBMji 6ojiee 500 3110,1108 h 3a^an, coGpannbix
b KHHre “Vybrane sachove problemy” (1979). Ebui npnßep-
ÄeinjeM nemcKOH hikojibi; ero ono^bi o6a3aTejibHO 3aKaHHH-
BaiOTCM KpacHBbiMH HpaBRjibHEiMH MajaMH hjih naTaMH. MHoro
BHHMaHHH yqejuui 3xo-Hrpe, KjiaccnnecKOH ^oMHHaiiHH. Cthxhh
K.QpniBa - ^KHBaa (JmrypHaH nrpa.
Oßjiaaaa BbicoKOH TexHHKOH cocTaßjieHHB, oh yMen bo-
njiomaTb caMbie cjio^KHbie 3aMbicjibi b (|)opMe MHHHaTiopbi.
PfasiIUHbie 3TK)^bI P.PeTH H fl.<I)pHT3a HCBOJIbHO aCCOIJH-
HpyiOTCH c CHMHHeM 3HaMeHHToro 6oreMCKoro xpycrajiH.
6
OBRAS MAESTRAS DE CRISTALDEROCAAJEDRECISTICO
Richard Reti (1889, Bratislava-1928, Praga) - celebre gran
maestro, destacado teorico y präctico del ajedrez. Autor de apro-
ximadamente 100 estudios artisticos, uno de los quales (No. 1) es
el mäs populär entre los ajedrecistas.
Para su obra creadora es tipico un afecto especial respecto a
las posiciones con el zugzwang recfproco y solucion paradöjica
en combinacion con seudosoluciones temäticas. Una gran parte
de su herencia viene consagrada a los estudios basados en una
lucha atractiva de piezes contra varios peones pasados.
El libro de su estudios preparado para la ediciön por el mismo
Reti fue publicado ya despues de su fallecimiento prematuro en el
1929, por lo que el mundo ajedrecfstico debe agradecer al Sr.
A.Mandler.
Jindfich Fritz (1912, Praga - 1984, Praga) - gran maestro en la
composicion ajediecistica (1975) y ärbitro intemacional (1956). Abogado.
Desde el 1930 compuso mäs de 500 estudios y problemas
reunidos en el libro «Vybrane sachove problemy» (1979). Fue adepto
de la escuela checa; sus estudios obligatoriamente venfan culminadas
con unos hermosos mates o pates puros y economicos. Presto mucha
atencion a la repeticion de juego en forma de eco, a la dominaciön
cläsica. El campo predilecto de su obra fue un animado juego de
piezas.
Poseendo de una estupenda tecnica de composicion supo
plasmar las mäs complicadas ideas en forma de miniatura.
Los estudios elegantes de R.Reti e J.Fritz involuntariamente
hacen recordar el relucir del famoso cristal de Bohemia.
7
SIGNS AND SYMBOLS
DAS ZEICHENSYSTEM
CHCTEMA 3HAKOB
EL SISTEMA DE SIGNOS
□ H White (Black) to play * Weiss (Schwarz) am
Zuge; Weiss (Schwarz) * xofl ßejibix, uepHbix; öejibie,
uepHbie * toca a las blancas (negras); las blancas (las
negras)
CO arbitrary move * beliebiger Zug * jik>6oü xoa *
cualguier jugada
H— —F White (Black) wins * Weiss (Schwarz)
gewinnt * Bbiurpuui ßejibix, uepHbix * las blancas (las
negras) ganan
= Draw * Remis * hhhba * Tablas
! strong move * starker Zug * xopomnü xoa *
jugada fuerte
1! a very strong move * ein sehr starker Zug *
oneHb xopouiHft xoa * jugada muy fuerte
? weak move * schwacher Zug * cjiaßbiü xoä *
jugada mala
® a thematic false attempt * ein thematischer Ver-
such * TeMannecKMÄ JioxHbrii caea * pseudosoluciön
8
# checkmate * Matt ♦ Mai ♦ Mate
© stalemate * Patt * naT * ahogado
O Zugzwang * Zugzwang * uyrpBaHr * zugzwang
X echo-repetition * Echo-Wiederholung * axo-
noBTop * eco-repeticiön
white's domination * weisse Domination *
AOMHHamifl öejibix * domination blanca
