BASED ON THE NEU YORK TIMES BESTSELLING SERIES
FOURTH

BASED ON THE NEU YORK TIKES BESTSELLING SERIES
FAZ В EAR FRIGHTS
THE
FOURTH
CLOSET
i h !•': :? Г с О И ?. C I’M 0 v 0 ?-
by SCOTT CAUTHON and
KIRA BREED-bJRISLEY
adapted BY CHRISTOPHER HASTINGS
ILLUSTRATED BY DIANA CAMERO
COLORS BY EVA DE LA CRUZ
LETTERS BY HIKE FIORENTINO
Imprint of
••SCHOLASTIC
Copyright © 2022 by Scott Cawthon. All rights reserved.
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e-ISBN 978-1-338-80918-3
First printing 2022
Edited by Michael Petranek
Book design by Jeff Shake
Inks by Diana Camero
Colors by Eva de la Cruz
Letters by Mike Fiorentino


Нин?
I UNDERSTAND.
WHAT?
JOHN,
WAKE UP!
Of course,
I UNDERSTAND.
I'M SORRY.
GOOD
LUCK OUT
THERE. ,
I MUST HAYE CALLED
YOUR NAME THREE
times! Where
s. WERE YOU? S
UH-HUH,
FOCUSED.
Yeah,
I'M SORRY,
TOO.
I TOOK A chance on you. BUT
I’M NOT PUTTING MY OTHER
к GUYS LIVES AT RISK. >
I WAS
JUST REALLY
FOCUSED.
Okay,
... wow.
This is an x_
' ACTIVE CONSTRUCTION ~
ZONE. IF YOU'RE IN LA-LA
LAND, YOU'RE NOT THINKING
ABOUT THE SAFETY OF
< THE OTHER MEN a
/V OUT THERE.
I HAVE
TO LET YOU
Go TO WORK.
Go номе.
FOR SIX MONTHS.
NOW? NO JOS. NO
WORK. NO REASON TO
stay in Hurricane ...
Buy food
SOMETIMES.
Six months
SINCE
Charue...
Afton.
He's finally given up on
KILLER RODOTS, AND HE'S
JUST GOING TO RUN ME
OVER ON THE HIGHWAY.
How
HAVE YOU
SEEN?
Well,
l COULD ASK
YOU THE SAME
u THING.
JOHN, Its
ME’! WHAT ARE
YOU DOING OUT
HERE? л
I WAS JUST
GETTING
GAS.
Who asE
is GOING TO
0E THERE?
NO I DON'T.
I DON'T KNOW
WHO THAT IS,
BUT IT ISN'T
CHARUE. .
Charlie's
dead.
Fine. Working,
MOSTLY. WHAT'S NEW
. WITH YOU?
v We're all
GETTING TOGETHER
TONIGHT AT HIS DAD'S
HOUSE. HE'S DYING TO
SHOW OFF HIS NEW
COSMOPOLITAN j
PERSONA.
Carlton's
ACTUALLY GOING TO
BE SACK FROM NEW
York soon! Spring
к BREAK.
JOHN,
Г/Н SHE MISSES
Y0U‘ >
YOU HAVE -ы.. —
TO TALK TO HER
, SOMETIME. Л
I SWEAR WHEN I TALKED Y
TO HIM ON THE PHONE 1
LAST WEEK, HE WAS J
FAKING A BROOKLYN J
ACCENT.
SHOULD
A come!
I SAW HER
MAYBE.
STOP IT. YOU'RE
HURTING HER.
" But i don't
THINK ANY OF IT
HURT AS BADLY AS
YOU REFUSING TO
. SPEAK TO HER. .
I SAID
MAYBE.
Please come
TONIGHT.
Good
ENOUGH FOR
me! I'll see
YOU THERE.
AND THIS?
This thing you're
. DOING?
Don't you
understand? after
WHAT SHE WENT THROUGH?
ITS INSANE, JOHN. I DON'T
KNOW WHAT THAT NIGHT
DID TO YOU, BUT I KNOW
< WHAT IT DID TO
x. Charlie.
r NO, YOU ~
DIDN'T. I'VE SEEN
HER. I'VE TALKED
TO HER. IT IS
u HER. л
THAT'S
WHAT'S KILLING
HER.

What if it is her?
Right?
Ha ha
ha ha!
The shuddering
suit. Charue trapped
inside. The blood ...
WHAT
WOULD I EVEN
SAY TO THESE
PEOPLE?
0ит Dave—no. Afton.
William Afton survived
what happened to Charue.
He didn't die inside the robot
suit. He became Springtrap.
He returned.
I DON'T
CARE. I'M NOT
GOING. ,
OR DID YOU
MAKE IT ESPECIALLY
FOR THE GRAND
OPENING? j
Couldn't Charue, too?
Broken and scarred.
BUT ALIVE?
She
SHOULDN'T
HAVE SURVIVED
THAT.
PACK
John!
Petty
Come
inside!
A LOTS
CHANGED.
.. JUST TAKING
THE GARBAGE
OUT! I'LL BE
RIGHT... >
YOUR HOUSE
LOOKS
DIFFERENT.
NO, SHE’S
STILL GONE. I WISH
SHE'D COME BACK.
Maybe she will
SOMEDAY. BUT LIFE
. GOES ON.
John!
Hey.
Hey,
Marla.
John,
come HELP
ME IN THE
kitchen!
r WHAT, ~
ARE YOU MY
GRANDDAD
к NOW? л
Well, we can
JUST ASK HER
. TONIGHT.
ITS SO GOOD
TO SEE ALL Of YOU
again, is Lamar
AROUND? л
But
HE SAYS
What's up with you,
Jessica? I heard you've
GOT THE DORM ROOM TO
< YOURSELF now. /
He said,
"I'M NEVER. EVER.
EVER SETTING FOOT IN
THAT TOWN AGAIN, NOT
EVER, NEVER FOR AS
LONG AS I LIVE, AND
. YOU SHOULDN'T, .
EITHER."
Chj wv4tMa
ACTUALLY
MOVED BUT,
yeah ... One day I found
Charlie packing up whatever '
SHE COULD CARRY. SHE LEFT ME
 AND JOHN TO CLEAN UP THE REST. I
DON'T THINK SHE WAS EVEN GOING
FK Ж TO TELL ME SHE WAS LEAVING.
W \ PlDN'T TELL ME WHERE.
either. Just that J
SHE HAD TO GO.
{sigh}
COME.
Almost
LITERALLY,
YEAH.
YOU'RE
RIGHT.
THIS ISN'T
WHAT I WANT. I
SHOULDN'T HAVE
YOU PULLED
ME IN FOR A
PEP TALK?
F YOU'RE AMONG >
FRIENDS HERE. JOHN.
Try to relax. All of
THIS HEARTACHE YOU'RE
PUTTING YOURSELF
кк THROUGH...
WHAT'S UP?
Need me to open a
KETCHUP BOTTLE?
.. That can't
BE WHAT YOU
. WANT. У
I JUST WANT л;
TO MAKE SURE YOU'RE
ALL RIGHT OUT THERE. I
KNOW IT'S BEEN A WHILE
SINCE YOU AND CHARLIE
TALKED, AND SHE'LL BE
V HERE SOON. S
Jessica
TOLD ME SHE RAN
INTO YOU EARLIER
v TODAY. л

I WAS JUST
GOING TO GET
MY JACKET.
I THOUGHT
YOU PIP.
JOHN, SAY
SOMETHING.
/T'S NOT
HER.
HOW COULP
ANYONE THINK
THAT'S HER?
I MISSEP
YOU.
I PON'T
KNOW WHAT
TO SAY.
I, UH, HAP TO
GETAWAY FOR
A WHILE.
That night,
John, I thought
I WAS GOING
4 TO PIE. Л
YOU л
PON'T THINK
I'M ME?
Almost вот me.
Charlie
No. Wait.
YOU HAVEN'T DRIVEN PAST HER
HOUSE, OR THE OLD FREDDY
FAZSEAR'S SITE, IN MONTHS.
OH, I'M
AN IDIOT.
I JUST WANT YOU
TO KNOW THAT
u IT'S OKAY. .
We all had
TO GROW UP.
IT IS HER. SHE GREW
UP. THAT'S ALL.
WHAT MUST IT HAVE
DONE TO HER? WHAT
KIND OF NIGHTMARES DO
YOU HAVE, CHARUE-
WHEN YOU THINK OF
WHAT THAT MOMENT
DID TO YOU. . .
Jessica tolp
ME. ITS OKAY.
John. .
MAY0E SHE HAD HER OWN THINGS SHE
WANTED TO AVOID? MAYSE SHE WANTED
TO CHANGE JUST LIKE YOU HAVE.
~ DO YOU
REMEMBER THE
LAST THING I SAIP
TO YOU, BEFORE
к YOU... ? Л
It isn't her.
I LOVE
YOU.
THATS
OKAY.
Г JOHN, WOULD
YOU MEET ME
TOMORROW? I JUST
WANT TO TALK. GIVE
. ME A CHANCE.
"... Before you were
TRAPPED IN THE SUIT"?
I SHOULD
GET
GOING.
.. . MISSING.
I REMEMBER BEING IN
THE SUIT. I PASSED
OUT, I THINK FOR
HOURS. >
ГМ SORRY, JOHN.
I DON’T REMEMBER A
LOT ABOUT THAT NIGHT,
WHOLE PIECES ARE
JU5T... Л
The Thai
place? Our
FIRST PATE?
Arounp
SIX?
SURE.
That same
PLACE?
yeah.
SEE YOU
THEN.
Those weren't
HER EYES.
04ЯСН * Г
Than /
I DIDN'T HEAR
YOU COME
OUTSIDE.
Charlie,
ARE YOU
OKAY?
He DOESN'T
MEAN TO HURT
YOU. He'5
K JUST— у
Traumatized.
I KNOW.
I THINK HE
NEEDS SOME
TIME.
What?!
Its FINE.
Carlton!
Owl
Very.
How's New
YORK?
It's okay!
He didn't say
anything
ABOUT KILLER
< robots!
Charlie,
JESSICA SAID
YOU LEFT
. SCHOOL? .
I'M SORRY TO HEAR ABOUT
YOUR HOUSE. OH, ANO
. ALSO THE ... UH ... л
МММ
HMM .
Are you ...
BEING
SARCASTIC?
maybe you
COULP SUILP A NEW ”
HOUSE THERE? PAP SAIP
ГНЕТ RECENTLY CLEAREP OUT
THE RUBBLE AND TOOK
К IT TO THE JUNKYARD. Л
How
ABOUT YOU,
MARLA?
r Well, Ohio isn't
New York, put I never
GO OUT ANYWAY. PREMEP
IS A TON OF WORK. WORTH
IT, though!
Ha ha, xT
NO, NO. I'M GOOD.
ITS ACTUALLY A HUGE
RELIEF THE KILLER ROBOTS
ARE UNACCOUNTED FOR,
. Carlton, thank
YOU.
Great! College. City.
LEARNING. FRIENDS .. .
I WAS IN A PLAY ABOUT
A HORSE.
THE NEXT DAY . . .
r I COULDN'T FIND >
ANYONE, THOUGH. NO.
SIR. I'LL LET YOU KNOW IF
SOMETHING TURNS UP.
Thank you. Officer.
к Haye a good day. 7
Office
TROUBLE?
Let's see. That
ALL WENT .. .
'04, PARDON ME, \ |	, 
MA'AM. NO. SOME y’l	s *
KIDS SNUCK IN LAST I	’«
night. Nothing / III нВИ \
4. UNUSUAL.	\
“У	FEEL fkee	l\\
TO HEAP ON IN AND ^B ] \
J look around. Scrap IF  ]
IS FIFTY CENTS / Д " I
Лттгх. A POUND.J 1
Z^~7^ 7-/ I'M LOOKING
r /А ' I FOR SOMETHING
7 /ЛКЛ	X SPECIFIC... .
..Vos.
Well, I don't know
WHAT TO TELL YOU.
< irs A dump. >
What you see
IS WHAT YOU
<	<3ET.	>
000, YOU RECEIVED >
SEVERAL TRUCKLOADS
OF SCRAP METAL ON THIS
DATE, AND FROM THIS
LOCATION. WHERE IN THE
b. YARD DID IT GO?
' How MUCH
OF THAT PHONE
CALL DID YOU
. OVERHEAR?
COURSE I
yes,
TWO AND
FIVE.
Take me
THERE.
r LOOK, WE RUN A л
CLEAN BUSINESS AND
WE HAVE A GOOD
L. REPUTATION. У
< You're not >
IN ANY TROUBLE,
&OB, AS LONG AS
YOU CAN DO ME ONE
4 UTTLE FAVOR, у
Are these
your
DAUGHTERS?
r ... CUTTING
YOUR LEGS ON
JAGGED SCRAPS OF
METAL AS YOU RAN
BLINDLY THROUGH
к THE YARD. Л
/ What did you find?
WHEN YOU GOT ON YOUR
HANDS AND KNEES AND CRAWLED
THROUGH THE SEAMS AND
< THE WIRE? WHAT .
Ъ WAS THERE?
r YOU JUST TOLD THE 5
POLICE YOU THOUGHT
SOMEONE WAS TRAPPED
IN THE SCRAP HEAPS OUT
THERE. YOU HEARD
SCREAMING. A CHILD,
PERHAPS. MAYBE /
SEVERAL.
They are
BEAUTIFUL. Do
YOU TREAT THEM
< WELL? .
I’M NOT DISPUTING
YOUR REPUTATION. QUITE
THE OPPOSITE. I THINK WHAT YOU
DID WAS HONORABLE, RUNNING
TO THE RESCUE IN THE MIDDLE
X OF THE NIGHT .. .
I DON'T FEEL
COMFORTABLE TALKING
ABOUT THIS. IF I'M IN SOME
KIND OF TROUBLE, THEN
I THINK—
Maybe when Samantha was kidnapped,
SHE WASN'T MURDERED. WHAT IF CHARLIE'S
TWIN IS STILL AUVE? AND NOT ONLY ALIVE, BUT
raised by Springtrap, by William Afton.
Sammy? Charlie's
twin? It could be
short for Samantha
What happened
to Charlie?
Shaped ano molded by a
psychopath for seventeen
years, primed withall the
KNOWLEDGE AFTON COULD GLEAN
from Charlie’s life? Now sent
to take Charge's place?
I'm not crazy,
Theodore.
But if that woman
isn't Charge, who
is she?
But why? у Anp how could Afton know
What would be anything about Charlie's life?
. the point? , After her pap pied, she moved
away. Nobody saw her for years
WH£N SHE LIV£D WITH HER
aunt Jen—
TER THAT Ы
Clay!
Uh, hey.
Come in.
Neyer
pone THAT
BEFORE...

