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10 projects celebrating Patchwork & Stitching

I have spent many happy hours with needle and thread. More than just a hobby, stitching has become a large part of my life. I have shared joy, laughter and sorrow, stitching with friends, my mother and my daughters. With Needle &Thread, is a celebration of this passion which brings friends and family together. I hope you enjoy it. With Xeedle & Thread Quilt Quilt Size: 43"x51" ’•'a- . r алкз co Care Noth ng for helping out with her beautiful stitching, тс Geneveve jac<son for creating another quilting masterpiece. to Garm Snotbolt and Landa Mahoney for looking after‘everything else’, and to rr e.-er-s^opocc.e husband revor. & girls, lemma. E ie &Georgia.
sfifcWm Ж.Соог^ two; МФ Contents General Instructions With Needle & Thread Quilt Sewing Machine Chair Pad Dresden TableRunner My Stitching Bag Stitched Clock Stitching Angel Wallhanging Scissor Keep Needlebook Pincushion Patchwork Caddy 2 4 17 20 22 25 27 30 31 32 33 CONTE\~
Stitches Used Crnml Infractions Fabric & Seams Pre-wash and iron all fabric to prevent colours bleeding and fabric shrinkage. Fabric requirements and measurements quoted are based on I I Ocm (42”) wide fabric. All seams should be %” unless otherwise specified. Iron seams toward darker colours, or for least bulk, after each step. Background Fabric In all of the projects, I have used light tone-on-tone fabrics for the applique and stitchery backgrounds. Always trim the background fabric to the correct size, after you have finished the stitching, as the fabric can fray and shrink a little through the stitching process. Needleturn Applique There are a number of methods for needleturn applique. I have outlined the method which I use myself, but you may prefer to use your favourite method. Trace the applique shapes onto the right side of your chosen fabrics using a white chalk pencil for darker fabrics and a blue, water-erasable marker for lighter colours. Use a light box, or back-lit window if possible. Cut out the shapes a scant %” outside the lines. Place the background fabric on top of the design and lightly trace some of the key elements to help with positioning your applique shapes. I find it helpful to fingerpress each applique piece around the traced line before positioning it on the background fabric. Place the applique shapes which sit underneath other areas, first. Use applique pins to hold in position. Use your needle, to turn under the edge to the traced line and slip-stitch the edge using cotton thread to match each applique fabric. Make small neat stitches, quite close together Clip inside curves as you go. page 2 General Instructions
Some elements of the quilt block designs are to be stitched on the background fabric. For these areas, and for each of the stitchery projects, trace the design onto the background fabric using a tan pigment marker; or HB pencil. For elements which are stitched in lazy daisy stitch, mark with a small dot, rather than tracing the loops onto the fabric. I like to use some lightweight iron-on interfacing behind the areas to be stitched.This gives extra stability to the fabric and helps to hide thread shadows. Most of the stitchery design is worked using 2 strands of embroidery thread, unless otherwise specified. DMC embroidery thread colours are listed for each design. Use the diagrams at left, as a guide for each of the stitches used in the stitchery designs. Equipment Equipment you will require for each project include: rotary cutter; cutting mat, patchwork rule (various sizes), sewing machine, cotton thread, embroidery needles, DMC stranded embroidery threads, pins, fabric and embroidery scissors. Specific equipment requirements are also listed for individual projects. Stitchery words for My Stitching Bag project page 22 General Instructions page 3
I I With ЛвЫй <irQuilt Fabric 5 Fat Quarters of Cream & Light Beige fabric for backgrounds 12 Fat Quarters of various colours, small florals, spots and plains 70cm (28”) of Green floral fabric for main border 20cm (8”) of Red print fabric for inner border Fat Eighth of Brown print fabric for hair and wardrobe 20cm x 10cm (8”x4”) of 2nd Brown print for hair 20cm x 10cm (8”x4”) of skin-tone fabric for faces 20cm x 10cm (8”x4”) of grey fabric for wheels & other 1.2m x 1.4m (47”x55”) of thin wadding 1.2m x 1.4m (47”x55”) of backing fabric 40cm (16”) of binding fabric *(Fat Quarter = 21 ”x 19X”) *(Fat Eighth = IOX”xl9X”) Other Template plastic, thin card- board, dresden wedge rule, lightbox, white chalk pencil, blue water-erasable marker stranded embroidery thread Size 43”x5l” Cutting Dresden Plates From each of the I 2 fat quarters of various coloured fabrics, cut a 4” strip across the fat quarter Block Borders In addition to the 4” strips, cut the following border strips from the various fabrics: Stitching Friends 2- 1 X’x I2X” and 2 - IX” x 1 IX” Sewing Room 2- 1 X”x 1IX” and 2 - IX” x 1 OX” Quilter's Bus Trip 2- 1 X"x I4X” and 2 - IX” x 9X” Happiness Is 2- 1 X’ x 7X" and 2 - IX” x 9X” Sewing Machine 2- 1 X’x 8X” and 2 - IX” x 1 OX” Stitching Angel 2 - 1 Squares for Piecing X’x 1 IX” and 2 - IX” x 9X” From the same fat quarters, cut a total of 2, 4X” squares; 80, 2X” squares; 82, IX” squares. Use remaining fabric for applique. Background Fabric From the Cream & Light Beige fabrics, cut background pieces for the applique blocks. Exact cutting sizes are quoted in each block layout. Use remaining fabric for dresden backgrounds. Applique Follow the needleturn applique method instructions on the General Instructions, pages 2 & 3. Use the colour pictures as a guide when choosing fabrics for the applique. Extra fabric is required for hair; skin, wardrobe and wheels. Trace the stitchery elements onto the background fabrics and follow the Stitch Guides for colours and stitches used. Block Borders Trim the completed applique blocks to the trim sizes quoted with the relevant instructions. Sew the border strips as listed above, to the longest edges first. For example, if the block measures 1OX” x 12X”, sew border strips to the 12X” edges first, iron seams, then sew remaining strips to the remaining edges. page 4 With Needle & Thread Quilt