O", o □ reciprocal Zugzwang * beiderseitiger
Zugzwang * B3anMHbrä iiynjBaHr * zugzwang reciproco
XI white piece maneuver * weisse Figurenmanover *
MaHeBp öejiofi (t>nrypbi * maniobra de una pieza blanca
|i enticement of a white, black piece * Ver-
lockerung des weissen, schwarzen Figurs * aaßneneHHe
Gejioü, nepHoii (J)nrypM * atracciön de una pieza blanca,
negra
-□ - white, black blockade of a square * Weiss,
Schwarz blokiert ein Feld * öjioKnpoBaHHe non» öejibi-
mh, nepHbiMM * bloqueo de una casilla por las blancas
(negras)
9
Ns 1. R. Reti, Kagan’s
Neueste Schachnachrich., 1921
Ns 2. R. Reti
«Endspielstudien», 1929
Ns 3. R. Reti
«Narodni Listy», 1928
Ns 4. R. Reti
«IIIaXMaTHbIK JIHCTOK», 1928
10
Ne 5. R. Reti
«Tidskrift for Schack», 1928
Ne 6. R. Reti
«IIIaXMaTHblH jimctok», 1929
Ns 7. R. Reti
Ns 8. R. Reti
«Endspielstudien», 1929
«Köln. Volkszeitung», 1928
11
Ne 9. R. Reti
«IIIaXMaTHblH JIHCTOK», 1927
Ne 10. R. Reti
«Hastinger Zeitung», 1922
+
JNb 11. R. Reti
«Tagesbote», 1928
Ns 12. R. Reti
«IIIaxMaTbi», 1929
+
12
No 13. R. Reti
«Köln. Volkzeitung», 1927
Ne 14. R. Reti, «Casopis
Ceskoslovensky Sachistu», 1924
+
N2 15. R. Reti, «Teplitz-
Schonauer Anzeiger», 1922
No 16. R. Reti
«IIIaXMaTHblH jihctok», 1927
+
13
Ns 17. R. Reti
«Köln. Volkzeitung», 1928
Ns 18. R. Reti
«Wiener Tageblatt», 1925
+
Ns 19. R. Reti
«IIIaxMaTbi», 1928
Ns 20. R. Reti
«Wiener Schachzeitung», 1923
14
No 21. J. Fritz
Ns 22. J. Fritz
«Ceskoslovensky Sach», 1930
«Ceskoslovenska repub.», 1931
No 23. J. Fritz
Ns 24. J. Fritz
«Ceske slovo», 1931
«Ceske slovo», 1931
+
15
Ne 25. J. Fritz
BCF, 1932
Ne 26. J. Fritz
«Ceske slovo», 1933
Ne 27. J. Fritz
«Ceske slovo», 1933
Ne 28. J. Fritz
«Lidove listy», 1934
16
Ns 29. J. Fritz
«Ceskoslovensky Sach», 1934
Ns 30. J. Fritz
«Gros», 1937
+
Ns 31. J. Fritz
Ns 32. J. Fritz
«Gros», 1938
«Revista de Sah», 1938
17
No 33. J. Fritz
«Schackvarlden», 1939
No 34. J. Fritz
«Sach», 1939
+
Ns 35. J. Fritz
«Ceske slovo», 1939
Ns 36. J. Fritz
«Revista de Sah», 1939
18
No 37. J. Fritz
«Revista de Sah», 1939
Ne 38. J. Fritz
«Tyden rozhlasu», 1940
Ns 39. J. Fritz
Ns 40. J. Fritz
«Sach», 1940
«Prace», 1947
19
Ns 41. J. Fritz
«Prace», 1950
Ns 42. J. Fritz
«Svobodne slovo», 1950
+
J\b 43. J. Fritz
«Prace», 1950
J\b 44. J. Fritz
«Svobodne slovo», 1950
20
Ns 45. J. Fritz
«Ceskoslovensky Sach», 1951
Ns 46. J. Fritz
«Prace», 1951
Ne 47. J. Fritz
Ns 48. J. Fritz
«Prace», 1951
«Prace», 1951
21
J\b 49. J. Fritz
«Tidschrift v.d. KNSB», 1951
Ns 50. J. Fritz
«Tidschrift v.d. KNSB», 1951
Nb 51. J. Fritz
UJCS, 1951
Ns 52. J. Fritz
«Suomen Shakki», 1952
22
Ns 53. J. Fritz
BCF, 1952
Ns 54. J. Fritz
«Tidschrift v.d. KNSB», 1952
Ns 55. J. Fritz
«Tidskrift for Schack», 1952
Ns 56. J. Fritz
«Modemi sachova Studie», 1951
+
23
Ne 57. J. Fritz
«Suomen Sosialidemokraati», 1952
Ns 58. J. Fritz
MK JI.IJeHTypnHn, 1950
Ns 59. J. Fritz
«Tidskrift for Schack», 1951
+
Ns 60. J. Fritz
«Schweiz. Schachzeitung», 1951
+
24
Ne 61. J. Fritz
Ns 62. J. Fritz
«Ceskoslovensky Sach», 1953
«Prace», 1953
Ns 63. J. Fritz
Ns 64. J. Fritz
«Prace», 1953
«Sachova Studie», 1954
+
25
Ns 65. J. Fritz
«Sachova Studie», 1954