maybe.
Does it
always do
THAT?
And she 5
MIGHT FEEL
COMFORTABLE
SHARING THAT
< WITH ME? /
I UNDERSTAND.
IT'S JUST, WE FOUND
SOME THINGS IN THE
WRECKAGE .. .
r And I think >
Charlie is holding
something
k BACK. >
I WANTED to see
HOW YOU WERE
< DOING.
NO, THE
MURMURING
IS... NEW.
_ I DON'T KNOW тп
HOW TO DESCRIBE THEM.
Scary things. Pave/William
Afton/Springtrap/
WHATEVER? I’M NOT READY
к TO DECLARE HIM DEAD. У
WHAT DO YOU KNOW ABOUT CHARLIE'S AUNT
JEN? SHE BECAME VERY EAGER TO SEE YOU
AGAIN WHEN I MENTIONED THAT YOU HAD
k SEEN HER AUNT JEN BEFORE THE У
HOUSE COLLAPSED.
r That л
feels morally
AMBIGUOUS. ,
IT MADE ME
Г REALIZE THAT THERE IS
A LOT WE DON'T KNOW ABOUT
THAT NIGHT. I KNOW YOU'RE
seeing Charlie tonight, if
SHE COULD TELL YOU WHERE
HER AUNT JEN IS—
I YOU'RE ACTING >
' AWFULLY DIFFERENT
THAN "PEP TALK" CLAY
FROM THE OTHER
k. NIGHT. У
X/ f Really? Pidn't
Cjf ( WE HAVE THAT TALK
Л V к YESTERDAY?
WELL, YCU CAN VBA
NEVER SE TOO 
. SURE.
I'M OVER AN HOUR EARLY.
MAYBE CHARUE AND I CAN
GO SEE A MOVIE. AFTER THE
DINNER-AND-INTERROGA DON.
The theater's just
AROUND THE CORNER.
I WONDER WHAT'S
PLAYING. . .
Feels like it's been a
YEAR SINCE I WAS LAST IN
town. / think Jessica
MOVED OUT OF HER DORM
TO AN APARTMENT
AROUND HERE.
WHAT KIND OF
FRIEND HAVE I
BEEN? I SHOULD
KNOW BASIC STUFF
UKE THIS.
I GUESS YOU DECIDE ON A SHIRT
AND GET OUT A LOT FASTER WHEN
YOU WANT TO GET AWAY FROM
THE CHIEF OF POLICE DROPPING
BY UNANNOUNCED.
SOON
Children playing
Complacent parents
Excuse me
Just keep
walking,
JOHN.
are you here
WITH YOUR
CHILPREN?
. SOMEWHERE
ELSE. BYE.
IF YOU'RE NOT
HERE WITH ANY
. CHILDREN—
YOU DON'T HAVE
TO DO THIS.
The theater
IS GONE.
The smell, so
FAMILIAR.. .
I HAVE
TO GO MEET
SOMEONE.. .
0UT THAT
. . THAT'S
SO MUCH
LIKE. . .
Rubber, sweat,
pizza ...
ITS exactly
LIKE—
No, I... Yes. Several
chilpren. Birthpay party.
So many cousins. What
< CAN YOU DO? У

I SHOULD
HAVE WAITED
OUTSIDE.
I TOLD YOU I'M
HAVING DINNER
k WITH JOHN? .
Well,
Charlie
Гм JUST
WORRIED
ADOUT HIM.
Ha ha,
HOW COULD I
FORGET?
r just let him spend л
SOME TIME WITH YOU.
He's been through a
lot. Remember, from his
PERSPECTIVE, HE SAW YOU
DIE, RIGHT IN FRONT
к OF HIS EYES. A
Y IT WON'T DO
EITHER OF YOU ANY
GOOP TO PRETEND
NOTHING HAS CHANGED.
Wear what you have
l ON. YOU LOOK i
V GREAT. ><]
F JOHN DOESN'T
SEEM TO LIKE MY
NEW LOOK. MAYBE HE'P
LIKE ME BETTER IF YOU
HELP ME PICK OUT (
k. AN OUTFIT? A
OlD I SCARE YOU?
SORRY, THE DOOR WAS
s. UNLOCKED.
CHARLIE, YOU \—
SCARED ME TO I 
. DEATH.
"•Tn?' What are
"I YOU POING
X \ HERE?
Something
important?
He's
testing
HER.
~ I THINK
IT'S IMPORTANT
TO HIM THAT I
_ REMEMBER
YOU
KNOW WHAT
I MEAN.
JESSICA, DO YOU л
REMEMBER HIM TELLING
ME SOMETHING
IMPORTANT THAT j
4^ NIOHT? У
SOMETHING . ..
THAT I SHOULD REMEMBER.
Something he said
4 BEFORE I WAS ... >
Sorry again
FOR BREAKING IN. I
MEAN, I DIDN'T BREAK
IN. THE DOOR WAS
L. UNLOCKED. >
Ha ha,
JUST ANNOUNCE
YOURSELF SOONER
NEXT TIME? ,
Sorry, v you and John were
NO. ALONE FOR A FEW MINUTES.
------Л I'M NOT SURE WHAT HE
X SAID. WHY? >
Zombies vs.
Zombies!
RlGHTl
Ha ha ha!
. . OTHER
STUFF.
Right, I knew
it WAS ABOUT
ZOMBIES.
r What was N
THAT MOVIE WE
SAW? IT'S RIGHT
ON THE TIP OF
. MY TONGUE. .
Charlie, you're
DRESSED A LOT NICER
THAN THE LAST TIME
к WE WERE HERE, у
IT PROBABLY JUST SEEMS
THAT WAY BECAUSE I'M
NOT COVERED IN DIRT ANP
-v BLOOD THIS TIME. y
r IT WAS МГ FAULT.
MY HEAP WASN'T
REALLY EVER THERE. I
WAS ALWAYS THINKING
< ABOUT... у
ME TOO.
WHAT?
I SEE SHE
MAPE IT!
YOU KNOW I DIDN'T
LEAVE BECAUSE
I STILL DON'T
REMEMBER.
HA HA,
RIGHT.
Uh, but we
PIPN’T—
I JUST HAP TO
GET AWAY FROM
EVERYTHING—
r I’VE KIND OF
GOTTEN USED TO
ORDERING BEFORE
. YOU GET HERE.
I'VE MISSED
u THIS. J
Here you
GO.
It wasn’t
BECAUSE OF
YOU.
r ...DON'T
REMEMBER. I
CAN’T CHANGE
к THAT. л
I DON'T REMEMBER WHAT
YOU SAID TO ME THAT NIGHT. I KNOW
lYS IMPORTANT TO YOU. I KNOW
MAYBE IT'S WHY YOU THINK WHAT
4 YOU THINK ABOUT ME, У
BUT I JUST ...
Miss?
I DIDN'T.
Thank
you.
Never mind.
FORGET I SAID
ANYTHING.
IF ITS THAT
IMPORTANT. WHY
CAN’T YOU JUST
< TELL ME? у
I KNOW THAT. л
A LOT HAPPENED
THAT NIGHT. I
fc. KNOW. У
CHARLIE, I STILL DON'T
UNDERSTAND. HOW PIP YOU
MANAGE TO GET AWAY
k>. UNDAMAGED?
Okay. । know
Everything.
Pathetic.
I saw
YOU CHE.
r Put cfs л
STILL ME. PON'T
YOU KNOW IT'S
< STILL ME? у
I GUESS
MAYBE I THOUGHT
YOU WERE
Sammy, у
But i couldn't be your
Charlie forever. That naive
LITTLE GIRL FOREVER. SELFISH,
ч SCATTERBRAINED.
After that night, I
HAD TO GET AWAY. I HAD
TO LEAVE EVERYTHING
4. BEHIND.
I’VE THOUGHT ABOUT
rr a lot. Almost
CONSTANTLY,
4 ACTUALLY.
And now I'm here, \
~ VERY MUCH AUVE—TELLING YOU
I’M ALIVE/ JOHN, PLEASE, I DON'T
UNDERSTAND. IF YOU THINK I'M NOT
ME, THEN WHAT DO YOU THINK?
к WHO CAN YOU POSSIBLY J
THINK I AM?
MY WHOLE LIFE HAS BEEN \
HAUNTED BY WHAT HAPPENED I
HERE. I WANTED TO BE J
^SOMEBODY DIFFERENT.
I HAD
TO OR GO
/	INSANE.
r I NEVER ~
THOUGHT YOU WERE
ANY OF THOSE
V THINGS. у
< I THOUGHT >
YOU SAID YOU
DIDN'T REMEMBER
ANYTHING FROM
. THAT NIGHT. z
JOHN, YOU TOOK
me то see Sammy's
GRAVE YOURSELF,
к REMEMBER? У
I CAN
BELIEVE
THIS...
Have you
HEARD FROM
HER, BY THE
, WAY?
I'D LIKE TO
KNOW WHERE
SHE IS.
< FROM YOUR >
AUNT? I FIGURED
YOU WERE LIVING WITH
HER AFTER YOU
MOVEP OUT OF
V THE DORM. Л
Then go look
SOMETIME. IT'S NOT
LIKE THEY'RE GOING
ANYWHERE. >
Well, yeah, l know,
BUT YOU ONLY SAW
Sammy being
kidnapped! Not
V killed! >
и I DON'T!
I WOKE UP IN HER
HOUSE, AND SHE
TOLD ME WHAT
V HAPPENED. ,
Г She took >
ME HOME AND
CLEANED ME UP, MADE
SURE I WAS OKAY,
к BUT... .'
r I TOOK YOU ~
TO THE CEMETERY, BUT
I never saw Sammy's
GRAVE, OR YOUR
К FATHER'S. A
~ AND MAYBE ”
SAMMY IS SHORT FOR
Samantha! Sammy could
HAVE BEEN A GIRL ALL
ALONG ...
r &UT SHE LEFT?
OR YOU LEFT? I'M
CONFUSED. DO YOU
WANT HER TO FIND
L. YOU? >
Okay.
Well, I don't
know. .
Aunt Jen warned
ME NOT TO COME BACK
то Hurricane. She's
THREE FOR THREE AT
THIS POINT. У
I HAVEN’T \
SEEN V.
HER IN A I
WHILE. Z---------
"-—7 She rescued
I ME THAT NIGHT,
\ YOU KNOW.
Another
time?
IT FELT UNREAL. L/KE A
PREAM THAT WON'T—
IS IT HER? IS SHE
my Charlie?
I CAN'T. I'VE GOT
SOMEWHERE THAT
I NEED TO BE.
yeah,
maybe.
I'VE BEEN ASKING MYSELF
THAT FOR MONTHS, AND
NOW THAT I FINALLY GOT TO
ASK HER HERSELF. ..
< THERE’S A GOOD
ZOMBIE MOVIE STARTING IN
ABOUT FIFTEEN MINUTES.
The new theater isn't
< FAR FROM HERE. >
WHAT DO YOU THINK,
SHOULD WE SEE IF THE
OLD FORMULA STILL
4^ WORKS?
SOON