Inner Border From red print fabric, cut two IX”x34>f' strips and two 1И"х3614” strips. Sew the shorter strips to the top and bottom of the quilt. Sew the longer strips to the remaining sides of the quilt. Dresden Plates From the remaining cream & light beige fabrics, cut pieces 6" wide x random lengths. Join the pieces, end to end. to make two pieces 36Я" long.These are your backgrounds for the dresden plates. Do not sew these to the top and bottom of the quilt yet. Use the 4” wide strips of the 12 coloured fabrics to cut a total of 60 dresden wedges. You can use a dresden wedge rule, or trace the template from page 6, mark the lines to cut onto the fabric and use a patchwork rule to cut. Fold a wedge in half, right sides together; and sew across the top edge. Clip the inside corner and turn out. Use a blunt pencil to poke into the point. Iron the seam centred flat at the back. Make all 60 wedges. Choose 10 wedges for each half-plate. Place 2 wedges, right sides together Start %” down and reverse to the top, then continue sewing down the edge.This way, the ends of the thread will be hidden. Sew all 10 wedges together to make a half circle. Iron the seams in the same direction. Make six of these. Position the plates, evenly space, 3 across each of the background pieces.The raw edge of the plates, should sit on the raw edge of the background. Slip-stitch the plates in position with neutral coloured thread. Trace the circle template from page 6, onto thin cardboard and cut out. From the green floral border fabric, cut 3 circles arger than the cardboard circle, all the way around. Sew a gathering stitch around the edge of a fabric circle, with the cardboard circle in the centre. Pull on the thread ends to gather around the circle.Tie tightly. Iron the circle with the cardboard still in it to hold the shape. Remove the cardboard and iron the fabric circle again. Make 3. Cut each circle in half and position at the centre of each of the dresden half-plates, with the raw edge sitting on the raw edge of the background. Slip-stitch around the edge of the half-circles with matching thread. Sew a background piece to the top & bottom of the quilt. With Needle & Thread page 5
Wedge Template for Dresden Plate Outer Border Measure your quilt width, through the centre. Adjust the following measurement to match your quilt width, if necessary. From the green floral fabric, cut two 2X”x36ff” strips. Sew these to the top and bottom of the quilt. Measure your quilt length, through the centre. Adjust the following measurement to match your quilt length, if necessary. Cut four 4” strips from the green floral fabric. Sew 2 strips end to end. Make 2. From these, cut two 4”x5 IX” strips. Sew these to the sides of the quilt. Sandwich the three layers - backing, wadding & quilt top. Baste the layers with cotton thread, pins, or your favourite method. Quilting is a very personal choice. You can choose to quilt by machine, or by hand. My quilt has been professionally quilted with feathers and loops in the applique blocks to help them sit flat. If you would like to have your quilt professionally quilted, you will need to leave a minimum of 4" of wadding and backing fabric outside the edge of the quilt top. From your chosen binding fabric, cut six 2X” strips. Sew the binding strips together end to end. See diagram. Fold the binding in half, wrong sides together; along the length and iron. On the front of the quilt, align the double raw edge of the binding with the raw edge of the quilt. Sew %” from the raw edge all the way around.Turn inside %” at the start and tuck the end of the binding inside itself when you get back to the start. Fold the binding around the edge of the quilt to the back. Pm to hold and slip-stitch the binding by hand with matching coloured thread. Circle Template for Dresden Plate Centres page 6 With Needle & Thread
Block I Stitching Friends Applique Trace the stitchery elements onto the background fabric, and a few of the applique areas to help with placement Position the applique elements on your background fabric and stitch applique in position. For areas of the applique which have stitching on them, trace the stitchery elements onto the applique fabrics before you applique them in position, ie. trace the words 'craft show' onto the red fabric before you applique the bag in position. *Use 2 strands of thread, unless otherwise indicated in (brackets) arms & legs backstitch 3864 skin eyes french knots (* 1 strand) 801 brown lips satin stitch 221 red shoe heels backstitch match fabric scissors backstitch 3768 blue button jar backstitch 926 blue buttons backstitch & french knots 221 red/223 pink thread skeins backstitch 3768 blue/223 pink 3721 dark pink skein wrappers backstitch 433 brown cutter wheel backstitch 3371 dark brown pocket trim backstitch match fabric bag straps backstitch 3864 skin words on bag backstitch 224 light pink box 1 backstitch 3768 blue box 2 backstitch 370 grey green fabric bundle backstitch 926 pale Wue bow backstitch 223 pink tape measure backstitch 370 grey green increments single stitches (* 1 strand) 3371 dark brown numbers backstitch (*l strand) 3371 dark brown hanger backstitch 801 brown verse backstitch & satin stitch 221 red Block Layout Piecing the Block Trim the background fabric to the trim size quoted in the layout diagram at right. *This is the exact cutting' size. Sew the IX” x 12.И” previously cut border strips to the sides and then sew the IX” x I IX” strips to the top and bottom. Choose from the previously cut 2X” and IX” squares to sew the block together; following the layout diagram. With Needle & Thread page 7