Ne 66. J. Fritz
«Sachova Studie», 1954
+
N° 67. J. Fritz
«Prace», 1953
N° 68. J. Fritz
«Sachova Studie», 1954
26
Ne 69. J. Fritz
Ne 70. J. Fritz
«Svobodne slovo», 1953
«Ceskoslovensky Sach», 1955
+
Ns 71. J. Fritz
Ns 72. J. Fritz
«Tidschrift v.d. KNSB», 1955 «Tidschrift v.d. KNSB», 1955
27
N° 73. J. Fritz
«Tidschrift v.d. KNSB», 1955
Ns 74. J. Fritz
«Magyar Sakkelet», 1955
Ns 75. J. Fritz
«Magyar Sakkelet», 1955
Ne 76. J. Fritz
«Vecerni Praha», 1956
28
N° 77. J. Fritz
TSO ROH, 1956
Ne 78. J. Fritz
«Prace», 1961
+
Ne 79. J. Fritz
«Svobodne slovo», 1961
Ne 80. J. Fritz
UV CSTV, 1961
+
29
Ns 81. J. Fritz
UV CSTV, 1961
Ns 82. J. Fritz
«Szachy», 1962
+
Ns 83. J. Fritz
«Szachy», 1962
Ns 84. J. Fritz
«Biojuier. IJIIIK CCCP», 1964
30
Ne 85. J. Fritz
«Svobodne slovo», 1964
Ns 86. J. Fritz
«Ceskoslovensky Sach», 1965
+
Ns 87. J. Fritz
«Zemedelske noviny», 1965
Ne 88. J. Fritz
«Prace», 1965
+
31
Ns 89. J. Fritz
«Svobodne slovo», 1973
Ns 90. J. Fritz
«Svobodne slovo», 1973
+
+
Ns 91. J. Fritz
«Revista de Sah», 1973
Ns 92. J. Fritz
«Magyar Sakkelet», 1973
32
Ns 93. J. Fritz
«Magyar Sakkelet», 1974
Ns 94. J. Fritz
«Gazeta Czestochowska», 1974
Ns 95. J. Fritz
Ns 96. J. Fritz
«New Statesman», 1973
«Sachove umeni», 1974
33
Ne 97. J. Fritz
«Vybrane sachove probt», 1979
Ne 98. J. Fritz
«Vybrane sachove probt», 1979
Ne 99. J. Fritz
«L’Italia Scacchistica», 1975
Ne 100. J. Fritz
«Vybrane sachove probt», 1979
34
SOLUTIONS
LÖSUNGEN
PEIIIEHH»
SOLUCIONES
Nel. L£g7 Öb6 2.£f6 h4 3.£e5 h3 4.£d6 h2 5x7 =,
l...h4 2. &/6 äb6 3. &e5 =, Xi Reti.
N°2. l.figö Säb6 2.säg7 h5 (Z../5 3.2/6 /4 4.2e5 f3
5. 2d6) 3M h4 4.säe5 h3 5.£d6 h2 6x7, l../52.2g7/4
3.2/6 /3 4.2e6(e7) =, Xi Reti.
N°3. LÖe7 g5 2.Öd6 g4 3x7 Äb5 4.äc5 Ae8 5.fid4
Äb7 6.£e4 Öc7 7.Öf4 =, Xi Reti.
Ns>4. I.d5? 2e7! 2.dc £c7 3.g6 A/4 4. 2h7 &e5 5. 2g8
&e8! 6.äh7 £al! 7äh6 Af6! @ 1.ÖI7 £c3 2.d5 cd
3.g6 Säd6 4.£f8 Ab2 5.Öf7.
N°5. 7. Sdl? d4! 2. &d7 äd5 3. äc7 äc5 O U, 2. &f7
&e4 3. äe6 d3, 2.3d2 &e4 3. &d6 &e3 4. Sdl d3. 1.3 d2
(d3)! d4 2.3dl! £d5 3.£d7 O  Öe5 (5...^c5 4.^e6,
3... &e4 4. &d6) 4.£c6 £e4 5.£c5.
Ne6. I.f3! 3ß (l...Ba4 2.d4 äa2 3/4 &a3 4/5 Sa8
35
5. &c4 &a46.f6=) 2.d4 SO 3.£c4 äc2 4.d5 3d3 5.£c5.
No7. 7. Bf8? f3 2. Bf4 b4 3. Bg4 b3 4. Bgl f2 5. Bfl b2
6. &g7 äd4 7. &f6 &d3 8. Bbl Üc2 @). 1.3 g8 g3 2.3 g4
b4 3.3f4 b3 4.3fl g2 5.3gl b2 6.Säg7 Säd4 7.£f6 Säe3
8.3bl Äd3 9.8 gl.
N>8. I.£g2? äe4 2. Üf2 el&! 3. £el &d3 O, 4. Bal
&c3. l.&ß! Öe4 (7... äf4 2. &e2 &g3 3. J?e3 &h2 4. äf2)
2.&e2 £d4 3.3gl (al) &e4 4.3el! Öd4 5.£d2, 4...&f4
5.£ß,4...säe5 5.£e3 > .
N°9.1. &d6? Bh82.c6bc 3. äe6 &c5 O LJ. 1.Öd7 Bh8
2.äd6 Öc4 3.c6 bc 4.fie5 4.&e6? &c5 O LJ 5.äe5 Bb8
6.&f6 ^d6 7.&g7 ^e74...Öc5 5.£e6 O  .
NslO. I.äd4 £c5! 2.£hlü 0,2...A18 (g7, g5, f4) 3.äe6,
2...Ad2 (cl) 3.äb3	. I...säb7 2.£h2 £a6 3.£b3 &f4
4. &h3 &b5 5. &g4 £b8 6.f4 &b4 7.f5 &b3 8.f6 &b4 9.f7
Ad6 lO.aö.
Nell. I.d4 3d42.e7 Bd6 3.&f7? Bd8!O O3.Ög7! Bd8
4.£f7 O  , 2...3e4 3.äe6 £d7 4.äc5; l...äd8 2. &J7 &c8
3.e7 Bd8 4.d5, 1... ^c72.d5 Bd5 3.e7 Bd8 4. £e6.
Nsl2. I.£g6? äb2 2.äf6 c5 3.&e7 Ba8 (c8) 4.&f8
Ba7(c7) 5. &d7 Ba8(c8). I.äa4! Äb4 (b3) (7... &c42. £g6
36
l&B? WT zq$ MH £3^’1 8I5X