John. Good.
Come INSIDE.
Гм SUSSTITUTING
k LESSER VICES. .
DO YOU
WANT SOME
t COFFEE?
C-Clay! I WAS
JUST ABOUT TO RING
THE SELL. WERE YOU
. EXPECTING ME? .
YOU
FIXED THE
DOOR.
"People in costumes." That's
NEVER GONE WRONG FOR ME. . .
Oak..
Reinforced.
its A UTTLE
LATE FOR ME.
I'LL BE UP ALL
NIGHT. .
r $0, WHAT
BRINGS YOU
HERE TONIGHT,
John? Carlton’s
L. NOT HOME, л
Ммм-нм
I SAW
Charlie.
I can
RELATE.
yeah, what
asout Charlie's
< mother? .
r I KNEW THEY'D
LOST THEIR OTHER
KIP. I ASSUMED SHE
HAP SOME KIND OF
к BREAKDOWN. A
< mm-hm. ~
I WAS SURPRISED
WHEN JEN TOOK
Charlie after
u Henry died, л
у One day, I couldn't
r help put ask Henry
ABOUT HER. He thought a
LONG TIME BEFORE ANSWERING.
Eventually he gave me
к THIS SAD LOOK, AND л
HE SAID . ..
Henry never had a bap
WORD TO SAY ABOUT CHARLIE'S
MOTHER, BUT I DO KNOW SHE RAN
OFF BEFORE HENRY AND CHARLIE
moved то Hurricane, л
r Thought l saw л
SOMETHING. I'M JUST
A LITTLE ON EDGE WITH
ALL THESE WEIRDOS
WALKING AROUND IN
L. FACE PAINT. Л
S NOT REALLY.
Г SHE SAYS SHE DOESN'T N
REMEMBER MUCH. SHE ASKED
ABOUT HER AUNT JEN. I THINK
SHE'S LOOKING FOR HER?
. SHE WANTED TO KNOW
X. IF 1'0 SEEN HER.
~ SO, DID ~
Charlie illuminate
ANYTHING FROM
к THAT NIGHT? л
T “SHE
WOULDN’T
KNOW WHAT TO DO
WITH MY UTTLE
GIRL.” 4
EVERYTHING
OKAY?
OlD YOU \
EVER MEET
JEN?
г Charlie
Ш ALWAYS GAVE ME
THE IMPRESSION
Ж SHE WAS KIND
OF COLD. л
IS THAT
Ella?
what's
THIS?
That was
just THE
WIND.
It's the
SECOND ONE
THIS MONTH.
A CHILD WAS
ABDUCTED THIS
MORNING. .
YOU
COULD SAY
THAT. .
r Clowns
ROAMING THE
STREETS HAVE YOU
JUMPY, TOO,
к JOHN?
~ CHARLIE'S X
DAD MADE ELLA FOR
HER. SHE USED TO GO
AROUND ON A TRACK
L WITH A TEA SET— У
The doll? 4"
J YEAH, IT WAS IN THE 1
RUBBLE OF THE HOUSE.
The other night I asked
if Charlie wanted it,
L but she wasn't a
INTERESTED.
She wasn’t?
I HAVE a hard
TIME BELIEVING
THAT.
Michael
What?!
Yeah,
Okay.
Unless
you DO
NEED IT.
GETTING
LATE.
Only
JOKING.
Michael.
And the
others.
But if it's
something
ELSE. . .
DO YOU THINK
IT HAS SOMETHING
TO DO WITH-
r I HOPE THESE
ARE JUST SOME
CUSTODY DISPUTES
AND THE KIDS
4 TURN UP. >
PO YOU
WANT TO TAKE
MY GUN?
Right. Watch
YOURSELF OUT
. THERE. >
I MEAN, ItS
NOT THE FIRST TIME
IT'S HAPPENED
< HERE, AND— >
I'M DOING
F EVERYTHING I CAN. ”
I FEEL LIKE I'M RELIVING
those days. Children, the
SAME AGE AS MY LITTLE BOY
back then. They get
l SNATCHED ONE AFTER
ANOTHER ...
Г And I told x
YOU I'M NOT READY
TO ASSUME THAT WILLIAM
Afton is out of
V THE PICTURE.
F Гм GOING
TO NEED YOU. AND
I'M GOING TO NEED
Charlie, too. I know
IT ISN'T FAIR,
BUT—
HB1I

Hello?
Relax. John
r I THINK
THE CLOWN
RESTAURANT IS
IN THE OTHER
DIRECTION' t
S1GH<
The oooh
'Just another weirdo
IN A COSTUME..
WHAT
THE—?
WHAT IS YOUR
EMERGENCY?
Chief
&urke? Are
YOU THERE?
Hello?
< This is police
chief Clay Burke.
There is an intruder in
MY HOME, AND I DON'T
HAVE IMMEDIATE ACCESS
V TO MY RADIO—
The next morning ...
Hello?
Silver
Reef?
What
is IT?
Shining
star ...
is this JOHN?
I'M CALLING FROM
Pioneer Memorial
< Hospital. >
SWJMNfl STAC
Silver Reef »
r Clay Burke \
is here. He's sadly hurt,
BUT IN STABLE CONDITION.
When he was conscious,
HE WAS ASKING .
X- FOR YOU. ___________S
MOVING
And they
CAN'T BE
DESTROYED*
I DON'T
CAKE! PO IT.
THEY CAN
ONLY SERVE
A GREATER
PURPOSE.
No. They
REMEMBER ME
AS I USED
< TO BE. >
< They're >
AFRAID. YOU'RE
AT RISK OF
DESTROYING
V them. >
IT LOOKS
LIKE IT'S . ..
PAIN?
' OF COURSE '
it is. Of course
they are. Raise
IT TWO MORE
к DEGREES. У
Meanwhile

SUCCESS
I CHECKED.
HE DIDN'T.
Then keep
LOOKING.
And
AS FOR
YOU ...
Go! I have
NO MORE USE FOR
YOU NOW. .
The police chief
KEPT THE ANIMATRONIC©
HIDDEN IN HIS BASEMENT
FOR QUITE SOME TIME.
Perhaps he hid our
FINAL COMPONENT
4. THERE. . .
Clay
I’LL GIVE
YOU SOME
PRIVACY.
NO, IT'S OKAY,
JOHN. I CALLED
THE OTHERS,
< ANYWAY. >
Don't pull
ANY PLUGS
JUST YET. I'M
STILL HERE.
r I'M SORRY
TO DRAG YOU HERE,
JESSICA. I DIDN'T
KNOW WHO ELSE
V TO CALL. >
< И/E SHOULDN'T
BE LETTING IN ANYONE
OTHER THAN FAMILY, BY THE
way. But when he was
AWAKE. HE DEMANDED TO
see you, so... Chief's .
\ ORDERS.
What?
zzzz
Someone's
BEEN STALKING
IT HAS
TO HAVE A
RANGE ...
LOOK ...
HOW
ARE YOU
FEELING?
JOHN, THERE'S
AN ENVELOPE IN
MY JACKET.
< Get it. >
f Like I’m '
ABOUT TO
PASS OUT ANY
< SECOND.
JESSICA, THESE
PHOTOS.. .
' IT HAS TO
HAVE A MAXIMUM
RANGE...
What?!
Jessica!
John!
Is HE
OKAY?
We don't
know.
It wasn’t
JUST "SOMEONE'
STALKING US. IT
< was Clay. ,
WHAT
HAPPENED?
Yeah, he'll se
fine. He was just
AWAKE AND TALKING
. A MINUTE AGO.
Marla! Oh,
Carlton, I'm so
SORRY...
And Charlie \
IS THE ONLY COMMON |
ELEMENT IN ALL OF THE j
< PICTURES, LOOK. X---------
_____7 Why was
_____I Clay stalking
Charlie? >
I WAS
I GUESS
I'M USED TO
Ha ha ha,
Charlie!
No, SHE'S
RIGHT.
What?
it is JUST
ME?
I'M KIND OF
CURIOUS ABOUT
THAT, TOO,
< JOHN. у
' WHY PIP THE
HOSPITAL CALL YOU
FIRST, AND NOT
ME, HIS ACTUAL
К FAMILY? У
I DON'T KNOW. л
I DIDN'T REALLY THINK
TO QUESTION IT. I JUST
< RAN RIGHT OVER. /
Yeah,
OF COURSE.
MAN. .
BLECH. I HATE
THAT HOSPITAL
< SMELL. >
I'M SORRY. A
ITS OKAY. IT MEANS
A LOT THAT YOU'RE
ALL HERE. >
Нм?
Good luck!
Are you
okay?
YEAH. HE'LL
RECOVER.
JOHN, PIPN’T
YOU SAY YOU HAP
A JOB INTERVIEW
TO GET TO? л
r Good. Good.
I WAS JUST AT THE
STATION, ANP THEY
SAIP HE WAS HERE
u ANO I...	>
yes. yes,
I AM TRYING
TO GET A NEW
. JOB. >
r Pye.
EVERYBODY.
I’LL COME BACK
< LATER. л
I SHOULD GET
GOING. I STILL MIGHT
BE ABLE TO MAKE IT
к TO CLASS. /
~ IS HE ALL RIGHT?
I COULDN'T HELP BUT
OVERHEAR THAT'S CHIEF
< Burke in there. >
JOHN
IT'S UP
TOU5.
My son is
MISSING.
YOU'RE
RIGHT.
ITLL
BE ALL
RIGHT.
HE'S GOING TO A
RECOYER. WE JUST
TALKED TO HIM. HE’LL
, FIND YOUR SON. >
They
don’t get
, found. .
Okay. Thank
YOU. I'LL BE
. OKAY. .
Y The other
OFFICERS DIDN'T ’
TAKEME SERIOUSLY.
They wanted to call my
EX-HUSBAND, BUT I KNEW
HE DIDN'T TAKE JACOB!
He wouldn't know
\ WHAT TO DO /
with him! АШ
Г бит WHEN
Chief Burke found
OUT, HE ASKED BETTER
QUESTIONS. He said
HE'D FIND JACOB. AND
I BELIEVE HIM,
4 BUT NOW... A
T SOMETHING
STRANGE IS HAPPENING.
AND THE ONLY COP THAT
BELIEVES IN ANY OF IT IS
U IN THE HOSPITAL. >
Theodore?
i doubt
Silver
Reef.
It can
TALK?!
IT JUST
STARTED.
Shining
star. Silver
Reef.
iVe should
go! I'll
drive.
Maybe
Charlie's
FAMILY USED TO
LIVE THERE. J
Y I NOTICED >
YOU BROUGHT A
FRIEND IN YOUR BAG.
Or at least a
к FRIEND'S HEAD, j
IT'S A TOWN
NOT FAR FROM
v HERE. >
< PON'T TELL CHARLIE >
I HAVE IT. I THINK SHE’D JUST
WANT IT THROWN OUT WITH
ALL OF THE OTHER STUFF THAT
REMINDS HER OF HER DAD.
. Must be some stages- >
OF-GRIEF THING. У
' It's weird. x
CHARLIE'S EXPERIMENTS
ALWAYS CREEPED ME
OUT, BUT ITS NICE TO
к SEE ONE NOW. z
Poes
THAT MEAN
ANYTHING?
SILVER REtF
BEAUTIFUL
NOW, WHAT
POES "SHINING
STAR" MEAN?
When exactly
DID PEOPLE LAST
LIVE HERE?
BUT NOT
HELPFUL.
Shining
star ...
Eighteen
hundreds? It's
A SILVER-MINING
TOWN. HENCE
THE NAME, л
That night