Block 2 Sewing Room Applique Use the same method as for the I st block, to trace and stitch the applique. Follow the chart below for the stitchery areas. Stitch Chart roses backstitch 224 light pink leaves lazy daisy stitch 301 1 green words ‘Fabric1 backstitch 3721 dark pink bag strap backstitch 223 pink hinges backstitch 801 brown door handles backstitch 3371 dark brown bust stand 801 brown backstitch detail on bust backstitch 801 brown Block Layout Piecing the Block Trim the background fabric to the trim size quoted in the layout diagram at right. Sew the \/” x I IX" previously cut border strips to the sides and then sew the IX” x IOX” strips to the top and bottom. Choose from the previously cut 2X" and IX’ squares to sew the block together; following the layout diagram. When this block is complete, sew to the bottom of Block I. i With Needle &Thi
page 10 With Needle & Thread
Block 3 Quilter’s Bus Trip Applique Use the same method as for the previous blocks, to trace and stitch the applique. Follow the chart below for the stitchery areas. Piecing the Block Trim the background fabric to the trim size quoted in the layout diagram at right. Sew the \/" x 14X” previously cut border strips to the top and bottom, and then sew the IX” x 9X” strips to the sides. Choose from the 2X” and IX” squares to sew the block together; following the layout diagram. Stitch Chai t *Use 2 strands of thread, unless otherwise indicated in (brackets) flag pole backstitch 433 brown words on flag backstitch 3721 dark pink crosses single stitches 3721 dark pink door handles backstitch 301 1 green line on doors backstitch 301 1 green faces backstitch 3864 skin hair backstitch 433 & 801 browns eyes french knots (*l strand) 801 brown trailer connection backstitch & running stitch 801 brown bag 1 backstitch 301 1 green bag 2 backstitch 3721 dark pink bag 3 backstitch 223 pink bag 4 backstitch 3768 blue box 1 backstitch & single stitches 926 blue box 2 backstitch & single stitches 301 1 green box 3 backstitch & french knots 223 pink (*single strand for knots) With Needle & Thread page I 1

Block 4 Happiness Is Stitchery Trace the verse onto your background fabric and stitch using 2 strands of DMC 936 Green to stitch the design. Piecing the Block F Happiness 15 3 needle 3 thread Some prdhy fabric, stifchm with к a friend A Trim the background fabric to the trim size quoted in the layout diagram at right. From left over fabric, cut four 3" squares. Rule a line diagonally on the back 1—71—r of each square. Position a square in J each corner of the trimmed stitchery, as shown. Sew on the \j ruled line. Fold back and iron.Trim away the bottom layer at the corners. Sew the IX” x 7X” previously cut border strips to the top and bottom, and then sew the IX” x 9X” strips to the sides. Choose from the 2X” and IX” squares and use the 4X” squares to sew the block together following the layout diagram. Happiness Sew the completed block to the bottom of Block 3. 3 With Needle & Thread page 13
224 light pink 301 I green 3371 dark brown Piecing the Block Trim the background fabric to the trim size quoted in the layout diagram at left. Sew the \'A" x 8A" previously cut border strips to the top and bottom, then sew the I И” x 10A" strips to the sides. Choose from the 2Z” and \A" squares to sew the block together; following the layout diagram. Block 5 Sewing Machine Applique Use the same method as for the previous blocks, to trace and stitch the applique. Follow the chart below for stitchery areas. Stitch Chart *Use 2 strands of thread, unless otherwise indicated in (brackets) roses backstitch leaves lazy daisy stitch needle, lever guides backstitch Block Layout
Block 6 Stitching Angel Applique Use the same method as for the previous blocks, to trace and stitch the applique. Follow the chart below for the stitchery areas. Stitch Chart *Use 2 strands of thread, un ess otherwise ndicatec n brackets eyes french knots 3371 dark brown lips satin stitch 3721 dark pink teddy backstitch & single stitches 433 brown teddy eyes french knot & single stitches 3371 dark brown teddy nose satin stitch 3371 dark brown patches backstitch & french knots 3721 dark pink patch stitches single stitches (* 1 strand) 3371 dark brown arms/legs backstitch 3864 skin needlebook backstitch 3721 dark pink words backstitch (* 1 strand) 3371 dark brown Block Layout Piecing the Block Trim the background fabric to the trim size quoted in the layout diagram at right. Sew the IX” x I IX” previously cut border strips to the sides, then sew the IX” x 9X” strips to the top and bottom. Choose from the 2X” and IX” squares to sew the block together; following the layout diagram. Finishing When the block is complete, sew this to the right o* Bock 5. Then sew these to the bottom of Block 4. Finally, sew the two halves of the quilt together Refer to page 5 & 6 for border; quilting and binding instructions to complete the quilt. stitching angel 7’/2”xll72” With Needle &Thread page 15