n
Os
ß"
QTQ

£
B- A
5 £
IQ-


£ ®
LA
er
CA
ui
B-
U
Ö3-
fcQ
Oq
O\
po
Oq
B-
»
Ul
SB
D&
SB
O\
ß-
3
Ul
D&
Os
t£>

r»


o
00
4t
<&
DS>
p
00
ß-

B-
re
Cta
ß-
Oq
EO
re
00
00
DB
ß-
CD
to
re
ß-
&

&
Oq
Js»
CO-
CA
fcQ
t
O\
e&
oq
O\
»3>
®
E>

fcQ
08
D*>
DS>
QTQ
□
ß"
QTQ
E>
QTQ
DS>

o?
D3-
ü& Jq"
QTQ

&*>
&
Oq
ß-
QTQ
B-
D*>
&*> <*>
O' Ci'
<&
(£> f>
12»
&
Q
Nj O\
LA
LA
ß"
D&
M
oo
os
e
o
00

©
Q
Oo
p
ö
R.
§
&*>
Q-
UA


&
ö»>
Ss-
Oo
Po
IE>
ö
&
DB
&
&
LA
53^
DB
ö»>
O\
&
fcQ
(£>
<>9
Oo
ItQ
E>

m>
p
00 QTQ

(tu
O\
00
ß-
JE>

ß-
ui
Oo
t£>
gU.öbl ^d2 5.öb2 5äel! 6.Öcl £f2 7.£dl Öß8.Öc3
£e2 (8...äf4 9.&f6 äe4 10.&d4 &f3 ll.&d5) 9.©b2
Öd3 (9...£f3 10.&b7, 9...&fl 10.äe3) 10.öb3 Äd2 (e2)
ll.öa2 £d3 12.äb2 fie3 13.£c4 £f3 14.äe5 X .
Ne 19. Läg7?Ae5O LJ, 2.c4 Af6 3.gfb4. l.sähö! Ae5
2.£g7H O  , 2...Ah2 3.c4! bc 4.e5! Ae5 5.bc Äf6 6.gf
3h8 7.£h8 Öd7 8.£g8!
N°20. 1. äb3? h2 2. Be8 hl&3. äe4 äcl 4. Sc8 äbl
5.äd2 äal lj <». l.Öa3! h2 2.ae8 hl© 3,£e4 Öc2
(cl) 4.§c8 säbl 5.^d2 Öal 6.äb3 Äbl 7.&d2 Öal
8.2c2.
No21. l.Ägö Ac3 2.Sc4 ^.d2! 3.äg2 Äfl 4.Bc8 Äg2
5.Bc2; 1...ÄB 2.ae4 fifl! (2...&d2 3.8e8 Ad6 4.Sd8,
2...&f2 3.Se8 £d6 4.^d3) 3.ae8 £d6 4.ac8 Af4
5.af8 ❖ > .
N°22. l.a8S! £a8 2.d7 8h8 (2... Bg2 3. ^f7 Sf2 4. &e7
Se2 5.&d6) 3.£g7 8b8 4.Ac7! ❖ .
Na23. l.Ad5 fih8! (J...üf8? 2.Bc7! Ab5 3.Ba7 £c4?
4.Ac4	2.ah4! 2.8c7? Ab5 3.3a7 Ac4! 4.Ac4.
2...Ög7 3. ab4 Ac8 4.8c4 &a6! 5. a a4 5. Bc7? &h8!6. Ba7
Ac4 7.Ac4 ® , 5...Ab5 6.aa7 ❖ .
38
N»24.1.b7 Sgl! 2,Ag2 2b8&? &g3 3. &g3 Sg3 5. &g3 =
2...Sbl 3.Ae4 £h6! 4.Abi Alb 5.b8A! 5.b8&? £e56. &e5 ®.
Nb25. I.äf5 Öc5 (7...£?c4, d5 2. äe3, l...£e5 2.&g3)
2.&g3 äß {2...gl& 3.&f2 &f2 3.äe4) 3.Sh5! 3.&h4?
gl& 4.£f2 &f2, 3.&g4 (g6) £e5 4.Ü GO £d3! 5.äe2
Sei. 3...Adi 4.Öh4! gl® 5.Aß Öß ® .
N°26. I.b7 Af4 2.e5 Ae5 3.b8ö Ab8 4.Abl! cbö ® ,
1...C1Ö 2.Aß! 2.b8&? &c63.&b7 &a44.&b8 £f4 5.&c8
&e84. 2... Aß 3.b8S Öc6 4.Üb7  .
N°27. I.b7 Sa5 2.Öd6! Bb5! 3.Ac6 Sd8! 4.Ab5 Ac8!
5.b8A! A/>76.Ac7 äc8 7.^,d7#, 5...^,h3 6.Ac7 ^c8 7.^,a6#.
N»28. I.h6 ^d6! 2.Ad5! Ac2 3.Öc2 4.Aß äg4
5.h7 ^f6 6.h8S!
Nb29. I.äd5 Sd5 (l...£b4?2.£b4 ^c73.^a6) 2.Ae4
&b8! (2...äb4 3..£d5 äa6!4.M1) 3.Ad5 £a6 4.d8S!
4.d8&? ^c6!5.^,c6 ® ; l...äb8 2.d8ä! Öc8 3.A15 äd7
4.Ad7 Öb8 5.äc6.
Ne30. l.Sfl £el(J...äh3 2.£&4)2.£e3! äg3! 3.Sf4
Säb3 4.&I3! 4. Sh4? ^/5/4...Adl 5.£g2 Ae7 6.£g3 Ad6
7.&h4 Af4 ® .
39
N°31. l.Ög3 äb4! (I...£b2,a3 2. &fl & C/)3.c7) 2.c7!
Af4! 3.Öf4 äd5 4.Öe5 &c7 5.£d6 äe8! 6.&e7 £g7
(6...^c7 7.Ac4 2a8 8.äd6 äb69.£b3 äc8 10.äd7 äa7
ll.äc4) 7.&f8! äh5 8.äf7#.
Na32. l.öfl &e3 (I...äh42..£c7 A OO3.&gT) 2.£gl
äß! 3.Ac7! Ah4 4.b7 £b7 5,Ag3 Ag3 @ (5...äh3
6. &h2 £fl 7. äh3 £g3 8. äg2 =).
N°33. l.Bb8 Aß! (J....£a6?2. &c5 £b4 3.äa8, l...£d7
[g4,h3] 2. &b2 £c6 [f3,g2] 3. äc4 Üa2 4.3b2 C^5. Sh2,
I...£e62.äb6£f53..ae8)2.&c5" Ab4 3.fif7! Ac5 4.Sb5
£e4! 5.äg3 Ad5 6.£g6! Aß 7.Sd5 Ag3 8.3d3 ❖ .
N°34. l.&cö 3dl! 2.Ab8 d5 3.£c5 £b3 4.Ae5
CO 5.Ad4; 3...d4 4.£c4! d3 (4...äbl 5.£e5 d3 6.&c3
Sei 7,.£d4) 5.£c3 £bl 6.Af4 CO 7.Ad2, 5...Sbl 6.Ae5ü
Bb3 7.0d2CO8.Ac3 > .
Ns35.1.d5!! 1. &b6? äe3f2 ^c5 ^g7'3. Üd6 &f6.1...ed2.£b6
d4! (2... Üg73. &c5 ^e3,c3 4. &d4) 3.&c5 d3 4.£d4 d2 5.Öd3,
4...^b2 5.£c3, 4...&ß 5.Öe3 ❖ >| .
N°36. I.£g7! I.äb5? &b2! 2. äd4 &c3 3.^e5 äa2!
l...Aa2!l (l...^,c4? 2.^a8 Üb2 3.äb6 A CO4.c4!) 2.c3’.l