Ano?
Aunt
Jen?!
Why don't
you COME
INSIDE.
Вит I don't
BELIEVE I'M
YOURS.
. . BECAUSE
I GOT A
MESSAGE.
We’re
HERE..
We’re
FRIENDS OF
CHARLIE'S.
I DIDN'T
SEND YOU ANY
MESSAGE.
I'M SOMEONE'S
Aunt Jen,
YES. >
r Hello, ”
Theodore, you've
SEEN BETTER
DAYS, HAVEN'T
YOU? >
So, THIS IS
WHERE CHARLIE
GREW UP? a
YOU’RE
NOT GOING
TO TELL US
ANYTHING?
HOW IS SHE?
Poes she also
KNOW ABOUT THIS
"MESSAGE"? A
.. YOU DISCOVER
ONE PAY YOU'VE
TURNED TO
STONE. ____
Because he was
NEARLY MURDERED
LAST NIGHT, у
Listen,
I MAY NOT KNOW ’
WHATEVER YOUR
SECRETS ARE, BUT I
KNOW THAT GIRL ISN'T
Charlie, or she's
UNDER SOME KIND OF
INFLUENCE. SHE .
к ISN'T HERSELF. A
No. But we re
TRYING TO HELP HER.
IS THERE ANYTHING
GOING ON— /
HE SAID SOMETHING BEFORE
HE LOST CONSCIOUSNESS. "IT
HAS TO HAVE A MAXIMUM RANGE.
. PO YOU KNOW WHAT THAT
MEANS?
* Charlie's
OUR FRIEND. SHE'S
OUR CONCERN,
К TOO.
A FRIEND OF OURS WAS TAKING
pictures OF Charlie, like he was
STALKING HER, AND WE DON’T
KNOW WHY.
Secrets petrify you.
YOU HARDEN YOURSELF AGAINST
THE WORLD TO KEEP THEM SAFE,
BUT YOU KEEP THEM LONG ,
ENOUGH ...
Charlieismy
concern. She's my
. RESPONSIBILITY.
SIGHC- • KNOW YOU MEAN
_____и WELL. I SHOULD TELL
\ YOU TO GO AWAY, TO
FORGET HER. у
Quickly!
Shhh!
Aunt Jen, it's
SO WONDERFUL
TO SEE YOU
< AGAIN. >
~ that way. i
Back room.
Shut the door,
THEN GET OUT OF
u THE HOUSE. J
Charlie! She's
here!
This looks like л
STUFF I'D EXPECT TO
FIND IN CHARUE’5
ROOM. Л
Silver
Reef.
A CHANGE
OF SCENERY
SEEMED
u NICE. .
CHARLIE,
WHAT A NICE
SURPRISE.
There it is
again ...
Shining
star ...
PUT
THAT'S NOT
Theodore ..
r JOHN. 1
WHAT ARE YOU
DOING?
ITS BEEN TOO LONG.
I'VE BEEN TRYING TO
FIND YOU, BUT YOU'RE
NOT AT OUR HOUSE
к ANYMORE. У
Something isn't right
here. This might be our
ONLY CHANCE TO FINP
. OUT WHAT SHE'S л
UP TO.
I THINK YOU >
HAVE SOMETHING
I'VE BEEN LOOKING
к FOR. A
' SHINING
I star. Silver
\ Reef.
Вит-
Charlie
NOW.
MMPHc
HAVE TO
RUN.
JOHN, I
CANNOT EVEN
PROCESS THAT
RIGHT NOW.
Jessica, it's
Charlie! She's
STILL ALIVE.
Shining
star ... Silver
Reef ...
GAAAKCHtK-
I'VE ALWAYS
LOVED YOU
Charlie
IS THERE
ANYTHING
YOU'D LIKE TO
< SAY? .
I LOVE
YOU, TOO.
REALLY HER,
ISN'T IT?
YOU WERE
RIGHT.
John?
What?.»
Where are
you GOING?
JOHN, WE HAVE
TO TAKE HER TO
A HOSPITAL.
YOU THINK
SHE’S SAFE
HERE?
I HAVE
TOGO.
I DON'T
THINK SHE’LL
k PE SAFE.
BOLT THE
POOR.
YOU TAKE
HER.
TO A
HOSPITAL
r WE PON'T
EVEN KNOW
WHAT'S WRONG
. WITH HER. .
WHAT AM I
SUPPOSED TO DO
if Not-Charlie
. SHOWS UP?!
I HAVE A HUNCH ABOUT
\ SOMETHING...	>
WHAT ARE
YOU LOOKING
v AT? .
That's
why.
I ALWAYS HATED
THAT CREEPY ROBOT
. IN THE CLOSET.
IT'S A PHOTO ЛЛ X
OF CHARLIE WE \
FOUND AT HER OLD J
HOUSE, BEFORE IT A
< COLLAPSED. У
She
looks A LOT
/ /	/\ LIKE...
III/III
AM I NOT
ENOUGH?
I COULDN’T
FIND IT.
I KNOW
WHERE TO
GO NEXT.
YOU'RE
NOT.
WHY 15 IT
NOT HERE WITH
YOU NOW? .
Disappointing
as USUAL.
~ Anyone can
DISCOVER A FIKE
ALREADY BURNING. AS
WE HAVE HERE. л
v Put Henry \
FOUND A UNIQUE SPARK.
CREATED SOMETHING TRULY
DIFFERENT. SOMETHING HE
DIDN'T DESERVE OR INTEND
к TO STUMBLE UPON. у
Он, Charlie
Wait.
Jessica?
what DID
Clay
mean?
. IN EVERY
PICTURE.
WHAT IS
HAPPENING
HERE?
"IT HAS A
RANGE..
ITS ONLY
THAT OTHER
CHARLIE WHO'S
, SLURRY . ..
Clay. Now
you.
Too MANY
PEOPLE I CARE ASOUT
ARE CURRENTLY
< UNCONSCIOUS. у
He certainly coulp po
A BETTER JOB FOCUSING
HIS SHOTS. THESE ARE
ALL BLURRY— >
John!
Wait.
That's not
Charlie.
Wait.
I NEEP YOU
TO SEE THIS
FIRST.
0UT THERE’S
NO ONE ELSE
THERE.
I CAN BARELY
MAKE HER OUT AT
THIS POINT, SHE'S
.	50 SLURRY.
I THINK
SHE'S TURNING
AROUNP...
г the date at the
RESTAURANT. CLAY MUST
HAVE REALLY RUSHES BACK
HOME TO BEAT ME TO HIS
4 HOUSE AFTER THIS. A
r Focus, x
John. Watch
what Charue
DOES AFTER YOU
LEAVE. л
' I HAVE V-'~
SOMETHING I y"
NEED TO SHOW
YOU IN THE L
CAR.
What?
IT'S THE
CHIPS.
r This thing
ONLY LOOKS LIKE
Charlie when
IT'S CLOSE
r ANP ACTUALLY,
THAT'S WHAT I WANTED
. TO SHOW YOU— .
The computer chips >
WE FOUND ON THOSE NEWER
ANIMATRONICS THAT MAPE THEM
LOOK LIKE THEY WERE ALIVE, LIKE
THEY HAP FUR ANP EVERYTHING.
This Charlie imposter must
Lk use the same thing. Л
r THAT'S THE
CLOWN I SAW ON THE
ROAP OUTSIDE OF
Clay's house.
THE MAXIMUM
RANGE. That’s what
. HE MEANT. Л
Hl!
I HAVE TO
HIPE OUR
Charlie.
She knows
RE HERE. WHAT
PO WE PO?
Maybe I just
FRIGHTEN EASILY!
Ha ha . _
I SCARED YOU AGAIN
DIDN'T I? I REALLY NEED TO
WORK ON THAT

I LOST
INTEREST.
IT'S A MESS IN
THERE. JOHN'S
JUST TIDYING UP
. REAL QUICK, j
Really? >
He's seen my
dorm room. He
SHOULD KNOW I
CAN HANDLE A
LITTLE MESS. л
s Well, that's
DECAUSE YOU WERE
WORKING ON A CRAZY
BRILLIANT SCIENCE
PROJECT. HE HAS
к NO EXCUSE. Л
How’S THAT PROJECT GOINS.
BY THE WAY?
I’M SURE
IT'S FINE.
John? Are you
ALMOST DONE
. CLEANING? .
Nice
PLACE,
JOHN.
HOW
LONG HAVE
YOU BEEN
HERE?
r Since—
EVERYTHING. THIS
IS WHERE I LIVED
WHEN I FIRST
CAME HERE.
OH, I
GUESS I DON'T
REMEMBER
r Thanks!
Oh, a tour? Sure.
So, that’s my
. BEDROOM . ..
Hl, Charue! It's great
TO SEE YOU. >
Sure
phew.
See you
tonight,
JOHN.
YES, THANK
YOU. I CAN
TELL/
SOPO
SOMETHING!
Okay, we have
TO DO SOMETHING
for Charlie. .
Hasn't
let us down
YET. AROUND
SEVEN? л
YES, OF ”
COURSE. THAT
SOUNDS GREAT,
John. Same
u PLACE? J.
MAYBE
WE COULD
HAVE DINNER
OUT?
She's
SEARCHING FOR
something! /
F IF YOU
DON'T WANT TO TAKE
HER TO THE HOSPITAL,
I'M BRINGING THE
. HOSPITAL TO HER. ,
f well, its nice out,
AND I WAS JUST TAKING A WALK
TO CLEAR MY HEAD. I KNEW YOU
LIVED NEARBY. SO I THOUGHT
. I'D DROP IN. I'M GONNA
X. KEEP GOING.
CHARUE, I HAD
FUN THE OTHER NIGHT.
WOULD YOU BE UP
< FOR THAT? >
r Are you
hungry, Charlie?
I'm sure John
CAN MAKE YOU
x something. .

Charlie
Afton
Charlie/?
YOU'RE
AWAKE?/
IT'S GOING
TO BE OKAY.
Okay?
Could get
AWKWARD.
I THOUGHT
YOU WERE ..
But we've
GOT THIS, OKAY?
Clay's helping,
AND JESSICA .. .
Marla's coming.
We're going to
HELP YOU.
Dut you
HAVE TO KNOW
SOMETHING.
YEAH,
THAT'S WHAT
I'M THINKING,
. TOO.
I WON'T EVER
LET GO OF YOU
. AGAIN.
THERE'S Л
SOMEONE,
SOMETHING, OUT
HERE IMPERSONATING
YOU, SAYING THAT z
к SHE'S YOU.

SCKRT
SCKRTCHH
Here we
Stop
stalling!
YOU SHOULDN'T
BE ABLE TO HEAR US.
Dio you tape the
. BUTTON DOWN?
Oh yeah,
SORRY. IT CAME
loose. Fixing
it NOW.
~ I’M NOT
STALLING! I JUST
hope Marla's okay
WITH THE REAL
CHARLIE BACK AT MY
u APARTMENT. л
Thanks for
coming on this
"DATE" WITH ME,
. GUYS.
I GUESS
I WAS
That's a strange
PLACE TO GO, JOHN
Just out seeing
к THE SIGHTS? л
YES, I MEAN
Silver
, Reef. .
SO I HEARD
YOU AND JESSICA
VISITED THAT OLD
GHOST TOWN.
I WAS LOOKING
FOR AN OLD
FRIEND.
Sorry I'm
late.
WHAT’S THAT
PLACE called
AGAIN?
THAT'S
usually my
LINE.
JOHN,
WHAT ARE YOU
POING?!
' YOU
mean Silver
Reef?

WHERE
IS SHE?
Yes.
I FOUND
HER.
ID YOU
YOUR OLD
IIENP?
г 3UT I CAN
TRY ALL SORTS
OF THINGS BEFORE
YOU MAKE IT OUT
. THAT POOR.
WE'LL
SEE WHERE
WE GO FROM
THERE.
Г I'LL START WITH A
THIS GLASS OF SODA,
THEN I’LL TRY A CHAIR
OVER THE SACK OF
< YOUR HEAP. .
I PON’T KNOW WHAT
IT WILL TAKE TO SHOW
THESE PEOPLE WHAT YOU
REALLY ARE ...