Machine CCir 1Ы Stitchery Trace the Sewing Machine design from page ! 9. onto the cream spot fabric. Use a tan fine-point pigment marker or HB pencil. Refer to the following Stitch Chart for thread colours and stitches used. Use 2 strands of DMC embroidery thread. When the stitchery is finished, trim the cream fabric to 8" square. Stitch Chart sewing machine roses leaves spool thread on spool heart oval needle, lever guides backstitch & running stitch backstitch lazy daisy stitch backstitch & single stitches backstitch backstitch backstitch backstitch 3768 blue 223 pink 301 1 green 167 pale brown1 301 1 green 221 red 167 pale brown 3371 dark brown Cutting From the large floral fabric, cut one one 14/’ square 12/’ square From the small floral fabric, cut two 9/’x 14/' one 12/' square eight l/’xl4/' four 3"x8/' From the iron-on pellon, cut one one two 14/’ square 12/’ square 3”x8/' Quilting Place the 14/’ square of iron-on pellon behind the 14/' square of large floral fabric. Iron to adhere. Do the same with the 12/’ squares of iron-on pellon and large floral fabric. Mark a 2” diagonal grid in both directions on the front of both pieces using a blue water-erasable marker Sew on these marked lines with matching coloured thread, to quilt both pieces. Fabric 40cm (16") Large Floral Print Fabric 65cm (26”) Small Floral Print Fabric 25cm x 25cm (10”x 10”) Cream Spot Fabric Other 80cm (32") Large Ric-Rac DMC Threads 221 red 223 pink 301 I green 167 pale brown 3768 blue 3371 dark brown 40cm (16”) Iron-on Pellon Size 14 Cushion Insert Blue Water-Erasable Marker Size 14” cushion Sewing Machine Chair Pad page 17
Diagram С Straps & Ties To make the straps which sit over the top of the chain place two 3”x8X” blue pieces, right sides together Place a 3”x8X” piece of iron-on pellon behind and iron to adhere. Sew along both sides, X" from the raw edge to make a tube. Turn the tube right way out and iron flat. Quilt the strap with lines of stitching. Make 2 straps. To make the ties, fold a IX"xl4X” strip in half, right sides together along the length. Sew along the raw edge and across one end.Turn right way out and iron flat. Make 8 ties. Decorative Flap Turn under a X’ hem on all sides of the trimmed stitchery. Iron to hold. Position this in the centre of the 12X” quilted panel. Cut four pieces of ric-rac, 7Z” long. Position these under the edge of the stitchery. Pin the stitchery and the ric-rac to hold, then stitch around the edge of the stitchery with matching coloured thread, catching the ric-rac. Position the 2 straps, on top of the quilted panel, aligning the raw end of each strap just above the top edge of the panel, and X' in from each side. See diagram A. Position 2 ties at the sides, I ” from the top and another 2 ties 3X” from the bottom edge. See diagram A. Place the 12X” square of small print floral, right sides together with the quilted panel. Pin around the edges to hold everything in position. Sew around the edges, leaving a 4” gap in the bottom edge. Go back over the straps and ties for extra strength. Clip across the corners and turn out through the gap in the bottom edge. Stitch the opening closed. Iron flat and top-stitch around the edge. Cushion Cover Place the 14X” quilted panel for the cushion front, right side up. Position 2 ties at the sides, 2X" from the top edge, and another 2 ties, 4X” from the bottom edge. See diagram B. Position the raw ends of the straps (with the attached decorative flap), just above the top edge and IX" in from each side. See diagram B. Pin to hold. To make the cushion back, turn under a double rolled, X” hem, along one of the 14X" edges, on both of the 14X”x9X” small floral pieces. See diagram C. page 18 Sewing Machine Chair Pad
Position the 2 cushion back pieces, right sides together with the cushion front, with the hemmed edges overlapping at the centre.Tuck the flap up within the cushion, so that it is out of the way for sewing. See diagram D. Sew around all the edges, leaving no gaps, and going back and forth over the straps and ties for extra strength. Turn out through the back of the cushion cover Insert a size 14 cushion into the cushion cover place the cushion on the front of your chair back and the decorative flap at the back.Tie at the sides with the fabric ties. Г Sewing Machine Chair Pad page 19
Fabric 35cm (14”) Beige Print Background Fabric 35cm (14”) Blue Small Floral Print Fabric Scraps of fabric for Dresden Plate wedges, or 12cm (5”) strips of 4 or 5 fabrics Other 1.35m x 45cm (52”xl 8”) of Thin Wadding 1.35m x 45cm (52”x 18”) of backing fabric Template Plastic Cardboard Size 5i”xi7” Dresden Т^ЫеВдппег Dresden Plates Cut a total of 60 dresden wedges from various coloured fabrics.You can use a dresden wedge rule (4” in length), or make a template from the wedge pattern on page 6, trace onto the fabric and cut out. Fold a wedge in half, right sides together; and sew across the top edge. Clip the inside corner and turn out. Use a blunt pencil to poke into the point. Iron the seam centred flat at the back. Make all 60 wedges. Choose 20 wedges for each plate. Place 2 wedges, right sides together Start Г’ down and reverse to the top, then continue sewing down the edge.This way, the ends of the thread will be hidden. Sew 2 lots of 10 wedges together to make 2 half circles.Then sew these together to make a plate. Iron the seams in the same direction. Make 3 of these. From the beige background fabric, cut three I2Z” squares. Position the plates, centred, on each square. Slip-stitch the plates in position with neutral coloured thread. Trace the circle template from page 6, onto thin cardboard and cut out. From the small print floral fabric, cut 3 circles %” larger than the cardboard circle, all the way around. Sew a gathering stitch around the edge of a fabric circle, with the cardboard circle in the centre. Pull on the thread ends to gather around the circle.Tie tightly. Iron the circle with the cardboard still in it, to hold the shape. Remove the cardboard and iron the fabric circle again. Make 3. Position at the centre of each of the dresden plates. Slip-stitch around the edge of the circles with matching thread. page 20 Dresden TableRunner