£b2 3.^b5! Ac4! 4.Ae5’.l Ab5 5.c4 ❖ .
40
N»37.1.£c7! äe3! 2.äh3! &d5! 3.Ac5 d6! 4.Ad6 Öf7!
(4...äe7? 5.äg5! Af7 6.&h7, 5...£a2 6.äh5
A OO7.äg4 CO8.äf4 OO9.^e5 OO10.£f6) 5.äd5 £e6
6.Ab8! £d5 7.£g7! Ae6 8.äf4 ❖ .
N«38. I.fib3! äg5 2.£c4 äO! 3.fid5! Ög5! 4.Öe4!
fig4!5.c6!bc @ .
No39. I.fig2! Ad5 2.ÖH! Aß 3.30! Ac4 4.&g2 Ad5
5.&fl AG @ , 2...g2 3.£gl! Ab4! 4.1g3! Ac5 5.&h2!
Ad6 ö.figl! Ag3 @ » .
Ne40. l.Sh8 Öd7! (2...&e7?2.8h7 &f73.äc6) 2.3h7
£c8! 3.Sa7 &c7! 4.ädc4 £b8! 5.1b7 äb7 6.äc6 £c8
(a8) 7.äb6#.
N»41. l.Sal Ae7 2.fih3! Ae4ü (2...^c6 3.Sa7 &g6
4. Se7 Üf6 5. Sc7, 2...Af3 3. Sa7 &g6 4. Se7 äf6 5. äf7)
3.Sa7 £g6! 4.Se7 Öf6ü 5.Se8 Ac6! 6.fic8 Ab5! 7.Af5ü
Äf5 8.Sc5 ❖ .
N°42. I.b6 3b7 (l...Sal 2.äc8 Sbl 3.äa7#, l...Sa6
2.^c6 Sb6 3. ^b6 £d5 4. äcö äc7 5.&c7) 2.£c6! &g6!
(2...äb8 3.£a7#) 3.Sb7 äe5 4,£c7 äc6H 5.&c6?
5.Sa7! Äa7 6.b7#.
N°43. LAd2 3h8! 2.Ac3 3c8 (2...äh6?3.äg7!) 3.Ad4
41
£e2!4.Agl Sei 5.Af5 Sgl 6.Ag4 Ag4 7.Ö112 Bal ® .
Ns44. 1.1 al! l.Sa7? äbS! 2. Sa5 Ad7, LSa5? Ag4
2. Sg5 Adi 3. Sgl Ab3, 1. Sa4? &h6! 2. Sc4 Ae6,1. Sa3?
äb5!\...AWl\ (l...äh6 2. Shl äg5 3. Sei äb5 4. Sc5,
3...Ae6 4.äe7; l...Ae62.&f6 Üg83.Scl, 2...Ad73.Sa7
£d5 4.&e5 äb6 5.b3 6.Sb7) 2.1a7 äb5! 3.1b7ü ädö
4.&e7 &b7 5.b4! ❖ .
Ns45. I.le3 Öd4!2.1g3 &e43.1a3 &d5!(3...äa24.äf3
ä>d5 5. Sd3 &e6 6. äd4 Üe5 7. äe2 äd6 8. &a4 äc4 9. äb3)
4.^0# ❖ .
JN946.1.£b2 Ad3 (l...Adl2.£cl ^e33. Sa3 äg44.ädl
&f2 5.^e2 ähl 6.Sh3, 1... ^el 2.&c3 Ah5 3.&d2 &f3
4.Af3 Af4 5. Sf4) 2.Ae4 Ae4 (2... äel 3. &c3 Ab54. Sal)
3. Se4, L..£e32.Se4 ädl 3.Sei Ah5! 4.&f3! AI3 5.3f4
Ö oo 6.SO ❖ >| .
Ne47. l.Sh7ü hlS (l...Ae2 2.äf4 hl& 3.Shl Shl
4.Ag4) 2.3hl! Ae2 3.Öf4! 3hl 4.Ag4 Ag4 5.1hl! Af5
6.1h6	.
N°48. l.Ab7! l.Aa8? ^f8 2.c6 &e7 3.Ab7 &d6
4. C/)£c7. I...fif8 (l...Ad3 2.c6 Ac4 3.c7 Ae6 4.£d5!)
2.c6 Ae4! 3.Ög3 Ahl! (3...&e7 4.&f4 Ag2 5.äe5 Af3
42
6.Aa8 Jiä2 7. £d5 &d8 8. &d6 £c4 9.£b7!) 4.£a8! 2äe7
5.c7.
N°49. 1.3dl Öc8! (7...&c7? 2.&f7 ädö 3.Sd6 &d6
4.e7) 2.&17 äc7! 3.Bd8ü £d8 4.cb äd7! 5.e7#.
N°50. i.aSÖ l.b7? Sb72.a8& &b83.&a5 Bal.I...äb8
2.£a5! ea3 3.£b5 Ba8 4.b7!I säb7 5.äd6 £a7 6.äd8!
£ cn 7.äc6#.
N°51. l.Afl! Ae4! 2.&g2 Äf43.Ba4 äeö 4.fid6 äg5
5.Ae4! ^e4 6.Öd5!, 2...£e3 3.Sa3 Ad3! 4.&fl! äe6
5.Öb4! äf4 6.£d3 äd3 7.£c4 » .
Nb52. LÄb3 Ög7 (h8) {l...£f8?2.£d6, l...^h72.Aa5
Sei 3.&g2 Sbl 4.&C2) 2.Af4 Bf5! 3.Ad2ü Sfl 4.£g2
Bbl 5.Ac2! ❖ .
N°53. l.^dö Ah3! 2.äf5! 2.äh3?£f43. äf5 &h5!4. £g3
^h4!2...^5l 3.&h3 Af4! 4.äd4!I Ah2 5.&13 Öf4! 6.£f2!!
Ag3 7.Äg2, 4...Öh4! 5.Afl! Ah2 6.äf3 Ög3
7.£e3! ❖ > .
Ne54. I.£d4 Öd4! 2.3hl Öa2! 3.3al! Öal 4.&b4#,
4...£al5.äd4fia2 6.äe2fial7.£cla2 8.äb3# > .
43
N°55. l.Ba4 Öb3! (l...äbl?2.Sb4! &b43.a8&) 2.ab4!
£b4 3.Ael Öb5! 4.a8ö Öb6 5.£gl Öd4 6.£hl! Ab7
7.&13! Aa8 8.Aß!öß @ .
No56. I.£g5! Öd5 2.äb6 Öe6 3.ae7!! äe7 4.d7 äd6!
5.d8ä#.
No57. l.Acl Öh4! 2.Ae2!I Bal 3.Ab2! ahl 4.Ög2!
a oo s.Afö# ❖ .
Ns58. l.abSI! äe3! (l...Sg6 2.Sbl äel 3.£d5 ägl
4.Sei#) 2.Af4! Bg6! 3.abl £g2! (3...äfl 4.äd5 &gl
5.£e3 &h2 6.SfT) 4.&e3 SO! 5.&17! ag7! 6.ab3ü an
7.£e6 Sc7 8.£b6, 7...Sg7(f8) 8.£h6 ❖ .
N°59. l.Aa4 dlö 2.Adi äg2! 3.aß äe3 4.£d3 ädl
5.anoo6.fie2,1.....äg22.afl äel!3.£d4!!dlö4.Adl
Ödl5.Öe3O9 6.Öß > .
Ne60. I.a7 Öb6 2.Bg8! 2.Sf8? äg6! 3.& 09 äa7.
2...Ag6 3.Öd5ü Aß 4.fid6 £a7 5.Bg7 ❖ .
N°61.1.äe3! Ab72Öa5!hlÖ3.ah2! Sß4.aß Öß5.ägl ❖.