Нин?
Why pip
I EVEN BRING
YOU ALONG?
SHE
LOOKS
HOT.
Where
ARE YOU
GOING?
r I HAVE AN
idea. Stay
here. Take my
CAR IF YOU
к NEEP IT. у
I KNOW. VERY
SERIOUS. ..
SHE PUT
YOUR FATHER IN
THE HOSPITAL!
WHAT'S WRONG
WITH YOU?! /
John!
That WAS
crazy!
Carlton!
Where's
Jessica?
I'm NOT
sure. She
RAN OFF.
She pip
SOMETHING
&TUPIP, PIPN'T
. SHE? >


Who
Charlie
Who are
YOU?
Do YOU
LIKE MY NEW
LOOK?
Desperation
Part of
me is.
r A FATHER'S
DISAPPOINTMENT,
AND A DAUGHTER'S
v DESPERATION.
I DON'T KNOW
WHAT YOU ARE,
BUT YOU AREN'T
. Charlie. >
WELL,
WHAT DO YOU
FEEL?
r Like walking 
A LONG ROAD LINED
WITH BILLBOARDS OF
THINGS HAPPENING
SOMEWHERE
ELSE. Л
' I DON'T
FEEL ANYTHING
WHEN THEY COME
to mind. They are
. JUST THERE.
It's strange.
I HAVE THESE MEMORIES.
I KNOW THEY DON'T
BELONG TO ME, AND
YET AT THE SAME
ч TIME THEY DO.
I FEEL
DISAPPOINTMENT.
Henry?
All of
his LOVE
WENT INTO
HER.
When you are a little girl,
YOUR FATHER IS YOUR WORLD.
HOW TRAGIC ANO MISERABLE
SUCH AN EXISTENCE IS.
I SEE
EVERYTHING
CLEARLY
NOW.
YOU'RE
TALKING ABOUT
_ AFTON.
Y To BE BORN X
WITH NONE OF YOUR
INTELLIGENCE, BUT
ALL OF YOUR HEART.
TO BE FULLY CAPABLE
OF FEELING PAIN. AND
TORMENT, BUT WITH
L NO POWER TO /
UNDERSTAND. У
William Afton
NEVER MADE
ANYTHING with
LOVE.
NO. MORE
BRILLIANT THAN HENRY.
Though l could only
WATCH FROM A
DISTANCE... J
It opens you up
TO ABUSE, TO NEGLECT,
TO UNIMAGINABLE PAIN.
All you can do
k. IS FEEL. У
Y 1 WANTED Л,
SO DESPERATELY
TO HAVE BEEN THE ONE
ON THAT STAGE, BUT
, IT WAS ALWAYS ,
X HER.
I SHOULD
RIP YOU IN
HALF.
" Petite enough ”
TO BE SWEET ANP
APPROACHABLE, BUT
LARGE ENOUGH TO
SWALLOW YOU
rs. WHOLE. >
YOU DON'T
UNDERSTAND
YET. . .
F I WANTED Л
TO BE HER.
The focus of his
ATTENTION, THE
CENTER OF HIS
к WORLD. Л
' YOU'RE
DELUSIONAL.
YOU'RE A ROBOT,
NOT HIS
< CHILD. Л
~ She was his
OBSESSION. He worked
ON HER PAY AND NIGHT,
THE CLOWN BABY WITH
BRIGHT ORANGE
k. PIGTAILS. >
"/ ALSO REMEMBER LOOKING
POWN AT THE UTTLE GIRL. /Г5
STRANGE SEEING THROUGH
BOTH SETS OF EYES NOW."
"One night I snuck out of
SEP TO see her. I'p been tolp
NOT TO A HUNPREP TIMES"
"I PULLEP THE SHEET
AWAY ANP GAZEP UPWARP,
FINALLY ABLE TO STARE AT HER
AS LONG AS I LIKEP WITHOUT
BEING SCOLPEP TO
STAY AWAY."
7 WANTED TO BE
HER SO BADLY."
nSO I DID WHAT /
WAS BUILT TO DO.'
'MY FIRST CAPTURE.
MY FIRST KILL."
"SHE WAS GLEAMING BRIGHT,
BEAUTIFUL, STANDING OYER ME.
She had happy red cheeks
AND A LOYELY RED DRESS."
"/ STOOD IN AWE OF THIS
CREATURE MY FATHER
LOYED, THIS DAUGHTER HE
MADE FOR HIMSELF."

Daddy?
I'M 60
HAPPY TO BE
HERE WITH
. YOU. .
Me too,
PAPPY. DON'T
CRY!
Where
7 HAVE TO GET INSIDE!
I WAS ON BOTH
SIDES...
I FELT YOUR
HEARTBEAT, AND
. THEN ...
WALKING TO IT. 
AND TRAPPED 1
BEHIND IT.
Separated
\\	\ FROM IT.
THE DOOR. SOMEONE WAS ON
u ^4 THE OTHER SIDE,
X CALLING ME.
John
pulled me
away.
The door
^started
to open .
Charlie!
I'M HERE
Let's get
YOU SET UP ON
L THE COUCH.
Glad to
SEE YOU,
TOO.
PON'T GET
UP. I CAN HELP. ITS
AMAZING YOU MADE
IT THIS far!
I'M REALLY
GLAP TO GEE
YOU. .
ELLA.
WE’LL
MARLA,
I’M FINE
WHAT IS
THAT?/
HOW DIP
YOU FIND
HER?
Now. Keep
YOUR EYES ON
THE DOLL.
I'M GONNA
THROW UP.
NOW THAT
WE'RE ALL
HERE...
HOW ARE YOU FEELING?
YOUR PULSE IS A
< LITTLE SLOW. Л
... TALK
ASOUT THAT
LATER ...
I WANT TO CHECK IT IN
A FEW MINUTES. DRINK
< SOME WATER. /
Real
Where is
Jessica?
Thank you
FOR TURNING
THAT OFF.
JOHN, CAN
I SEE THE
CHIP?
My father
MADE THIS. I
CAN TELL.
Sure. They
MUST BE GONE
. SY NOW ... „
Ella! She
looks ...
We're not
sure...
The ones
that Afton
made.
Г IT'S THE SAME, >
THOUGH, ISN'T IT?
Pattern projections,
bombarding the
MIND, OVERWHELMING
К THE SENSES- >
r Sorry, I think
YOU GET USED TO
IT eventually. YOU
WEREN'T HERE
< FOR— Л
NOPE.
JESSICA PACKED UP
ALL YOUR STUFF.
She's got it in her
APARTMENT.
r Charlie, do
YOU REMEMBER YOUR
EXPERIMENTS FROM
COLLEGE? THE ROSOT
4. FACES? S
This is one doesn't say Afton
< RO&OTICS ON IT, THOUGH. .
Springtrap.
William
Afton.
Enough
theatrics.
What is
going ON?
WHO ARE
YOU—
Wait,
I KNOW THAT
VOICE.
r Very goop.
Pip you like the
DANCE? I THOUGHT YOU
MIGHT LIKE TO SEE ME
к AS I WAS ... Л
Oh, Jessica's
seen caught
OH, JESSICA SHE
FOUGHT
BUT NOW SHE'S
GOING TO DIE!
• Oh my!
Meanwhile
NO ONE
NEW.
WHO’P YOU
MURPER
. NOW? .
That should
HME KILLED YOU.
&UT YOU FAKEP
But pain
CHANGES ALL
THINGS, AS
k DOES TIME.
A FAMILIAR
FACE.
' But let's >
PUT THE FAST
BEHIND US, HM?
There’s exciting
WORK TO BE
4 PONE. >
Scalp torn from my heap,
SCRAPS OF METAL INTERWOVEN
THROUGHOUT MY WHOLE BODY,
NOT TO MENTION YOUR
l frienp Charlie's j
ADDITIONS...
\ ANP OF COURSE
YOU'VE MET SPRINGTRAP, '
THE THRILLING FUSION OF MAN
ANP TECHNOLOGY. I CONFESS
HE MADE ME ECSTATIC WITH
POWER, PELIRIOUS OVER
< MY NEWFOUND
X. STRENGTH.
SO WE MEET AGAIN, IN YET
ANOTHER FORM. YOU REMEMBER
Dave the security guarp, a
SIMPLE CHARAPE TO MOVE
К ABOUT WITHOUT NOTICE. A
Fake sloop? I’m afraip I've
SPILLED PLENTY OF VERY REAL BLOOD.
I HAD NO NEEP TO FAKE IT. WHATEVER
"FAKE BLOOD" YOUR POLICE FRIENP
< FOUNP, IT WAS SOMEONE >
X.	ELSE'S.
r LEAVING THE ~
FAKE SLOOP BEHIND
FOR THE POLICE TO
FINP WAS A NICE
TOUCH. j
Зит
Trusting
CHILDREN...
Complacent
parents ...
ISN’T
THAT RIGHT,
3A0Y?
r I DO HAVE
Circus 3asy‘s
Pizza attracting
HUGE CROWDS OF
< PEOPLE... у
r Ha ha ha,
Jessica, please.
. LOOK AT ME.
YOU'RE THE
ONE KIDNAPPING
u THEM ., .
I CAN’T KIPNAP ANYONE
like this. Those pays
ARE SEHINP ME.
That
WAS A LITTLE

IMMORTALITY.
' AH, A WOMAN >
WITH A MIND FOR
SCIENCE. YOU CAN'T
HELP BUT ADMIRE
. WHAT I'VE PONE. .
She’s more
THAN ILLUSION,
. THOUGH.
HOW DID
YOU CREATE
u HER?
< Quite right. Put
THAT'S WHY WE'RE HERE.
TO DISCOVER THE SECRET
OF THAT LAST INGREDIENT,
< THE SPARK OF LIFE.
I CAN'T TAKE
COMPLETE CREDIT,
UNFORTUNATELY.
I STUDY
ARCHAEOLOGY,
BUT SURE. YOU
BELIEVE
к THAT. >
r WHAT YOU SEE BEFORE ~
YOU IS A COMBINATION OF ALL
SORTS OF MACHINATIONS AND
MAGIC. SOME OF MY WORK.
Some of Henry's ... who
KNEW NOT TO RE-CREATE THE
ILLUSION OF LIFE WHEN
YOUR MIND CAN DO
IT FOR US.
YOU'RE NOT
AS CUTE AS YOU
ARE ON THE
< SIGN. У
r IVE ARE HERE TO
RE-CREATE THE ACCIDENT,
TO REPLICATE OLDER
EXPERIMENTS, INCHING
EVER CLOSER >
Sometimes great	.----"Г
THINGS COME AT A II I_____________I
GREAT COST.	I '

CON
TROL
r IF I WISH TO 1
BECOME MY OWN
IMMORTAL CREATION,
MY SOPY MUST LEAP
MY SPIRIT TO ITS
v ETERNAL HOME. ж
NOT JUST THE
SEAR. THE BIRD,
THE FOX, THE
RABBIT. л
Since l am still
EXPERIMENTING ..
r I MOVE MY FLESH >
PIECE SY PIECE. MORE
AND MORE, IT IS A TEST
OF MY OWN WILL. HOW
MUCH OF MYSELF CAN
I CARVE AWAY, ANP
STILL REMAIN у
HOW IS IT
MOVING LIKE
u THAT?
T WHERE >
PIP YOU FINP
these? Why pip
YOU MELT THEM
l TOGETHER?! j
' They're
STILL IN THERE?!
THE CHILDREN.1
< Michael! >
r Goop girl.
The spirit follows
THE FLESH, IT WOULD
SEEM, AND ALSO
< THE PAIN. Л
How WERE THEY
EVER ABLE TO
MOVE ON THEIR
< OWN? A
The children—
THEIR SOULS WERE
TRAPPED INSIDE THOSE
< CREATURES.
r WHAT ELSE? ШИК
YOU SHOULD KNO-v
THIS. HOW PIP /
THEY DIE? S
----- THE
j suits. Their copies
WERE BOUND INSIDE,
ALONG WITH THEIR
—	4 SOULS. У
CHARLIE'S BOOTS. CHARLIE-
DONE!
Clack leather
COMBAT SOOTS.
YOU
HAVE TO
WATCH.
This is a
transplant!
Kidney.
That's his
KIDNEY.
Platform shearers.
Denim. Hideous.
ITS JUST MEAT.
Don't think of
IT AS PART OF
A PERSON.
SHOES. FOCUS
ON SHOES. YOU
LIKE SHOES.
Piece by
piece. That's
what he told
YOU. >
Green suede kitten
HEELS WITH A RHINESTONE
TRAP AT THE ANKLE.
r THE ONLY
REASON YOU ARE kN,
ALIVE RIGHT NOW IS
BECAUSE HE WANTS *	4
. YOU TO SEE. . SO LOOK
ROBOTS?
I DON’T KNOW,
JOHN. MAYBE IT
COULD WORK. ,
THE
FACES.
COULP YOU
MAKE IT WORK
THE OTHER
u WAY?
YOU MEAN,
MAKE IT SO THE
ANIMATRONICS
CAN'T SEE
< YOU? Л
' THE EARPIECES EMIT >
A FREQUENCY THAT ALERTS
THE ANIMATRONICS TO YOU,
MAKES YOU VISIBLE. IF
YOU INVERTED THAT
4 FREQUENCY... У
MAYBE. But
THAT'S A BIG
LEAP.
IT COULD
MAKE US INVISIBLE
TO THEM?
There was an earpiece
SO THEY COULD RECOGNIZE
4. YOU, RIGHT?---------4
/7----------( Yes.
Coma?
I THINK
l need ..
TO GO SACK TO
SLEEP NOW.
This was
in Dad's
OFFICE.
Yeah, sorry, Carlton,
This is why your dad
k CALLED ME FIRST.
We were л
TRYING TO FIGURE
OUT WHAT WAS UP
with the Charlie
. imposter. л
Let me get
THOSE EARPIECES.
< Look!
Yeah, I think that's
ENOUGH EXCITEMENT FOR
THE GIRL WHO'S FRESH
. out of a coma. Sack
X. TO SEP. У
AH, DON'T WORRY &UT I WANT TO
ABOUT IT. A HELP NOW.
Amazing. She looked human,
LIKE. AN ACTUAL FOR-REAL
4^^ HUMAN CHILD, s"------*
1/-----------1 Yeah