Piecing the top From the large floral print, cut two I 3" squares. Cut the squares in half diagonally to make four triangles. Sew the triangles to the sides of the dresden plate squares as shown in the diagram below. Sew the three pieces together to complete the top. Quilting Sandwich the three layers - backing, wadding & top. Baste the layers with cotton thread, pins, or your favourite method. Quilt as desired. I have quilted around the edge of the dresden plates, around the centre circles, and stipple-quilted in the floral triangles. Binding From the remaining small floral fabric, cut three 2/f” strips. Sew the binding strips together end to end. See diagram. Fold the binding in half, wrong sides together along the length and iron. On the front of the tablerunner top, align the double raw edge of the binding with the raw edge of the top. Sew %” from the raw edge all the way around.Tum inside C at the start and tuck the end of the binding inside itself when you get back to the start. Fold the binding around the edge of the tablerunner to the back. Pin to hold and slip-stitch the binding by hand with matching coloured thread. Dresden TableRunner page 21
My eTitchtog Cutting From the red floral fabric, cut From the green floral fabric, cut From the pink fabric, cut From the iron-on pellon, cut Stitchery one 1414” square one I4f4’xl614” one I414”x414” two 4”x34” strips one IO>f’x6X” one 1014”x814” two 14>£”x I 624” one 1014”x214” two 2”x30” strips two 414”x6” two 1434”x 16X” two 2”x34” strips Trace the words from page 3, onto the cream spot fabric. Fabric 40cm (16”) Red Floral Fabric 56cm (22”) Green Floral 70cm (28”) Pink Fabric scraps of various other fabrics for pockets 25cm x 20 cm (IO”x8”) Floral for Needlebook 6cm x 13cm (214”x 5”) of Cream Wool Other 50cm (20”) of medium- weight Iron-on Pelion 20cm (8”) of lightweight iron-on pellon for pockets 20cm (8”) lightweight interfacing DMC22I Red Template Plastic 3 press studs 3 buttons Size 14”xl 6” + straps Use 2 strands of Red DMC 221 embroidery thread to stitch the words in backstitch. Make a french knot for the dots. Piecing the Bag Front Cut a piece of lightweight interfacing roughly 18”x4”.Trace the curved line onto one side of the interfacing. Place the interfacing on top of the stitched words, right sides together; so that the curve sits just above the words. Sew along the traced curve. Cut 14” outside the stitched line. Clip the curve, then turn the interfacing over so that it is behind the stitching, giving you a nice neat curved top edge. Iron flat.Trim the width to 1414”. Position the cream curve on top of the I414”x414” green floral piece. Align 2” down from the top edge of the green fabric, at the sides. Slip-stitch the curved edge to the green fabric with matching coloured thread. Use the same interfacing method to make a curved top edge on the 1414” red square. Keep the curve as close to the top edge of the red fabric as possible. Approx. %”. Position this below the stitched words, aligning the bottom of the curve, 5” from the top edge of the green fabric. Slip-stitch the edge with matching red cotton. Measure the length of the bag front. It should measure 1614". Trim from the bottom edge if necessary. page 22 My Stitching Bag
Quilting the bag front Iran the iron-on pellon to the back of the bag front, and to the other 14>f'x I6/4” red piece (bag back). Stitch along the curved edges to quilt the bag front. Pockets To make the back pocket, sew the I 0J4”x2X” pink strip to the top of the I O/4”x6/4” green floral. Cut a piece of lightweight iron-on pellon I ОИ”х8/4”, and iron to the back of the pocket piece. Place this piece, right sides together; with the I O/4''x8f4” green floral piece. Sew around all sides, leaving a 4” gap in the bottom edge. Clip across the corners, then turn out through the opening. Stitch the opening closed and iron flat. Top stitch across the top edge with matching pink thread. Position the pocket, centred, on the bag back piece. Pin to hold, then sew the sides and bottom edge of the pocket to attach it to the bag back. To make the front centre pocket, place the two 4Я”х6” pink pieces right sides together Cut a piece of lightweight iron-on pellon 4X"x6” and iron to the back of one of the pieces. Sew around all sides, leaving a 2” gap in one side. Clip across the corners and turn out through the gap. Stitch the opening closed. Iron flat. To make the pocket flaps, scissor pocket and needlebook, trace the template shapes from the following page onto template plastic and cut out. Trace each template onto doubled fabric (right sides together). Iron some lightweight iron-on pellon behind each one. Sew on the traced lines, around all sides, leaving a small gap in one side on each piece. Clip across comers and turn out through the gaps. Stitch openings closed and iron flat. Position the pockets and flaps on the bag front. Pin to hold. Top stitch around the curved edge of the flaps and the edge of the needlebook. The dotted lines on the needlebook template are fold lines. Place the sewn needlebook piece on top of the template