No62.1.a3!l an 2.Öe2! Bf4! (2... Shl 3. Sdl Sdl4. ädl,
2...&C2 3.Sd2 äc3 4.äfl äd2 5.a4) 3.ab3 £a2 (c2)
4. ab4! ab4 5.ab+-.
44
N°63. l.äcl! Ad6! (l...Ae7 2. äf3 äh4 3.&g4 &f5
4.£d3, l...Ac5 2. äß äh4 3.gh &h5 4. &g3 £e7 5.£e2)
2.£ß äh4! 3.gh £h5! 4.äe3! Ae7! 5.äg2! Ah4 6.AT7
£g5 7.£e8! ❖ .
Na64.1. S böü S ß! (7... 3f8 2. Üd7 Sb8 3. Sa6#, 2... Sd8
3.&c6 3c8 4.Ac7) 2.äb3! BfS 3.£d7! Bb8 4.3a6 £b7
5.&c5#.
No65. I.£b3 äe3! (7... Sc82.&c2 &d4 3.f4, l...äa3?
2.äb5! äb53.&c4) 2.ädl! Bd4 3.äe3 Bd3 4.Öc2 le3
5.&d2 B a3 (b3) (5... ^f4? 6. Sh4 &g3 7. äe3 &h4 8. ^f4)
6.f4 ❖.
N°66. l.Ah3! fibl! 2.Äd7 Bh2 (2...£d7?3.0-0#!) 3.£ß
Ad3! (3...ac2 4.Sh2 äa4 5.&dl) 4.Ad3 £al (cl) 5.0-
0! ❖ , 5. ah2? ®.
N°67. I.e3! äe3! (I...äe3? 2.äb5!, I...£e3 2. £e2)
2.ficl! äd5! 3.äe2 Öe3 4.ägl äf4! 5.Ödl Äß 6.äe2
&e2 @ .
Ne68.1.h8ö äfh7! 2.ÄBI! Bh8 3.äß! Äf7 4.äg4 2äg7
5.äe6 Sg8 6.fif4! äf </) 7.äh6#, 6...äh C/5 7.äf6# » .
Ns69. Lfccl £c2 2.äb3 Ah4! 3.äd4 £d3 4.äg8! £d4
5.fig4 ❖.
45
N°70. l.afl Äa7! (7... äb6 2.äb5 äbd5 3. Sf2 £c3
4.äb4. äbl 5.&e3 £c6 6.äb3! äe5! 7.Sb2 äf3! S.äfl
äd49.£b4 äc610.&c5) 2.af8 £c7 3.3a8 äc8 4.fib3ü
&b7 5.äb4! £a8 6.Ae4 £b8 7.äa6#.
No71. l.Sal! äe4! (J...äbl 2.Sb2 Üd4 3. £a2 äc3
4.£c3 005. Bb8, l...£f3 2.Ba3 &d4 3.£/3,1... äfl 2. Ac5
äf4 3.S/2 äe5 4.&g2 d6 5.£b6 & C^>6.3f8) 2.Ae4
Af7! 3. Ha4ü £?e4 4.Ad6 Äc4! 5.ac4 £?d5 6.§c5 £?d6
7.1c8 Ac7 8.£b5 O  , ❖ .
N°72. I.^c3! Öb2! (I...&a3 2.&h3 Se3 3.äg2 &b4
4.äd5) 2.^dl £a3! 3.aa81! Afl! 4.Ab5 £b4 5.Afl fiel
6.^12! afl7.£g2,4...£b35.Afl ael6.Ab5 Bdl7.Äa4 ❖ .
N°73. I.^f5 Öd7! d8 2. &c4 Sb8 3. äe3 Sa8
4.Sa8, I...äf62.£c4 Sb83.£e3 Ea84.äd5 äg55. Sa8)
2.£c4 ab8! 3.äe3 aa8! 4.Ae8! £d6 (4...&e6 5.Sa8
2b6 6.äc5 £a8 7.äd5 e4 8.£c6 e3 9.Aa8 e2 10. &f4)
5. Ba8 äb6 6.£b5 &a8 7.Ac6 &c7 8.£b6 &e6 9.&f5#!
Na74.1. a g8 £d7! 2. a g7 d6! 3. a d2 Öc6! 4. Ög3! O,
4... ab8! (,4...^a6 5. Sg6 &b7 6. Sd7, 5... &b5 6.3b2 ^a5
7Sa2) 5.ab2! ❖ .
Afe75. l.Af4 ael2.£d2 ae23.£dl! aec24.äb4! B2c3
5.Äd2 ah3 6.^d3 ad3 © .
46
N°76. I.c5 fie3! 2.a4 fid4 (2...c6? 3.&e7 &d4 4.&d6
&c4 5.a5 &b5 6.äc7 Üa5 7.äb7 Üb5 8.a4) 3.c6ü bc
4.a5 fic5 5.a4!
No77.I.ld5 Ab6! (7... äab22. £b2 £b23. Sa5,7... äb6
2.ßa5 ä>d3 3.ßb5 äa4 4.Sd5) 2.£a4 fic4! (2...£d4?
3. Adi Üc4 4.äd4) 3.1b5U Äd4 4.fibl! äc3 5.fic2 äb5
6.Ab3#l.
N°78.1.äg5 le3! (7... Sg3?2. £e6 Sc3 3. £b5) 2.Ab5
Af4 3.äf7 le7 4.fia8! 117 5.Äc4 fic4 @ , 2...Ad8
3.&17 le7 4.£a6! 117 5.Ac4 £c4 @ > .
No79. l.Ahl! 1hl 2.a8ö 1dl! 3.Öhl!! 1hl 4.a7
1 c/j 5.a8ö ö 6.1b8 säb co 7.üh2.
N28O. I.fif7! äd6 2.&e6 &b7! (2...Sc6 3.Ad4 ^a2
4.äd5) 3.Äe4! Ie4 4.fid5! Ib4 5.£?c6 £ld6 6.Äc5,
4...1e7 5.£c6 £a2 (5...ßh7 6.Ac7 ^c5 7.Ae5 co
8.&c5) 6.Ac7! ^c5! 8.£d6 > .
N°81. I.h6 Igl 2.ef in 3.e6 £c6 4.18® lf8 3.e7 lh8
6.e8ö le8 @ , l...lg8 2.ef 118 3.e6 b6! 4.£b7 £c5
5.e7! 117 6.fi a6! Ie7 @ > .
Ns82.1.äd4 fif6 (7... &f4?2. &e2 8f53.Ah3 &f64. äd7
& CO5.Sa3)2.^A7 fie7! 3.1a3! äc7! (3...&d7? 4.ßa7
47
&c7 5. &c5 Sb2 6.Ah3 äd8 7.äc6) 4.Säc5 ld4 5.1e3
äe6!6.Ee6! fid7! 7. Ah3! ❖ .
Ns83. l.Ab5! 1. Sh2? äg4!2. Bh7Ae43. &e4 &f64. &f5
äh7 5. Üg6 &f8 6.&f7 &d7 7.&c6 äc8 ®. l...Ab7 (f3)
2.1h2! äg4! 3.1h7 Ae4! 4.fie4 äfö 5.Äß äh7 6.fig6
äf8 7.fif7 äd7 (7... &h7 8. £c6 &d7 9. £e5 Üd6 10. 2/3
&d5 ll.£d3) 8.äc6 Öc8 9.Aa6#.
Ns84. LÖe4! dlö! 2.1dl äß 3.£ß ädl 4.Sg6H
