CONTROL
FOR THE
ADVANCED DRUMMER
CW-4 $8.95 Printed in the U.S.A.

T UDWIfl US I eVT
PUBLISHING CO., INC.
557 East 140th Street • Cleveland. Ohio 44110
Phone: (800) 851-1150 • Fax: (216) 851-1958 • Entail: ludwig@oh.verio.com
WRIST AND FINGER STROKE CONTROL FOR THE ADVANCED DRUMMER
Composed and Arranged by
Charles S. Wilcoxon
Edited by
Richard S. Sakai
This book is written tor the purpose of assisting the modem drummer in developing and achieving a higher degree of stick technique through the coordinated control of the forearms, wnsts, and finally, the fingers.
Each exercise is an individual four bar study in “swing.” The rhythmic continuity is so arranged that each phrase is a progressive step forward m ach eving this goal, or, apy chosen combinations may be grouped into innumerable Drum or Tom-Tom Solos
Progressing from the arms and wrists studies, we proceed to the ultimate in drumming technique, the FINGER STROKE This form of drumming is by no means a new fad in the drumming world It is merely another phase created by drumming demands over the past many years
Great power is not possible, neither is it expected But if the drummer is seeking fast, sharp and clean flowing technique, the FINGER STROKE is the “end.”
Following are a few basic rules or suggestions on how to practice and finally master this great art.
First-place stick in left hand in a natural relaxed playing position approximately four inches from butt end with thumb extended upward Raise the stick with the ndex linger of left hand to a well “up” position and let the tip fall naturally to the practice pad or drum. This tap should rebound
The principal is to keep these taps or rebounds in constant motion by tappmg thv top ot the stick with the index finger of the left hand only No wrist action should be used. Practice until all rebounds are in rhythm
Now, place stick in right hand, in a well balanced position between the thumb and index finger Move the middle finger to a natural position under the stick. Likewise, raise the tip to a well “up" position and let it fall to pad or drum With the right hand completely relaxed, tins stick will also rebound These rebounds or taps are kept in motion by tapping the middle finger upward against the underside of the stick. Again, no wrist action Practice until all rebounds are in rhythm
Another suggestion for practice which will sene the same basic purpose is to place both thumbs and tips of all fingers on a table top with palms well-up Tap table with the tip of index finger, (L H.). Alternate taps in rapid succession with taps of the middle finger, (R.H.). Speed is determined by the skill of the drummer Relaxed practicing is a “must.”
~ Charles S Wilcoxon
Wrist Stroke Studies
- Ami Strokes
' - Wrist Strokes
- Bounce (or rebound) Strokes
= I'inner Strokes
No. 1
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6 Copyright 19J1 by Charles 3. Wilcoxon, Copyright renewal 1973 by Charins 3, Wilcoxon
ij Copyright	1370 to Ludwig Mucic Publishing Co.. lac. Cleveland. Ohio
International Copyright Secured. AU. RIGHTS RESERVED Ineluding public p-rloinr.ar.co tor profit . Irrv cvyryfigr. arrantfrtf; er attftfOmg of th:> worl: Without tit* nwwrr’A *<ягде>Г i.r в» mj'nriry mrot о: ton Oflpjvfcft.*.
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Wrist and I inger Stroke Studies
No. 16
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Wrist and Finger Stroke Studies
No. 17
19
R	L	R	L	RLRL	RLRLRLRL	1,	R	L	R	I.	R	LULL	R L	R	L	R	L	RLRL
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Wrist and Finger Stroke Studies
No. 18
10
R	L	R	L	RLRLR	L	R	L	R	I.RLRR	R L RLRLR L R R	LRLRLRLRLL
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Wrist and Finger Stroke Studies
No. 19
21
L ] J. I. I L L L LRLR LRLRL RLRL RRRRRRRR R I. RLRLRLR) RLR Finger strokes or.ly
R R R R I. R L R L R L R I. L L L R L R L R I. R I. RRL R L R L L R L R L R R LRL L L I. 1. RLRLRLRL R ft R R LRLRLR1.R L L RLRLR R LRLR L LRLR Finger strokes only
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Firmer str.
Wrist and Finger Stroke Studies
No. 19
I I I I
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Wrist and Finger Stroke Studies
No. 21
W в I-	W В F	W W R 1'	W W В F
R-HAND	L-IIAND	R-HAND	l.-HAND
WHF	WBF	WBF	WBF
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24
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Flam Studies
Using Ann, Wrist and Finger Strokes , No. 22.	.
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Flams, Wrist and Finger Stroke Studies
No. 23
RRL I. T.L R R R R	R R I, L LLR R R R	LLR P. RRl. I. 771.	L L R R R R I, 1. I. I
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Flams, Wrist and Finger Stroke Studies
No. 24
L RRRRLLL LR-oniy	RLLLl.RRRRbac.lv	L RRRRLLLLR-on’y	R LI.I.l.RRRRbnnly
R1.LLLRRR.RI.	LRRRRLLLI.R '	RLLLLRRICRL	LRRRRLLLLR
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LUDWIG PERCUSSION
METHODS, STUDIES AND COLLECTIONS
RuditKG+dal	CollediG/tA by
ALL-AMERICAN DRUMMER ...... CW-2
DRUM METHOD ............... CW-1
DRUMMING! PLUS HUMMiN’ A TUNE . CW-7
THE JUNIOR DRUMMER ......... CW-6
MODERN RUD1MENTAL SWING SOLOS .. CW-3
ROLLING IN RHYTHM .......... CW-5
WRIST & FINGER STROKE CONTROL ..... CW-4
Studied fab Ute Snabe ^bfyun...