and fold at these marks. Iron to crease the folds. Cut a piece of cream wool 2И”х5”, Place this, centred on the crease. Sew along the crease, and through the wool to secure in the needlebook. Position the needlebook on the bag front. Pin to hold. Sew in a square, inside the needlebook to secure it to the bag front. Sew just inside the 2 crease lines and across the top and bottom edge of the needlebook. Sew the pockets to the bag front at the sides and bottom edges. Position the flaps above the pockets and stitch them to the bag front also. Stitch on press studs to keep the pockets and needlebook closed. Cover the stitches with a button. Frill On each of the 2”x30” strips, fold under a small hem on both ends and sew to hold. Fold a strip in half, wrong sides together along the length. Using a large stitch length on your sewing machine, sew a gathering stitch along the doubled raw edge, %” from the edge. Pull the thread ends to gather in the frill to 14” long. Make 2 frills. Align the raw edge of a frill along the top edge of the bag front, starting and finishing /4” in from each side. Do the same on the bag back with the other frill. My Stitching Bag page 23
Bag Straps Fold a 4”x34” strip in half, right sides together, along the length. Iron a 2”x34” strip of iron- on pellon on one side. Sew %” in from the doubled raw edge along the strap. Turn strap out, iron flat and quilt with lines of stitching in matching coloured thread. Make 2. Sewing the Bag Place the bag front and back, right sides together Sew down the sides and across the bottom edge. To create a flat bottom in the bag, fold the bag flat at the corners, aligning the side seam with the bottom seam. Measure IA' along the seam line and rule a line at right angles. Pin to hold. Sew across the corner on this line. See diagram. Turn bag outer; right way out. In the same way, sew the pink 14>f’x 16'A" pieces to make the bag lining. Leave a 4” gap in the bottom edge of the lining. Sew across the corners to create a flat bottom also. Don’t turn out the lining. To sew all the components together; position the straps (one at the front and one at the back) with the right side against the outside of the bag outer and the raw ends extending just above the top edge of the bag. Pin to hold. Slide everything down into the inside-out bag lining. Align the side seams of the two bags. Pin everything together around the top edge and then sew. Go back and forth a couple of times at the straps for extra strength. Turn the bag out through the gap in the bottom of the lining. Hand stitch the gap closed and push the lining down into the bag. Top-stitch around the top edge of the bag. page 24 My Stitching Bag
Wtched Clock Stitchery Trace the Clock Face design from page 26, onto the cream print fabric. Use a tan fine-point pigment marker or HB pencil. Refer to the following Stitch Chart for thread colours and stitches used. Use 2 strands of DMC embroidery thread. Stitch Chart words backstitch 301 1 green roses backstitch 3721 dark pink leaves backstitch 3012 green circles running stitch 223 pink Method Trace the outer circle template and the inner circle template, separately, onto thin cardboard and cut out. Position the large cardboard circle behind the stitched design. Cut T” outside the circle. Sew a gathering stitch around the outer edge of the fabric circle. Pull on the thread ends, to gather around the cardboard circle and tie tightly. Iron. Remove the cardboard and iron the circle again. Make a smaller fabric circle from pink fabric in the same way, using the smaller cardboard circle. Cut a piece of floral fabric 14” square. Remove the back of the frame. Cut a piece of thin wadding to the same size as this. Place the floral fabric over the back of the frame and thin wadding. Use strong thread to lace back and forth in one direction first, then in the other direction. Pull reasonably firmly, so as to be taut, but not so much that it distorts. Position the stitched cream circle in the centre of the frame. Pin it position, then slip-stitch around the edge of the circle to attach it to the floral fabric. Hide the thread ends underneath. Position the pink circle in the centre of the cream circle and stitch with matching pink thread. Use embroidery scissors to cut a small hole at the centre of both circles, the size of the clock shaft. Stitch around the raw edge of the hole, like a button hole, to stop fraying. Drill a hole through the back of the frame and follow the manu- facturer’s instructions to insert the clock mechanism and hands. Fabric 35cm (14”) square of Floral Print Fabric 25cm (10”) square of Cream Background Fabric 20cm (8”) square of Pink Fabric Other Clock Mechanism & Hands Square Frame (9” inside) DMC Embroidery Threads 3721 dark pink 301 I green 3012 green 223 pink Cardboard Size-9” Stitched Clock page 25
(МШР9 page 26 Stitched Clock