äe3 (4...&d6? 5.&f7 äe3 6.e7) 5.e7 2äd7 6.Öf7! XI .
No85. I.fid5 h5 2.£e4 Äß! 3.£f4 £g2 4.c5! 4.&g5?
^g3!5. &h5 ^/4/4...h4 5.c6 h3 6.c7 h2 7.c8S hl© 8.Öc2.
N286. l.Öa6 l.Ab7? £e3 2.Öa6 Öd4 3.Öa7 leö
4.b5 Sc5. l...le7 2.Ab7 Ib7 3.b5! Ih7 @ (3...£b84.äa7
Bh8 5.äb6 äe3 6.&a7 &d4 7.b6 äc5 8.b7).
Ns87.1.äc3 Ae6 2.Öc7 äd3! 3.£d3 Öd4 4.äe4! Aß!
5.Abi! Ae4 6.AC Öd5! 7.Aa2#!
N288. l.Öb3 Aal (7...Ac3 2.ßc3 a4 3.äb4) 2.1cl
a4! 3.Aa4 Ac3 4.1c3 Adi 5.fib4 Aa4 6.1c8! ❖ .
N289. I.fib5 g5! 2.£c4 £d2 3.£d4 £e2 4.£e4 Öß
48
5.fcß £f3H 6.a5! g4 7.a6 g3 8.a7 g2 9.a8ö X .
N°90. l.Aaö! &d4 (J...äc6 2.&e2 c/)3.£f3) 2.Ab7
£d3 3.Ahl fie2 4.äfe3! Ad2! (4...Ab6? 5,&d5 Ad4
6.fcc3) 5.äc2! &dl 6. Aß#.
Ns91. I.äa3 Aa3 (/... Sd2 2.2c4) 2.Ae3 £a5! 3.ga3
&b4 4. g a4 Öb3! (4... &a4 5.£c2, 4... &c3 5.£f5) 5.Ae4ü
gd7 6.äg6 gdö (6...&a4 7.£c6) 7.äf7! Öa4 8.£e7! ♦ .
N°92. I.gg7 Ab3 2.Ac6 gb2 3.ficl Ae6 4.gb7 £c3
(4... äa3 5. Sb2 £e3 6. äbl Af5 7. sbal Ad4 ®) 5. gb2
Äa3 6.&bl Aß {6...£b2	7.äa2 £b2 @ .
N°93. I.ga8 £d7! (l...Ag6 2.&h4, l...JLh5 2. äg7,
1... äf4 2. ^g7) 2.^d4 fie4 (2... ^e3? 3. ^c2 &d3 4. £b4
5.Sb8) 3. gb8! £a4 (3...^,g4 4.äe2 &d3 5.Sd8 &e3
6.äel Ae2 7.Se8) 4.äc2 Öd3! 5.gb2 c3! 6.gb4! £c2
7.&cl
No94. I.&g3 ß 2. ghl flö 3. gfl £fl 4.äe3 £e2!
5.^d5! Ael (5...&d2 6.&f5 ^cl 7.^c3) 6.£g2 blä!
7.Aß ^d2! 8.£ibc3#.
N°95. l.Af3 gba7! (I...äh6 2.&f4 Sba7 3.3b6
004.£a8 äa4 5.£e4, l...Sg7 2.&f4 Sga7 3.Sb6
49
Ö GO4.Aa8 Sa4 5.£e4, 2...Saa7 3.Sb6 äß 4.&d5
&e8 5.3b8 &e7 6.3g7) 2.8b6 fif7 3.£d5 fif8 4.Aa8
aa4 5.£e4! Se4 6.fif3! Se8 7.abg6 äe7 8.Sf6#.
N°96. l.fidö Äc8 (J...£f42. £f4 Ac83. äd5 äß 4. &c5,
l...^,g4 2.&e6 &d3 £g5) 2.&e6 £lf5 3.fic6! Ae6 4.£lc5
fie5 5.f4 Af4 6.äd3 fie4 7.äc5 © .
N°97. l.Sd5 Ac2 2.fia5!! 2.&b5? Jigl 3.Sh5 äh7
4.M äfl 5.3hl £e3 6.3fl £d3. 2...£gl 3.Sh5 &h7!
4.Sh3 äflS.ahl &e3 6.afl.
N°98. I.äg3 &el 2.£a4! Öd2 3.£f2! Sei 4.&e4#,
3...abl 4.^e4 fiel 5.äd3#, 3...8al 4.äe4 fiel 5.äd3
fibl 6.äc3#, 3...3dl 4.£c4 (f3) &cl 5.^e2, 3... Sei
4.&ß(fl,c4).
N°99. I.£h4 figl! (l...äfl 2.£d2 &gl 3.Ael) 2.£el
fifl! 3.^ab2 fiel 4.fig2! d3 S.figl d2 6.äd3 fidl 7.äc3#.
N°100. I.fib5 c3 2.fic4 c2 3.&a3 äf3 (g2) (3...äf5
4.&d3 äd4 5.Ab2 äß 6.^d2 äe4 7.^d4, 5...£f6 6.äd2
£g5 7.äd3 &ß 8.&d4 ^e2 9.^c3 &dl 10.&d3) 4.fid3
äel 5.fid2 fif2 6.Ab2 &b2 © .
50
UJAXMATHAfl KOMnO3hUMR
Shakhmatnaya Kompozitsia
yPAJlbCKMA nPOEJlEMMCT
The Ural Problemist
Since a long, the Russian chess composition occupies leading
positions in the world. This fact can be seen from the successes
that its repräsentatives achieve in FIDE Albums, team
championships, and international competitions. Two magazines
on chess composition are published in Russia: “Shakhmatnaya
Kompozitsia” and “Uralsky Problemist”. The first of these two
writes about all big competitions in this country and in the entire
world; brings analytical materials on history, theory, and practice
of composition; publishes original problems and studies;
organizes various competitions. “Uralsky Problemist” informs
mainly about events in Urals, Syberia, and Russian Far East; it
also brings many theoreiical and methodical articles and original
compositions, arranges competitions etc. and publishes 1-2 books
every year as its Supplements.
“Shakhmatnaya Kompozitsia” appears 6 times every year, while