BROOK TEN ................................. 1:.,..
CONTEMPORARY ALBUM FOR THE SNARE DRUM .............
EASY SOLOS .........................................
HERE’S THE DRUM Volume 1 ...........................
HERE’S THE DRUM Volume 2 .............................BRK-2	.......... Emil Sholle.
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BRK-16 ............ Emil	Sholle
BK-34 ......... Stanley	Leonard
BRK-18 ............ Emil	Sholle
BRK-1 ............. Emil	Sholle
LUDWIG COLLECTION OF DRUM SOLOS ..............
MOELLER BOOK, THE ............................
MOORE’S SIX ................. ................
N.A.R.D. DRUM SOLOS ..........................
£tadiei fab Ute 2>btutt
BEGINNING DRUM SET ..........................
FUNDAMENTALS OF CALYPSO DRUMMING .............
MODERN APPROACH TO THE DRUM SET ..............
11-102 .... William F Ludwig Sr. 11-106 ..... Sanford	/X. Moeller
BRK-19 ........... James Moore
11-111 William F. Ludwig Sr.
BRK-3 ........ Robert Allen
BK-59	........ Lennard Moses
BK-67	..... Clifford Hulling
Studied fab Ute
LUDWIG TIMPANI INSTRUCTOR .................  11-103
PEDAL TECHNIQUE FOR THE TIMPANI ............ BK-63
TIMPANIST, THE .............................. BK-53
....... William	F. Ludwig Sr. ....... Stanley Leonard ....... Steve Kastuck
gtudieA fab McMet...
COLLECTION OF MARIMBA SOLOS
MARIMBETUDES ...............
SOLO JAZZ VIBRAPHONE ETUDES
BK-58	........ Cliff Hulling
BK-62 .......... Michael Burritt
BK-64	...... Arthur Lipner
GAtU OR EVLVL FOR CURRENT PPJCRS
Ask for a complete Percussion catalog. 1;дч1выи«имаашдшмишшл'-и~лцпиг.ци|лг »i имisj ainitaa	. u-sggxat
PUBLISHING CO., INC
557 East KCth Street Cleveland, Ohio 44110-1999 (600)851-1159 Fax: (216)851-1958 Email: ludwig@oh.verio.com
Exclusive Drum Books
IЛ 4HVIG TYMPANt INSlBtJCIOK A !.< gitinitig inviliod . i:ui Handbook liji lyntpani. Uci.'iil'/d diagrams and insinuliDii on Их* Inning .iiid care of iyntpaaJ. written for slndrnl and inslmctor, by Win. i. I .u Iwit;
Mo. S1-1G3
N.A.B.O. SfH.4>S
Л complete i OlllpiJulicn of 150 drum sofas wtiiien by the inemlx-ts oi the National Assoi ration c>l Kudtmontal Ifnunmer.s. An td< al s-miree for r;'r iitig niatcrinl.
No. I 1-2 I I
iA JV К DRUM МЕТЛЮ»
Ai: entnclv Nl-.W and \K ipECN tinlliOd l. u beginning si jr.ite drum. Designed for class er 11ni.v1d11.1J iiisuui i:on in the school ninsu jjiopram Heir's i method 11 .at lentiirs le.tditij,!
Na 11-101
soi .o < :oi u-cmor-i Conklins 45 si nxlard and origin- I safes. jo assorted duel.-, and eii.-.einbio iiUIllbi IS. All ideal ‘Mill . Ji и contest ii'.aletial ir, Wiliiaci f-: Li kKmi;'.
N<- fl ier?
'jU£ bSE-.',; f J-f; ЗООК
... ludja^Udtlvra .... Orcticstra Bait
TitE JI
•l ’«'Л .YiSJONfST .Ins bcc.k has lice. । wrifirn l.i provide an histtur.ii.-xj melhod for t!ie l  "ii:i er in lire arCc.s Oi snare tlnur. and ntaiiet key board percussion, by it. l'.jl;j’.K'Jt:i.
s 1-3 > J.
i’tiE A«’i IS:'
c:<inty!cic iiiwnte.vc»:'. oil .'ll 5И tuuunenl? wiib .U.tsirattcins of the* famous 'Essiem" stylo of drunitrii I..1 bv ). Hunts .vi.sore.
Cwiiaios E-i packed pa^cs of
siiaie drum iiis.tuciron. Ic‘9 Hr
revised edition of H ie original Iv-Joeflc.- bee к by Si’.nicrd A. Moe’.te-.
tiru. 1 f ’ .	
contains exeiciscs an<! music ti ir ilie bed iyra •; or. liestta l iell. By-VVtn. ['. ! nd wig, Jr. and Francis I. 1 .НГК».
No. I'-'03
NO. 11-5V-J
АЧ>. 1	14
' I’tc’cisc cci!l for piices
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