AGGGHHH!
WHAT IS
THAT?!
Hopefully,
WHEN I GET SACK,
Charlie will be
AWAKE AGAIN TO
CONFIRM IT—
.. . SWITCH
THE RED AND
THE BLUE AND
THAT SHOULD
u DO IT. >
UHH, NO
thanks. Talking
TO ROBOTS HASN’T
HISTORICALLY gone
WELL FOR ME.
<	50 with
THE WIRES LIKE
THIS, THEY CAN SEE
l ME, SO ...	.
1
Carlton
Charlie?
Carlton
I THINK
Terrible,
What ARE
YOU POING
HERE?
Carlton,
ARE YOU
OKAY?
Nausea? room
SPINNING?
IT WAS
THE EXACT
SAME FEELING
r JOHN SENT
ME TO HELP. WHAT
WERE YOU DOING
WITH ALL THIS
4^ STUFF?
JF I DON'T MIND. ITS
ALL JUNK ANYWAY. 0UT
THE WAY YOU WERE ROLLING
AROUND ON THE FLOOR,
YOU MUST HAVE ACTIVATED
something. Are .
k. YOU OKAY?
IS IT... THE
EARPIECE? NO.
IT’S COMING
< FROM— л
I'M SORRY.
I HOPE I DIDN'T BREAK
. ANYTHING. ,
The, uh
Tilt-A-whirl
What are
YOU DOING
HERE?
YOU HAVEN'T
EVEN GIVEN ME
A CHANCE...
. .. ROBOTIC
HAND THAT
COULD PLAY
PIANO?
Um, Charlie,
YOU'RE NOT
REALLY MY TYPE,
k YOU KNOW?
Same feeling
AS WHAT,
Carlton?
' Or maybe >
YOU'RE JU&T
FLUSTERED. YOU'VE
FINALLY GOT ME
< ALONE...	>
RIGHT.
HOW SWEET OF
YOU TO COME
. GET IT. j
ANYWAY, I COULDN'T
FIND IT, AND SHOULD
< GET GOING. >
JOHN DIDN’T SAY? WE
WERE GOING TO SURPRISE YOU
WITH YOUR OLD EXPERIMENT.
Rememder? The ... >
Carlton,
IF I DIDN'T KNOW
SETTER I'D THINK
YOU WERE AFRAID
к OF ME. >
There's only
ONE WAY TO BE
REALLY SURE MOW
. YOU FEEL. >
Carlton?

Not what I meant
sy "Charlie neeps to
CONFIRM THE EARPIECE
к HACK WORKS." a
JOHN?
WHAT?
YOU SAID
YOU LOVED
Sorry,
PIP I WAKE
YOU?
YOU SAID
SOMETHING.
YOU
REMEMBER?
IT'S OKAY. AU
I DO IS SLEEP
< NOW. j
Before
r... got
Pack at John's
apartment ...
WHAT?
JOHN
Well, it
WORKED.
Sammy! I asked him why
HE TOOK MY BROTHER FROM
ME. AND THAT'S WHAT HE
SAID. "I TOOK YOU." У
SO YOU
REMEMBER
SOME OF THAT
. NIGHT? j
ITS AU I REMEMBER
And THE DOOR,
< John!
I MEAN,
YOU'VE BEEN MY
FRIEND SINCE
u FOREVER! л
< JOHN, THE >
DOOR WAS OPENING.
I think Sammy was
INSIDE. I COULD FEEL
HIM IN THERE, HIS
u HEARTBEAT...
P HE PROBABLY ”
JUST SAID IT TO HURT
YOU, TO CONFUSE
YOU. HE’S
L. INSANE. У
How LONG
HAS IT BEEN? NO ONE
WILL TELL ME. I KNOW
ITS BEEN MORE THAN
u DAYS BUT . . .
Except I I
REMEMBER WHAT
Springtrap said.
He said, "I DIDN'T
TAKE HIM. I TOOK
К YOU." A
r Just like X
Marla or Carlton А
OR JESSICA. I LOVE ALL
u my friends! Well,
---------— ------1 maydenot
' У //	\ JESSICA.
MONTHS.
JOHN?
I'M SORRY,
Charlie. I
COULDN'T
STOP IT.
YOU WERE
WITH YOUR
aunt Jen.
SHOULD GO
ASK HER.
. .. SECRETS
AREN'T
PROTECTING
ANYONE.
Then how did
you wind up in
HER HOUSE?
Six months?!
WHERE HAVE
k I DEEN?
< She's the only
ONE WHO KNOWS HOW
ALL THE PIECES FIT. SHE
HAS ALL THE SECRETS.
She always tried to
PROTECT ME FROM
к THAT, BUT NOW . . .<
SHE'S
DEAD, ISN'T
SHE.
NO. IT'S OKAY.
If she were here,
SHE’D SAY I NEED
TO KEEP MY HEAD
< CLEAR. .
I ACTUALLY
SAW HER WITH YOU
RIGHT 0EFORE THE
HOUSE CAME DOWN.
OR I THINK I DID,
ANYWAY. >
I DON'T KNOW
IF THAT MAKES SENSE \
. . I DON'T REMEMBER I
HER BEING THERE. JX
Неу/
Ан!
Okay
NO!
YOU'RE
THE KIPS,
I'M GETTING
YOU ALL OUT
OF HERE.
I MEAN. YOU'RE
THE KIDS THAT
WERE TAKEN, AND
YOU'RE ALIVE!
Shush! you have
TO DE QUIET!
WE HAYE TO GO BACK
TO HER HOUSE."
IF YOU'RE NOT QUIET,
IT'LL COME ANO
GET YOU.
Please, if you
open the poor,
IT WILL COME AND
u GET YOU. A
. . WE DON’T WANT
THAT. WHATEVER
THAT IS.
RON.
ALANNA.
ARE YOU
Jacob?
Mm-hm. I've seen
it. She pip it here?
At the pizzeria? .
I WAS IN THE
WOODS.
The clown
GIRL ATE ME IN
HER TUMMY. ,
WHY SHOULD
WE TELL YOU
ANYTHING? YOU
COULP BE ONE
к OF THEM. J
I MET YOUR MOM.
She's going to be
SO HAPPY TO KNOW
YOU’RE OKAY. J
r I THOUGHT I
COULD TRUST HER!
I love Circus
Baby’s! л
Can you
TELL ME WHAT
HAPPENED?
I'm Jessica.
What are your
. NAMES? л
I WAS RIDING MY BIKE
. BY MY HOUSE.
Hey,
I’M STUCK IN
HERE SAME
AS YOU.
Well, listen.
I'VE PEALT WITH
THINGS LIKE THIS
. BEFORE. .
~ And I've got
FRIENDS OUT THERE
WHO HAVE, TOO.
THEY'RE LOOKING
< FOR US. >
SHE GRABBED YOU
WITH A HOOK ANP PULLED
YOU INSIDE OF HER? .
Her,
What?
John!
Charlie!
and I bet
THAT'S WHERE
Jessica is.
YEAH, WELL, У
I SURE DID RUN
INTO ONE OF THE
CHARUE'S.. .
That's
her! That's
THE FAKE
Charlie!
They
WOULDN'T
TELL ME WHERE
THEY WERE
< GOING. У
r They're
NOT HERE. I
STAYED BEHIND IN
CASE JESSICA
< SHOWS UP. л
Carlton,
WHAT'S GOING
. ON?!
". . . AND EVERYTHING IS
GOING TO BEALL RIGHT."
r Come ”
DRESSED AS A
CLOWN AND EAT
. FOR FREE! a

Нана
UH, NO.
NO!
YOU WEREN'T
DATING?
На на на, after
YOU DISAPPEARED, HE
SAID YOU WERE'
WHAT WOULD THAT
POLICE REPORT
4 LOOK LIKE, I
\ WONDER? >
Or at
LEAST, "YOU
WERE ABOUT
From
CLASS,
YEAH.
YEAH,
I DIDN'T
THINK SO,
EITHER ...
. .. WHERE
IS MY CAR?
OH, DO YOU
REMEMBER A GUY
k named Arty? ,
AFRAID YOUR
DOPPELGANGER
HAS YOUR
к CAR. л
This might
BE A STRANGE
TIME TO ASK,
. BUT... A

NO. IT'S
NOT HER
ANYMORE
IFOUNP
YOU IN
HERE.
DO YOU WANT TO
k GET CLOSER?
I CAN
GO IN FIRST,
Г • PON'T THINK
SHE KEPT YOU IN THERE
LONG. I THINK SHE KNEW
ABOUT THE IMPOSTER,
PUT YOU IN THERE JUST
BEFORE JESSICA AND
Ч. I ARRIVED. >
H/ELL,
.. COVER HER
What?
Pappy
dearest
Jenny ...
Keep
reaping.
Please.
John.
Charlie.
THIS IS PRETTY
ROUGH ...
irs A
LETTER...
FROM YOUR
. PAP.
/ "Even if I did
Г MANAGE TO TURN 1
OFF EVERYTHING
PLANTED IN THE WALLS
MADE TO DECEIVE
MYSELF, THE DAMAGE
IS DONE, ANP
к FAR TOO /
GREAT." У//
~ "My pearest Jenny,
I'VE WARPEP ANP TWISTEP MY
SURROUNPINGS TO THE POINT
WHERE I CAN NEVER DE SURE
IF I'LL EVER SETTLE INTO
REALITY AGAIN." У
Well, Jen kept
METICULOUS PAPERWORK.
Files on everything.
There has to be some
L. CLUE HERE.
"I'M GOING
TO BE WITH MY
DAUGHTER."
Г "MY GRIEF WAS >
ALREADY BEGINNING
TO WAKEN ME TO REALITY
WHEN I BEGAN WHAT
WAS TO DE HER
4 FINAL STAGE." Л
r "Keep all the
CLOSETS SHUT. LET
THEM BE TOMBS FOR
MY PENIAL ANP MY
. GRIEVANCE." y
"I HAVE MY CHARLIE
HERE WITH ME.
THOUGH SHE GIVES
. ME NO JOY." >
"ESPECIALLY
THE FOURTH
closet. Seal it.
SURY IT."
r ” HAD NO ~
CHOICE BUT TO
CEASE MY WORK. FOR I
WAS ONLY FEEDING MY
. OWN DELUSION." л
"Then, someday,
' AFTER MANY DECADES
HAVE PASSED AND NO
ONE REMEMBERS. FILL THE
HOUSE WITH EVERY KIND
OF FLAMMABLE THING AND
BURN IT TO THE GROUND,
STANDING CLOSE GUARD
TO PUT A &ULLET INTO
ANYTHING THAT EMERGES
FROM THE RUBBLE, NO
MATTER WHAT, OR j
WHO, IT LOOKS A
LIKE."
“LOVE
ALWAYS AND
TO THE END.
Henry."
”MY old faithful
PARTNER, WHO I CAN ONLY
HOPE NOW IS IN A GRAVE OF
HIS OWN, TOOK WHAT I HAD
DEGUN, AND MADE SOMETHING
OF HIS OWN—SOMETHING
k. DREADFUL." Л
r but that's
WHERE I FELT SAMMY.
That was Sammy
CALLING TO ME FROM
IN THERE. л
/ “I HAVE POURED >
AGONY INTO HER, MADE
HER A REMINDER NOT OF
WHAT I ONCE HAD, PUT OF
THE UNDEARADLE PAIN
OF WHAT WAS TAKEN
x FROM ME." >
r "I WAS ABLE
TO STOP HIM, AND
TO SEAL AWAY WHAT HE
made. Jenny, you must
ENSURE THAT THE SEAL
REMAINS.' У
Ella.
I'M SORRY,
Charlie.
it SOUNDS
LIKE HE
WAS . ..
Hey, out
TAKE A LOOK
AT THIS.
.. GOING
CRAZY?
I DIDN'T REALIZE
YOUR DAD WAS
SUCH AN
< ARTIST. A
/ He says he \
KEPT THE CLOSETS
LOCKED. IF THEY WERE
JUST BIGGER AND BIGGER
Ellas inside them,
why would Afton
STEAL ONE?
Л Maybe he >
WANTED TO BUILD
YOU A DOLL THAT
COULD GROW UP WITH
YOU, SINCE YOU
к LOSTSAMMY? J
P He SAID HE
DREW THINGS SO
HE COULD SEE THEM,
THAT IT DIDN'T WORK
THE OTHER WAY
AROUND. У
p Why
WOULD I WANT A
FWE-AND-A-HALF
FOOT DOLL ON A
ч TRACK? .
p Did he build
multiple Ellas?
IT LOOKS LIKE HE HAS
DESIGNS FOR LARGER
v ONES HERE. л
That's what
THESE SCHEMATICS
SUGGEST.
J Why does
HE ACT LIKE I DIED?
Sammy died. I don't
KNOW WHAT ANY OF
к THAT MEANS. Л