“Uralsky Problemist” 4 times.
BRILLIANT CHESS STUDIES
The book by Anatoly Kuznetsov, one of the most
well-known erudites in the field of chess stud-
ies, who has a master title both in practical
play and in composition, presents the most
outstanding artistic endgames from many
centuries of chess history.
One who has more ideas has advantage in chess. Every one of
150 masterpieces that are represented with the big diagrams
contains one or several bright, beautiful, and instructive ideas. In
addition to every such diamond, two «additional» gems are sup-
plied, where ideas are similar but with a different shape. Solu-
tions are separated from the diagrams, so if one wants one can
try to find Solutions independently. In this book every player, be-
ginner or grandmaster, can find a lot of interesting and useful
stuff. Chess beauty leaves nobody untouched, and here you meet
the nicest creations of chess composers of various styles,
manners, and time periods.
WORLD ANTOLOGY OF CHESS STUDIES
This giant work unveils resdts of systematical study in tens of
thousands of chess studies from all countries and all times.
Every volume begins wiin a short theoretical introduction to the
topic, followed by a table of final positions; thereafter the studies
themselves are presented, with Solutions and detailed Indexes.
Up to now, two volumes have been published:
1. Akobia «4232 Stalemate Studies»
2. Nadareishvili, Akobia «4492 Checkmate studies»
ATTENTION!
You can get a spacy FREE CHESS CATALOGUE and book new and/
or older literature, as well as all kinds of chess-related materials.
The catalogue consists of the following sections: 1. Modern chess
books; 2. Older chess books; 3. Chess materials and parapher-
nalia; 4. Periodicals and bulletins; 5. Publications from the
Yugoslav Chess Informant; 6. Philately; 7. Draughts; 8. Chess
databases, Software for PCs etc. Prices are indicated, together
with short annotations to almost all positions. ALL CHESS BOOKS
can be ordered! The catalogue is available via mail. Please send
your request, possibly with an indication of wanted titles. Letters
to be mailed to: 107076 Moscow, P.B. 6, Murad Amannazarov Fax:
(095) 963-80-17, 964-13-54. E-mail: chesshouse@softhome.net
BHHMAHHE!
Bbi Moxeie öecnnaTHO nonyHMTb oöiuKpHbiti MnuLßjJ
LUAXMATHbIM KATAJ1OF m aaxaaaTb no nonie cospe- l
MeHHyio m öyKMHMCTMHecKyio LuaxMaTHyio nmepaiypy,
aipMöyTMKy, CMMBonMKy. Pasflenbi xaTanora: 1. JlmepaTypa
nocneflHMX nei; 2. JlMTepaiypa npotunbix ner; 3. l/lHBemapb,
aTpn6yTm<a m cwMBonMKa; 4. nepnoflHKa m cneqßbinycKM; 5.
lorocnaBCKoro «MwcpopMaTopa»; 6. <t>nnaTennA; 7.
HJaiukM; 8. Ba3bi ßaHHbix, nporpaMMbi aha HK m t.a. Rphboamtca
CTOMMOCTb M KpaTkäA aHHOTatylA.
BbinonHAiOTCfl 3axa3bi wa JUOBYKD LuaxMaTHyio nmepaTypy. rio-
nyMMTb xaianor mo>kho Tonbxo no nome. ßriA 3Toro Hyx<Ho npidc-
naTb b nwcbMe OBbIMHbIM KOHBEPT C OBPATHbIM AflPECOM,
HamieeHHbiMM MapxaMM n (wenaTenbHO) c nepe^neM nauMe-
HOBaHMM, MHTepecyioiHMx Bac. Aßpec aha nuceM: 107076 MocxBa,
b/a 6, MypaAy AMaHHasapoBy.
TenAjBKc: (095) 963-80-17, 964-13-54,E-mail: chesshouse@softhome.net
\ HENRI RINCK
HB LEONID KUBBEL
I 3 I ALEXEY TROITZKY
|Q SAMUEL LOYD
H V. & M. PLATOVS
Q R. RETI & J. FRITZ
ISBN 5-94693-012-5