backstitch 3721 dark pink backstitch 3768 blue | backstitch & running stitch 223 pink backstitch & french knot 3721 dark pink lazy daisy stitch 301 1 green backstitch 926 blue backstitch & running stitch 223 pink backstitch 3768 blue backstitch 3864 skin french knots 801 brown satin stitch 3721 dark pink backstitch 801 brown backstitch & single stitches 433 brown french knot & single stitches 3371 dark brown satin stitch 3371 dark brown backstitch 3721 dark pink single stitches (* 1) 3371 dark brown backstitch 301 1 green backstitch (*l) 801 brown Trace the Stitching Angel design from page 28, onto the cream print fabric. Use a tan fine-point pigment marker or HB pencil. Refer to the following Stitch Chart for thread colours and stitches used. Stitch Chart *Use 2 strands, unless otherwise indicated in (brackets) words + heart dress/collar dress trim flowers (* I) I eaves (* I) apron wings shoes face/arms/legs eyes (* I) lips hair teddy teddy eyes (* I) teddy nose patches patch stitches needlebook ‘pins & needles’ Method Trim the completed stitchery to 8Z”xl2Z”. From the red floral fabric, cut two 1 A"x 12A" and two IZ”xl0Z”. Sew the longer strips to the sides of the stitchery. Then sew the remaining strips to the top and bottom. Cut 28, 2Z” squares of various coloured fabrics. Sew together to make four rows of 7 squares. Sew a row to each side of the stitchery. Then sew a row to the top and bottom. Quilting & Binding Sandwich the completed top, wadding and backing fabric. Baste, and quilt as desired. I have stitched in the seams. Cut two 2'A" wide binding strips. Refer to the Quilt Instructions on page 6 for binding instructions. V • Fabric 25cm (10”) of Red Floral 25cm x 35cm (IO”xl4”) of Cream Background Print Various fabric scraps - minimum 2X" squares (28 in total) Other 40cm x 50cm (16”x20”) of Backing Fabric 40cm x 50cm (I 6”x20”) of Thin Wadding DMC EmbroideryThreads 3721 dark pink 301 I green, 801 brown 223 pink, 3768 blue, 433 brown, 926 blue 3371 dark brown 3864 skin Size I4”xi8” Stitching Angel Wallhanging page 27

Sewing Set page 29
Setrtog, Set Stitcheries Trace the designs from page 29, onto the homespun. Leave at least IX”-2” between each design. Use a tan fine-point pigment marker or HB pencil. Refer to the following Stitch Chart for thread colours and stitches used. Fabric Fat Quarter of Floral Fabric Fat Eighth of Green Spot 20cm x 20cm of another floral fabric 10cm x 15cm (4”x 6”) of Beige Wool or Felt 20cm (8”) of Seeded Homespun or Calico Other 20cm x 15cm (8”x6”) of thin wadding 15cm (6”) square of iron-on pellon DMC Threads 167 pale brown 3721 dark pink 535 grey blue 301 I green 801 brown 924 blue 407 skin pink 3346 green Template plastic Polyester stuffing Stitch Chart *Use 2 strands, unless otherwise indicated in (brackets) Needlebook spool backstitch 167 pale brown thread on spool satin stitch 3721 dark pink sewing machine backstitch 535 grey blue heart satin stitch 3721 dark pink words backstitch 301 1 green Scissor Keep girl 1 hair backstitch 167 pale brown girl 2 hair backstitch 801 brown faces backstitch 407 skin pink girl 1 top/collar backstitch 924 blue girl 2 top/collar backstitch 3721 dark pink eyes french knots (* 1 strand) 801 brown lips single stitches (*l strand) 3721 dark pink words backstitch 301 1 green Pincushion as above, for Scissor Keep and Needlebook, + scissors backstitch 535 grey blue jar backstitch 167 pale brown jar lid backstitch 3721 dark pink spools backstitch 167 pale brown thread on spools satin stitch 3721 dark pink buttons backstitch (*l strand) 3346 green 3721 dark pink pins & needles & french knots backstitch & french knots 3346 green 3371 dark brown mouse backstitch 407 skin pink mouse nose french knot (* 1 strand) 3371 dark brown mouse ears lazy daisy stitch 407 skin pink Scissor Keep Trace 2 each of the scissor-keep back, scissor-keep front, and circle, onto template plastic and cut out. Iron some thin iron-on pellon to the back of the stitchery calico. Place one of the scissor-keep front templates on the back of the completed stitchery. Position the stitchery, centred on the template. Cut the calico approx. /2” outside the edge of the template. page 30 Sewing Set
Wrap the calico around the template and sew a gathering stitch to pull the calico firmly around the template.Tie off. Do the same with the other scissor-keep front template and the floral fabric. Iron some iron- on pellon to the fabric first. Place these two completed pieces, wrong sides together and slip stitch around the edges to make the scissor-keep front. Use the same method to make the scissor- keep back with the main fabric and the two back templates. Clip the inside curve of the heart to help follow the shape. Place the scissor-keep back and front together; aligning at the bottom edge. Slip-stitch around the sides using one strand of matching DMC thread. To attach the circle trim Use the same method to make the circle trim. Place a little iron-on pellon under the fabric to slightly pad the circle trim. Don't stitch the two covered circles together just yet. Pull out all 6 strands of matching coloured DMC thread, approximately 2 metres long. Cut. Fold this in half, leaving a loop at one end. Have someone hold the loop end for you, then start twisting the other end around and around and around. Keep twisting until it is twisted nice and tight. Find the centre and grab hold of the twisted thread. Keep hold of both ends, but bring them up to meet togetherThen let go of the centre. The thread should twist around itself creating a lovely rope effect.Tie a knot in the end. Place the end inside the two circle pieces. Slip stitch around the circles with I strand of matching DMC thread, catching the end of the rope inside. Stitch the loop end of the rope to the side of the scissor-keep. Make a tassel for the circle trim by looping the DMC thread around 3 fingers about 20 times. Fold the loops flat and cut through the loops at one end. At the other end, wrap another length of thread around and around about %” from the loop end.Thread the end of this, into a needle. Tie a couple of knots close to the tassel, then pull the knots into the midst to hide the knots. Trim the end evenly. Stitch this to the opposite side of the rope. Tie the rope to your scissors by making a loop, threading this through the scissor and putting the circle through the loop. Needlebook Cutting Trim the completed stitchery to 2/2” x 3” From the outer fabric, cut one 7/2” x 5” From lining fabric, cut one 7/2” x 5” From thin wadding, cut one 7)6” x 5” From binding fabric, cut one 2”x 28” From wool or felt, cut one З/2” x 6” From another fabric, cut four 3”x З/2” for pockets To make the pockets Place two of the 3”x 3/6” pieces right sides together and sew around all sides, leaving al” gap in one side for turning out. Cut diagonally across the corners, outside the stitching. Turn out through the gap and iron flat. Make two of these. Place the pockets on the lining fabric, allowing approximately I” between them in the centre. Slip-stitch around the sides and bottom edge to secure the pockets to the lining fabric. Sewing Set page 31