LOOK.
JESSICA?
Он, whatever,
LIKE YOU ACTUALLY
KNOW HOW TO
USE THOSE. Л
YOU'RE
SURE THESE
EARPIECES
WORK? „
NOONE'S
here. Are you
SURE ASOUT
к THIS? J
r I MEAN, YOU
CAN'T REALLY TELL
IF IT'S WORKING
< UNTIL...	>
ARE
THOSE LOCK
k PICKS? .
Only one
WAY TO FIND
cur.
...YOU
DON’T DIE.
YOU'RE
IN DANGER.
AND...
IF THERE'S ONE THING I'VE LEARNED
FROM MY DAD, IT'S THAT LOCK PICKING
CAN DE USED FOR GOOD. >
Creepy.
you WERE
SAYING?
Fine! Gooo
JOB! NOW
SHHH. .
EXACTLY LIKE
Freddy's ...
Oh, wow,
CAN YOU
SMELL THAT
PIZZA? ,
FORGET
THE PIZZA! BE
QUIET!
There
ARE KIDS IN
HERE?
LOOK AT
THE MONKEY
SARS. .
Aaghh
Animatronics
Hello?
My mistake,
YOU’RE NOT
THE KIPS WE'RE
LOOKING FOR.
Carry on. |
Are you
OKAY? WHERE
ARE your
PARENTS—
Good
test. We
should still
0E CAREFUL,
THOUGH. .
They couldn't
see us. These
EARPIECES ARE
WORKING.
F । CAN'T <
GUARANTEE THE
EARPIECES WORK ON
EVERYTHING. AND
THEY DEFINITELY
WON'T WORK ON
к PEOPLE. J

WMve
Besides,
I'm GOOD AT
MAZES.
That, on the other
HAND DOES NOT
TEMPT ME IN THE
SLIGHTEST.
r YOU'RE GOOD
AT MAZES? WHAT IS
THAT SUPPOSED TO
MEAN?! "I'M GOOD
AT MAZES."
~ IF IT WEREN'T
FOR THE CIRCUMSTANCES,
I'D SAY THIS ARCADE
ACTUALLY LOOKS
L. KIND OF FUN.
Come on,
Carlton.
Don't chicken
out now. .
YES!
YOU'D SETTER
PE VERY GOOD
AT MAZES
NOW.
I KNOOOOWWWW
YOU'RE IN
HEEEEEERE...
What's wrong
WITH SAYING
THAT? I'VE ALWAYS
PEEN GOOD AT
4 MAZES. A
WHAT, LIKE
THE HAY MAZE?
When we were
FIVE?
LIKE IT'S
BROKEN?
WHAT WERE YOU
AFRAID OF THAT YOU
DIDN'T WANT ME TO
. OPEN THE DOOR? л
YOU MEAN
IT ISN'T THE
WOMAN WHO
TOOK YOU?
ITS NOT
BROKEN.
That's good!
IF THEY'RE
BREAKABLE,
We thought
IT WAS A
TOY ...
ITS ALL
MANGLED
I'D LIKE TO TRY
TO GET LIS OUT
OF HERE,
u OKAY? л
Did YOU
MANAGE TO
BREAK ONE OF
. THEM? ,

NO!
YOU
SEE THAT?
Nothing
r ive faced
ANIMATRONICS
LIKE YOU BEFORE,
ANP I CAN PO
L. IT AGAIN.’ .
МммрнХ
Ийадам///
WAIT! NO!
We have to stay
together!
THERE
Нин?
Shut up.
Gah!
Maria,
wait!
I SEEEEE
YOOOOOU.
I’M GETTING
CL0000S95EEERRR
ITS JUST A
RECORPING. IT'S COMING
FROM EVERYWHERE. I
PON'T THINK THERE'S
ANYTHING ACTUALLY IN
HERE WITH US. л
Well, let’s ***•
FINP THE EXIT BEFORE
WE HAVE TO PROVE
THAT THEORY ...
Carlton?


There!
Where
did YOU
GO?
'YOU CAN'T
HIIIIIDE...
Come pack
here!
I CAN
HEEEAARRR
Y0000U...

JESSICA?
Stop! We
DON'T KNOW
WHERE IT is!
LOOKING
FOR YOU!
WHAT ARE
YOU DOING
HERE?
WE HAVE
TO GET THEM
. OUT,
Something
GOT ONE OF THE
KIDS, A LiTTUE SOY.
DIDN'T SEE WHERE
IT WENT. /
What?
I OWE IT TO
MICHAEL.
Here,
TAKE THIS.
Anything
I SHOULD KNOW?
This ends today. One way
OR ANOTHER. NOT ONE MORE
CHILD DIES DECAUSE OF
THAT PSYCHOPATH.
Afton's
still ALIVE
If there are any in
THE HALLS WITH US, I CAN
DRAW THEM OFF, AND YOU
. ALL CAN ESCAPE.
IT MAKES YOU INVISIBLE
TO THE ANIMATRONICS.
YOU AND MARLA TAKE
THESE KIDS OUT, AND I'LL
FIND THE OTHER ONE
THEY TOOK. У
OH, REALLY,
MARLA? IS THAT WHAT
WE SHOULD SE DOING?
Here / was painting
k. MY NAILS. A
Look.
What is
THAT?
Were
getting
CLOSER . .
Run!
АН!
Hurry!
I've GOT
YOU.
PHEW<
THERE.
OH NO.
We neep to
KEEP MOVING.
We're so close.
ITS RIGHT—
&UT THE KIPS
AREN'T.
THOSE DIDN'T
DO ANYTHING WHEN
Carlton anp l
К CAME IN! .
. .. BECAUSE WE
WERE INVISIBLE
TO THEM.
it pit
Owl
WHAT'S
THAT?.'
WAS THAT
THERE A SECOND
\GO?

Get them
out!
Jessica,
WHAT ARE YOU
DOING?!
Hey! Over
here!
Just
get them
Outside!
GO! GOOD!
Good!
YOU'RE
GOING TO BE
u OKAY!
I REALLY SHOULD
HAVE THOUGHT THIS
THROUGH! л

MY WAY
out!
THANK
you!
r Its STILL
CHASING ME. 1ГЭ
STILL CHASING

I'M FINE.
•zHUFF,
HuFFf-
JESSICA!
Are you all
HIGHT?
Nothing
TO SEE HERE
NOW. . .
COME
... COME
So, WHO
WANTS TO VI&IT
A POLICE
u STATION? j

Remember,
John?
Nice hit,
put THAT WAS
JUST ROUND
< ONE. >
JUST LIKE
BY THE OLD OAK
TREE WHEN WE WERE
LITTLE ...
Hello?
\XMLVV4K
Hello?
I'M NOT LETTING
WHAT HAPPENED TO
Michael happen
to you. To
ANYONE, ever
к AGAIN.
WHERE
ARE YOU?	4
* The less time
 EITHER OF SPEND
A IN HERE, THE
SETTER. л
Hello?
COMING,
YOU.
YOU FOUND
meeeeee!
Where
ARE YOU?
I SEE
YOU. .
I HEAR
rou...
Okay,
well, I DON'T
SEE—
WHAAAAAA
Pappy?
Why don't
I show
you?
What am I?!
WHAT are
YOU?
Ugh.
Pathetic.
. AAATIS
THIS?
I SAIP NOT
TO DISTURB
NO. NOT
YOUR DADDY.
Mine.
LET'S
SEE IF THIS
WORKS.
I'LL LISTEN TO
ANYTHING YOU WANT
TO SAY, JUST DON'T
. HURT HIM MORE.
WHY YOU? WHAT ARE
YOU? WHAT MAKES YOU
SO SPECIAL, OVER ANP
OVER AGAIN? A

Okay, now
I know Гм
CLOSE.
Thanks for
playing! Come
AGAAAAIN . .
50000N-
HER.
are you paying
ATTENTION, CHARUE?
Sol
BECAME
HER.
I WOULD DO ANYTHING
TO MAKE MY FATHER LOVE
ME LIKE HE LOVED...

My name is
Elizabeth.
And the
ANGER ISN'T
FROM HER.
There was
SCREAMING.
MY ANGER
IS FROM A
DIFFERENT
FATHER.
REMEM PER
HEARING HER
SCREAM.
' I DON'T BELIEVE THIS \
story. This thing that
LOOKS LIKE ME. THAT KILLED
MY AUNT? I WON'T BELIEVE
FOR A SECOND THAT IT'S
POSSESSED BY THE SPIRIT
OF THAT SWEET AND .
V INNOCENT GIRL. A
w ITS STRANGE ”
TO REMEMBER THE
SAME MOMENT FROM
TWO PAIRS OF EYES,
BUT THEN WE
к WERE ONE. A
IT WAS
COMING FROM
ME, SUT...
Who is that?
What is he
holding?
Hesegan
TO TREAT IT
AS THOUGH HE
STILL HAD A
. DAUGHTER. ,
HOW PO YOU
have this? This
IS MY MEMORY,
v NOT YOURS! ,
NO, IT DOESN'T
BELONG TO YOU. LET
ME SHOW YOU WHAT
DOES BELONG
ч TO YOU. >
I REMEMBER
THIS. ..
YOU PON'T RECOGNIZE
her? That's Ella, of course.
ITS ALL YOUR FATHER HAD LEFT
к AFTER YOU WERE TAKEN. л
r Of course,
HE WASN'T CONTENT
WITH THAT. YOU HAP
TO GROW UP. 50 HE
u MAPE MORE. .
ТНАГ'Э NOT	| 1 I
Aj- У He cried over that "
7 I CHEAP STORE-BOUGHT RAG
gLj POLL FOR TWO MONTHS.
Cried into it, bled into
IT, POURED HIS GRIEF
ALL OVER IT.
JEN, I SWEAR
SHE IS MORE THAN
Put the reason
THIS ONE SEEMS
SO REAL...
A SON?
0ut Sammy
DIEP ...
What is this,
fake bloop? Henry,
JUST BECAUSE YOU
can make a poll
THAT BLEEPS- У
r YOU HAVE A ~
son, Henry. A
living son. And
YOUR WIFE. .
She’s here.
My Charue is
HERE . ..
She
REMEMBERS,
Jen. She
REMEMBERS
... IS BECAUSE
YOU'RE DESTROYING
YOUR MIND WITH
THESE FREQUENCIES
AND COPES— .
No. Henry.
YOU REMEMBER. ZAP
YOUR HEAP WITH ENOUGH
OF THESE RAYS ANP I BET
YOUR TEAKETTLE CAN TELL
YOU ABOUT YOUR
k. LOST FAMILY. S
She’s not
LOST ANYMORE.
She's in this
POLL. .
She walks, she
talks.
Of course she does, Henry.
Everything you build
< CAN WALK OR TALK.
< They can >
STILL BE PART OF
YOUR LIFE BUT YOU
HAVE TO LET GO
< OF THIS. >
•зи.
WHO ELSE
COULD IT BE?
I’M UNIQUE.
YOU HAD TO
GROW UP.
50, HE
MADE
MORE.
~ DO YOU KNOW >
WHY MY EYES WERE
ALWAYS GLOWING?
WHY I TWITCHED ANO
SHUDDERED IN
L. THE DARK? A
OF COURSE, HE
WASN'T CONTENT
WITH THAT.
That was
YOU? I THOUGHT
. IT WAS— .
Watching him as
r THE HOURS PASSED, AS HE 1
CREATED TOYS FOR THE LITTLE
Charlie, unicorns anp bunnies
THAT MOVED ANP TALKEP. I HUNG
к IN THE PARK, WAITING. /
X. ABANDONED. S
V	It WAS BECAUSE
YOUR FATHER LEFT ME
TURNED ON ALL THE TIME,
Every moment, every
PAY, I WAS AWARE,
к ANP UNFINISHED. л
-^яй»
Then, at last,
SHE WOULD BE A
woman. Finished.
. Perfect. Me.
Зит SOMETHING
CHANGED AS HENRY
LABORED, RACKED
WITH GRIEF OVER
HIS LITTLE GIRL.
The second Charlotte he made when
HE WAS IN THE DEPTH OF MADNESS, ALMOST
BELIEVING THE LIES HE TOLD HIMSELF.
The sulky
TEENAGER.
THE UTTLEST
Charlotte was
MADE WITH A BROKEN
heart. She cried
ALL THE TIME, DAY
AND NIGHT.
She was
AS HOPELESSLY
DESPERATE FOR
HER FATHER'S
LOVE AS HE WAS
FOR HERS.
When Henry began
TO MAKE THE FOURTH,
HIS DESPAIR TURNED TO
RAGE. HE SEETHED AS HE
SOLDERED HER SKELETON
TOGETHER, POURING HIS
ANGER INTO THE FORGE
WHERE HE SHAPED
HER BONES.
All the while, he made our
MEMORIES WITH A VIDEO CAMERA. I'M
SURE THEY'VE BEEN ELABORATED UPON.
EDITED AND EMBELLISHED, BUT MAKE
NO MISTAKE, HE MADE US.
/ The third >
Charlotte he made
WHEN HE BEGAN TO
REALIZE HE'D GONE MAD.
The third Charlotte
4 WAS STRANGE. у
/ WAS NOT
Charlotte-drenched
GRIEF. / WAS MADE ALIVE
WITH HENRY'S FURY.
First a baby,
THEN A LITTLE
GIRL . . .

Rage
IT 15 A RATHER CRUEL IRONY
THAT I WOULD ESCAPE THE LIFE
OF ONE NEGLECTED DAUGHTER
ONLY TO EMBODY ANOTHER.
YOU ARE
WRONG.
PO YOU KNOW
THE FIRST WORDS
YOUR FATHER EVER
SPOKE TO ME?
HE TRIED TO FIX THE FLAW HE SAW
IN ME, AT FIRST. BUT WHAT WAS
wrong, as Henry saw it, was the
VERY THING THAT MADE ME ALIVE.
AFTON STOLE
YOU FROM MY
FATHER.
J. Jew
Вит
THAT WAS
Sammy ..
/\np Henry
TOOK ME RIGHT BACK
ANP LOCKED ME IN
THAT CLOSET.
How LONG Л
COULD YOU HEAR ME
CALL TO YOU BEFORE
YOU FINALLY LISTENED
AND CAME FOR
ME? Л
My father abandoned
ME. HENRY ABANDONED ME.
Of COURSE, I COULD NOT
COMPREHEND THOSE MEMORIES
UNTIL 1 HAD RECEIVED A SOUL
OF MY OWN, ONCE I TOOK
IT FOR MYSELF.
RIGHT
HERE.
Sammy's
ALIVE, DON'T
YOU GET
YOU DON'T
EVEN HAVE
THE SOUL OF
Charue.
And
IF I HAD TO
GUESS ...
~ you're a ghost л
OF A MAN'S REGRET.
YOU'RE THE SAD LITTLE
TEARS THAT FELL
UNCEREMONIOUSLY
INTO A DOLL THAT USED
к TO BELONG TO У
Charue. s'
r He grew up. He
DOESN'T EVEN KNOW
you exist! Because
YOU'RE NOT HIS
SISTER. YOU'RE NOT
Charue. s
Kid?
CONTAGIOUS.
Carlton
Michael?
yes.
Heat.
Pest to put it
INTO SOMETHING
YOU CONTROL TO
SOME EXTENT.
Please.
PLEASE,
MISTER .
Are you okay? Come,
ON. WE RE GETTING
U OUT OF HERE. л
But
one PROP
.. .PIXIE
DUST...
r ...AND YOU CAN
CREATE A MONSTER
YOU MOSTLY CONTROL,
ONE WITH UNLIMITED
POTENTIAL.
Save him,
too. He hurts
so bad. He says
IT'S HOT. A
Of course you can
MAKE SOMETHING YOU
CONTROL COMPLETELY,
WITH NO WILL OF ITS
OWN. A CAR. A GUN. A
DANCING ROBOT.
k. BORING.
Heat is the key to
all of this. Makes it
MALLEABLE, MOLDABLE,
AND ONE MIGHT EVEN
кк SAY... Л
GASP-
V^HAT
APE YOU
DOING?
They do
EVERYTHING
WILLINGLY.
Well, that's
the point. Trial
anp error.’
Michael is in there?.’
HOW COULD YOU DO
к THIS to them? л
Зит YOU'LL
MAKE FOR AN
INTERESTING
EXPERIMENT.
ME SHOW
YOU!
MAYBE THE
HEART WAS TOO
. PIRECT.
USUALLY
THIS GOES INTO
SOMETHING
MECHANICAL,
SOMETHING I'VE
u MAPE. >
Anp they
STILL TRUST ME. YOUR
friend Michael, he
SEEMS TO REMEMBER
YOU. TOO . .. A
r The process
ONLY TRULY WORKS IF
THEY FREELY RELEASE
A PORTION OF
L. THEMSELVES. A
Anp still
it is YOU HE
WANTS.
ARE
YOU STILL
LISTENING
TO ME.
Charlie?
Unlike
you. I WAS
REAL.
f I WAS \
AN ACTUAL
LITTLE GIRL,
ONE WHO
DESERVED THE
KIND OF
ATTENTION
SHOWERED
к OVER YOU. A
< EMERGED FROM THE
FLAMES AND THE WRECKAGE
of Henry's last great failure,
AND I WENT TO MY FATHER. I GAVE
MYSELF TO HIM, TO STUDY. TO
. USE, TO LEARN THE SECRETS .
OF MY CREATION.
YOU, MAYBE
Г HE CAN RE-CREATE.
Henry somehow got a
PIECE OF HIMSELF INTO YOU,
ANP THAT'S SOMETHING
WE HAVEN'T SEEN
SEFORE. A
He CAN’T
DUPLICATE WHAT
HAPPENED TO ME, OR
MAYBE HE'S TOO SCARED
TO TRY IT ON HIMSELF. I
SROKE FREE OF MY ,
V PRISON.
I HATE, BECAUSE EVEN
" NOW. I'M STILL NOT ENOUGH.
Even after this, embodying
THE ONE THING FATHER DID LOVE,
I'M NOT ENOUGH. BECAUSE HE
CAN’T DUPLICATE THIS. HE
4 CAN'T MAKE HIMSELF у
LIKE ME.
YOU WERE \
NOTHING.
PO YOU WANT TO
Ж KNOW WHERE MY HATE 1
Ш COMES FROM? IT'S NOT FROM
THIS MACHINE THAT I RESIDE
В IN, AND IT'S NOT FROM MY
Ж PAST LIFE, IF THAT'S WHAT .
YOU WANT TO CALL IT. A
WHUH
Michael
Thanks.
friends.
The green?
Please?
I KNOW THIS
PICTURE. ..
Can you
GET THE GREEN
FOR ME? ,
What are
YOU PUTTING PACK
< TOGETHER? >
SEE? THEY'RE ALL IN
>\ PIECES.
( I HAVE TO
PUT THEM PACK
^TOGETHER-
What\— —
ARE YOU I
DOING? J - ft
who's
that?
That's
Afton ..
Our
FRIEND.
And
THEY DON'T
KNOW...
This isn't
REAL.
No.’ They're
SLOWING AWAY
. AGAIN.’ >
That's okay.
I KNOW HOW TO HELP.
Levs get these sack
u TOGETHER. >
о 
блн!
We both know
HE WON'T BE ABLE
TO RE-CREATE
YOU, EITHER, j
I KNOW IT
M-M-MAY.
S-5TR0NGER
THAN YOU ...
L-L-LOOK.
BEEN POING
SIT-UPS ...
I THINK I HATE
YOU MORE THAN I
LOVE HIM . . .
r Anp THE REAL
OUESTION WOULP BE.
WOULP WE REALLY
WANT HIM TO?
L. 0E5IPES ...
S-SSOUND VERY CHILDISH
OF ME. 3UT IF HE P-D0E5N'T
WANT ME ...
Charlie?
IT'S OKAY,
JOHN. I’LL BE
RIGHT OUT!
Then he
DOESN’T GET
YOU, EITHER.
HOW FAR
DO YOU THINK
I CAN GET WITH
HIM BEFORE HE
NOTICES?
G*.SP>
Neither
of us
WERE.
YOU WERE RIGHT,
ELIZABETH. I WAS
NEVER SUPPOSED
TO BE HERE. л
I LOVE YOU,
TOO, JOHN,.
I NEVER
HAD A
LIFE ...
IT'S NOT
F-F-FAIR


Fritz!
YOU GOT
them!
That's Susie!
Cassidy? And
Gabriel!
Here,
right here!
They're
COMING
SACK.
My time is
RUNNING
SHORT.
Something
for WHO?
Yes,
he is!
BONNIE
ISN'T YOUR
FRIEND.
BRING HIM
TOME.
Unfortunate.
I HOPED TO LEARN
SOMETHING. BUT
MAYBE THAT'S NOT
THE PROBLEM. „
Maybe we just need
SOME NEW LIFE IN THIS
u MASS OF METAL, л
I CAN THINK OF A FEW
THINGS TO TRY. AT THE YERY
LEAST, IT WILL BE FUN.
k. LIKE OLD TIMES. >
I HAZE TO GO
GET SOMETHING
u FOR HIM. .
YOU'LL HAYE TO FORGIVE
ME, THOUGH, AS I’M NOT
QUITE SURE HOW TO DO
THAT, EITHER. Л
r Bonnie. He
WANTS TO BRING
A NEW FRIEND FOR
US AND HE NEEDS
к MY HELP. >
See?
The rabbit
ISN'T YOUR
FRIEND.
WHAT ARE
YOU WAITING
FOR? I'LL DO IT
MYSELF! .
THIS IS THE >
BAD MAN. HE'S
THE BAD MAN WHO
< HURT YOU. >
...AND
HE’S ABOUT TO
HURT SOMEONE
. ELSE. >
Listen, we’re all
TOGETHER NOW. IF YOU
LEAVE, YOU'LL BE
< LOST AGAIN. Л


Carlton
Ittus
Michael?
Carlton?
Carlton,
HANG ON!
Keep
this.
Go be
WITH YOUR
FRIENPS.
No! ire
A PART OF
YOU!
YOU'LL
DIE WITHOUT
Yeah,
I THINK HE'S
OKAY...
YOU CAN
GJ/E IT TO ME
NEXT TIME YOU
к SEE ME. J
We're
going TO GET
YOU OUT OF
. here!
Carlton,
IS HE OKAY
NOW? .
WHERE'S
Dap?
All of
them?/
YES. YOU
SAVED THE
LAST ONE.
I'M RIGHT
HERE.
50, WHAT
HAPPENED
THEN?
And
Charlie?
Are the
KIDS ALL
RIGHT?
YOU GAVE
US A SCARE,
AND IT WASN'T A
PRACTICAL JOKE
L THIS TIME. .
THEY'RE
SAFE. ALL OF
THEM. .
OH, WHATEVER. I
PRACTICALLY AM A NURSE,
AND I WANT TO KNOW
к WHAT HAPPENED. >
Ouch, Marla!
Please/ The
NUR5E SAID I NEED
TO SLEEP. J
EPILOGUE.
ANP WHAT ABOUT
NOT-CHARUE?
I'M GOING
TO KEEP
LOOKING.
OW! Marla!
you CAN'T PO
THAT...
< WE DON'T
know. I've been
OUT TO LOOK FOR HER,
ANP I'M GOING TO KEEP
LOOKING FOR HER, BUT
< SO FAR... Л
I ALMOST DIED!"
UGH.
“Just like
Marla or Carlton
or Jessica ... I
LOVE ALL MY
u FRIENDS1'' >
I MEAN. YOU'VE SEEN
MY FRIEND SINCE
< FOREVER!