To make the needlebook Sandwich the wadding between the lining and outer fabrics. Pin to hold together Fold the binding strip in half, wrong sides to- gether; along the length. Position the doubled raw edge of the binding along the bottom edge of the outer fabric. Start stitching about I ” from the beginning of the binding. Stitch the binding all the way around. When you get back to the beginning, cut off the excess binding, leaving enough to tuck inside the other end of the binding. Fold in the raw end, then tuck other end in- side and finish stitching the binding. Fold the binding over the raw edge of the needlecase to the back. Slip-stitch the binding. Centre the wool or felt on the inside of the needlecase. Place a pin toward the ends of the wool/felt to hold in position. Turn the needlecase over and use a patch- work rule to find the centre of the needlecase and rule a line using chalk pencil. Sew along the line using matching coloured thread, catching the wool/felt on the inside. Fold the needlecase in half and position the stitchery on the front. Slip-stitch the stitchery in place using matching thread. Pincushion Trim the completed stitcheries to 2%” wide x 3” long. Trace the circle template onto template plastic and cut out. Also cut a piece 9”xlM”. Cut a piece of thin wadding the same. Place these on the templates. From the main fabric, cut /2” larger than the template pieces. For the circle, sew large gathering stitches around the edge of the fabric and pull in around the template.Tie off. For the rectangle, lace back and forth across the shortest width with a couple of strands of DMC thread, tuck in the ends and stitch down, at the back. Overlap the ends of the covered rectangle to make a ring.This is the side of your pincushion. Use the covered circle base as a guide to make sure the ring is the same size as the base. Stitch the end of the rectangle to hold. On the trimmed stitcheries, turn under a small hem at the sides only. Space the stitcheries apart evenly around the pincushion side. Slip stitch at the sides of the stitcheries to hold. Lace the top and bottom of the stitcheries on the inside. Now you can stitch in the base. Slip-stitch using matching coloured thread, hiding the ends of the thread on the inside. Place some stuffing inside the pincushion. Cut a circle of main fabric to the size of the large circle template. Sew large gathering stitches around the edge of the circle about %” in from the edge. Pull in a little to form a cup. Stuff this very firmly with polyester stuffing.Then pull in as tight as you can and tie off. Push this down into the pincushion base and slip-stitch with matching thread around the top edge of the sides of the pincushion. page 32 Sewing Set
tMchwrt CWcfy Cutting From red print fabric, cut one 12X"xl4Z” From floral fabric, cut one I2Z”xI4Z" one 12Z”x8Z” two 2Z' strips From iron-on pellon cut Dresden Plate two l2Z’xl4Z" Follow the instructions on page 5 to make one half dresden plate. Use scraps of fabric for the wedges & half circle. Method Place the iron-on pellon behind the red print and floral fabric 12Z"x I4Z" pieces. Iron to adhere. Quilt both pieces as desired. I have quilted vertical lines at 2” intervals. Position the dresden plate on one of the 12Я” edges of the quilted red panel. Stitch in position. Fold the 12Z”x8Z” floral piece in half, wrong sides together; to make the inner pocket. It should measure 12Z"x4X", folded. Position the pocket, at the bottom edge of the quilted floral piece. Pin to hold. Rule a vertical line 5Z” in from each side on the pocket. Use matching coloured thread to stitch on the lines. Place the inner and outer pieces, wrong sides together Measure half way along the 14Я” edge to find the centre. Rule a line through the centre and sew.This is the fold. Cut a piece of heavy card 6%”xl 3%". Place this between the inner and outer pieces, on the bottom half of the caddy. Hold in position with a couple of pins at the side. Position the magnetic clasps on the inner piece, approximately IX”-2” from the sides. At the bottom edge, the magnetic clasps will be attached to the pocket. Place a small amount of interfacing where the clasps will go for extra strength. Ensure that the top and bottom clasps will line up when the caddy is folded closed. Snip a small slit for the prongs to go through and place the backings behind. Bend the prongs to hold the clasps. Sew the two binding strips together end to end. Refer to the Quilt Instructions on page 6 for binding instructions. Fabric 35cm x 40cm (14”x 16") of Red Print I/2m (20") of Floral Fabric Various fabric scraps - minimum 4" x 3" (10 in total) 13cm (5”) square of fabric for dresden plate centre Other 40cm (16") Iron-On Pellon 2 small pieces of interfacing 35cm x 20cm of Heavy Weight Cardboard 2 small Magnetic Clasps Size 14"x8" (closed) Patchwork Caddy page 33